Developers, designers, and strategists, here’s something you can do for the health of the web:
Test all your sites in Firefox.
Yes, we should all design to web standards to the best of our ability. Yes, we should all test our work in *every* browser and device we can. Yes, yes, of course yes.
But the health of Firefox is critical now that Chromium will be the web’s de facto rendering engine.
Even if you love Chrome, adore Gmail, and live in Google Docs or Analytics, no single company, let alone a user-tracking advertising giant, should control the internet.
The development and adoption of accessible standards happens when a balance of corporate powers supports organizations like the W3C, and cross-browser-and-device testing is part of every project.
When one rendering engine rules them all, well, many of us remember when progress halted for close to ten years because developers only tested in IE6, and more than a few of us recall a similar period when Netscape was the only browser that mattered.
Don’t think the need to test in phones will save us: Chromium powers most of them, too.
And don’t write off the desktop just because many of us love our phones more.
When one company decides which ideas are worth supporting and which aren’t, which access problems matter and which don’t, it stifles innovation, crushes competition, and opens the door to excluding people from digital experiences.
So how do we fight this? We, who are not powerful? We do it by doubling down on cross-browser testing. By baking it into the requirements on every project, large or small. By making sure our colleagues, bosses, and clients know what we’re doing and why.
Maybe also we do it by always showing clients and colleagues our work in Firefox, instead of Chrome. Just as a subtle reminder that there are other browsers out there, and some of them kick ass. (As a bonus, you’ll get to use all those amazing Mozilla developer tools that are built into Firefox.)
Diversity is as good for the web as it is for society. And it starts with us.
THE WEB Fonts Wiki has a page listing fonts you can legally embed in your site designs using the CSS standard @font-face method. Just as importantly, the wiki maintains a page showing commercial foundries that allow @font-face embedding. Between these two wiki pages, you may find just the font you need for your next design (even if you can’t currently license classics like Adobe Garamond or ITC Franklin and Clarendon).
The advantages of using fonts other than Times, Arial, Georgia, and Verdana have long been obvious to designers; it’s why web design in the 1990s was divided between pages done in Flash, and HTML pages containing pictures of fonts—a practice that still, bizarrely, continues even in occasionally otherwise advanced recent sites.
Using real fonts instead of pictures of fonts or outlines of fonts provides speed and accessibility advantages.
Currently the Webkit-based Apple Safari browser supports @font-face. The soon-to-be-released next versions of Opera Software’s Opera browser, Google’s Webkit-based Chrome, and Mozilla Firefox will do likewise. When I say “soon-to-be-released,” I mean any day now. When this occurs, all browsers except IE will support @font-face.
IE has, however, offered font embedding since IE4 via Embedded OpenType (.EOT), a font format that enables real fonts to be temporarily embedded in web pages. That is, the reader sees the font while reading the page, but cannot download (“steal”) the font afterwards. Microsoft has “grant[ed] to the W3C a perpetual, nonexclusive, royalty-free, world-wide right and license under any Microsoft copyrights on this contribution, to copy, publish and distribute the contribution under the W3C document licenses,” in hopes that EOT would thereby become a standard. But so far, only Microsoft’s own browsers support EOT.
Thus, as we consider integrating real fonts into our designs, we must navigate between browsers that support @font-face now (Safari), those that will do so soon (Opera, Chrome, Firefox), and the one that possibly never will (IE, with a dwindling but still overwhelming market share).
The person who figures out a designer-friendly solution to all this will either be hailed as a hero/heroine or get rich. Meanwhile, near-complete solutions of varying implementation difficulty exist. Read on:
“Instead of making pictures of fonts, the actual font files can be linked to and retrieved from the web. This way, designers can use TrueType fonts without having to freeze the text as background images.” An introduction to @font-face by Håkon Wium Lie, father of CSS.
Is there life after Georgia? To understand issues surrounding web fonts from the type designer’s perspective, I interview David Berlow, co-founder of The Font Bureau, Inc, and the ?rst TrueType type designer.
A discussion that shows why the W3C may not be able to resolve this conflict. (It’s kind of like asking the Montagues and Capulets to decide whether the Montagues or the Capulets should rule Verona.)
Mike Davidson’s scalable and accessible remix of Shaun Inman’s pioneering use of Flash and JavaScript to replace short passages of HTML text with Flash movies of the same text set in a real font. The Flash movies are created on the fly. If JavaScript or images are turned off, the user “sees” the HTML text; text set in sIFR can also be copied and pasted. sIFR was a great initial solution to the problem of real fonts on the web, but it’s only for short passages (which means the rest of the page must still be set in Georgia or Verdana), and it fails if the user has a Flash block plug-in installed, as half of Firefox users seem to. It’s also always a pain to implement. I don’t know any designer or developer who has an easy time setting up sIFR. In short, while sIFR is an awesome stop-gap, real fonts on the web are still what’s needed. Which also leads us to…
Kilian Valkhof: “Everyone wants @font-face to work everywhere, but as it stands, it only works in Safari and the upcoming versions of Firefox and Opera. In this article I’ll show you how to use Cufón only if we can’t load the font through other, faster methods.”
Update May 28, 2009: Working with Jason Santa Maria, Jeff Veen’s company Small Batch Inc. introduces Typekit:
We’ve been working with foundries to develop a consistent web-only font linking license. We’ve built a technology platform that lets us to host both free and commercial fonts in a way that is incredibly fast, smoothes out differences in how browsers handle type, and offers the level of protection that type designers need without resorting to annoying and ineffective DRM.
Read more
Web Fonts, HTML 5 Roundup: Worthwhile reading on the hot new web font proposals, and on HTML 5/CSS 3 basics, plus a demo of advanced HTML 5 trickery. — 20 July 2009
Web Fonts Now, for real: David Berlow of The Font Bureau has proposed a Permissions Table for OpenType that can be implemented immediately to turn raw fonts into web fonts without any wrappers or other nonsense. If adopted, it will enable type designers to license their work for web use, and web designers to create pages that use real fonts via the CSS @font-face standard. — 16 July 2009
The new browser is based on Webkit, the advanced-standards-compliant, open source browser engine that powers Apple’s Safari for Mac and PC, but Chrome currently runs only in Windows. You figure that out.
To compete with Microsoft, the new browser must offer what other browsers do not. The risk inherent in that proposition is a return to proprietary browser code. It is not yet clear to me whether Chrome will compete the wrong way—offering Chrome-only features based on Chrome-only code, thus prompting Microsoft to rethink its commitment to standards—or the right way.
Competing by offering features other browsers do not (easier downloads, streamlined user interface) or by consolidating other browsers’ best features (Opera’s Speed Dial, Firefox’s auto-complete) avoids this risk, as improvements—or at any rate, changes—to the browser’s user interface have no bearing on the display of existing web content.
Competing by supporting web standards ahead of the pack, although not entirely without risk, would also be a reasonable and exciting way to compete. When one browser supports a standard, it goads other browser makers into also supporting it. Because Safari, for instance, supports @font-face, Firefox is not far behind in supporting that CSS spec. @font-face raises font licensing problems, but we’ll discuss those another time. The risk that concerns us here is when a browser supports an emerging specification before it is finalized, thus, essentially, freezing the spec before it is ready. But that is the traditional dance between spec authors and browser makers.
For web standards and web content, we once again live in interesting times. Welcome, Chrome!
