On the last night of August, 2009, the MFA in Interaction Design at School of Visual Arts opened its doors to eighteen gifted students. The intense program will be like Project Runway, except that it lasts two years, and nobody will be “out.”
Created and chaired by Liz Danzico and Steven Heller, SVA’s MFA in Interaction Design is one of the only graduate-level degrees dedicated to interaction design in the U.S. Over two years of night classes, the program teaches students from diverse backgrounds (including design, computer programming, architecture, and even majors in English literature) to envision and create experiences across all manner of media, including the real world.
Students in this program will not merely become better web or interaction designers. They will develop user experience conventions in media where no such conventions exist.
In a beautiful post at Bobulate, Liz places the opening of the new program in the context of SVA’s history.
It was a thrill to meet these talented students, who will spend the next two years haunting the program’s beautiful new design space at night (most of them after working at their day jobs, an SVA tradition).
To attend the program’s many free events, or simply to enjoy it vicariously, follow twitter.com/svaixd. And keep watching the skies.
It’s outrageous that the CSS standard created in 1996 is not properly supported in Outlook 2010. Let’s do something about it.
Hundreds of millions use Microsoft Internet Explorer to access the web, and Microsoft Outlook to send and receive email. As everyone reading this knows, the good news is that in IE8, Microsoft has released a browser that supports web standards at a high level. The shockingly bad news is that Microsoft is still using the Word rendering engine to display HTML email in Outlook 2010.
What does this mean for web designers, developers, and users? In the words of the “Let’s Fix It” project created by the Email Standards Project, Campaign Monitor, and Newism, it means exactly this:
[F]or the next 5 years your email designs will need tables for layout, have no support for CSS like float and position, no background images and lots more. Want proof? Here’s the same email in Outlook 2000 & 2010.
It’s difficult to believe that in 2009, after diligently improving standards support in IE7 and now IE8, Microsoft would force email designers to use nonsemantic table layout techniques that fractured the web, squandered bandwidth, and made a joke of accessibility back in the 1990s.
Accounting for stupidity
For a company that claims to believe in innovation and standards, and has spent five years redeeming itself in the web standards community, the decision to use the non-standards-compliant, decades-old Word rendering engine in the mail program that accompanies its shiny standards-compliant browser makes no sense from any angle. It’s not good for users, not good for business, not good for designers. It’s not logical, not on-brand, and the very opposite of a PR win.
Rumor has it that Microsoft chose the Word rendering engine because its Outlook division “couldn’t afford” to pay its browser division for IE8. And by “couldn’t afford” I don’t mean Microsoft has no money; I mean someone at this fabulously wealthy corporation must have neglected to budget for an internal cost. Big companies love these fictions where one part of the company “pays” another, and accountants love this stuff as well, for reasons that make Jesus cry out anew.
But if the rumor’s right, and if the Outlook division couldn’t afford to license the IE8 rendering engine, there are two very simple solutions: use Webkit or Gecko. They’re both free, and they both kick ass.
Why it matters
You may hope that this bone-headed decision will push millions of people into the warm embrace of Opera, Safari, Chrome, and Firefox, but it probably won’t. Most people, especially most working people, don’t have a choice about their operating system or browser. Ditto their corporate email platform.
Likewise, most web designers, whether in-house, agency, or freelance, are perpetually called upon to create HTML emails for opt-in customers. As Outlook’s Word rendering engine doesn’t support the most basic CSS layout tools such as float, designers cannot use our hard-won standards-based layout tools in the creation of these mails—unless they and their employers are willing to send broken messages to tens millions of Outlook users. No employer, of course, would sanction such a strategy. And this is precisely how self-serving decisions by Microsoft profoundly retard the adoption of standards on the web. Even when one Microsoft division has embraced standards, actions by another division ensure that millions of customers will have substandard experiences and hundreds of thousands of developers still won’t get the message that our medium has standards which can be used today.
So it’s up to us, the community, to let Microsoft know how we feel.
Armed with nothing more than a keen eye, a good seat, a fine camera, and the ability to use it, An Event Apart Seattle attendee Warren Parsons captured the entire two-day show in crisp and loving detail. Presenting, for your viewing pleasure, An Event Apart Seattle 2009 – a set on Flickr.
When you’ve paged your way through those, have a gander at Think Brownstone’s extraordinary sketches of AEA Seattle.
I wrote this book in 2001 for print designers whose clients want websites, print art directors who’d like to move into full–time web and interaction design, homepage creators who are ready to turn pro, and professionals who seek to deepen their web skills and understanding.
Here we are in 2009, and print designers and art directors are scrambling to move into web and interaction design.
The dot-com crash killed this book. Now it lives again. While browser references and modem speeds may reek of 2001, much of the advice about transitioning to the web still holds true.
What can I say? I’m a sucker for the gentle touch of a make-up pad. Or of anything, really. I love this photo (shot by Byrne with my iPhone) because it captures the fact that I’m still really a four-year-old. It also shows what a genuine photographer can do with even the humblest of tools.
Eat fine meals, ride fast trains, be a web professional
New at WebProfessional.org: in Careers in the Web Profession, WOW’s Bill Culver interviews your humble narrator and Scott Fegette, Technical Product Manager for Dreamweaver at Adobe about the joys, sorrows, challenges, and opportunities of a professional web career.
WebProfessional.org aims to promote the web professional by:
defining and promoting the title
providing resources that will assist Web professional to succeed
serving as a bridge between practitioners and those that teach, governments and industry