Categories
Accessibility An Event Apart business Design Redesigns San Francisco Standards

Say hello to web standards

There’s something new at Apple’s online store: web standards and accessibility.

Apple.com has never lacked for panache. It has always looked more stylish, more elegant, more beautifully designed than most business sites. The site’s combination of utility, seduction, and understated beauty is practically unique—in keeping with the company’s primary point of product differentiation.

But while its beauty and usability have always run ahead of the pack, its underlying source code has not always kept pace. Now the online Apple Store’s inside is as beautiful as its exterior—and as far ahead of the mainstream in web development as a company like Apple needs to be.

One day, all sites will be built like this. View Source for an inspiring glimpse of how semantic and accessible even a grid-based, image-intensive, pixel-perfect site can be.

And next time your boss, client, or IT director annoyingly proclaims that you can’t have great looks and good markup, point them at store.apple.com. Who knows? They might buy you an iPhone or MacBook as a token of thanks.

Opinions are no longer being solicited, but you can read the 101 comments that were shared before we closed the iron door.

[tags]apple, css, markup, accessibility, webstandards, jinabolton, aneventapart, aeasf07[/tags]

Categories
A List Apart Design eric meyer Redesigns work

Just My Type of Site

In i love typography’s carefully curated “15 excellent examples of web typography (part one),” A List Apart, Happy Cog’s twice-monthly magazine for people who make websites, leads the pack at number one. Jason Santa Maria designed this version of A List Apart; Eric Meyer cunningly crafted the CSS; and Kevin Cornell illustrates. Other top-ranking examples of typographic excellence cited include Shaun Inman dot com, FontShop, Jesús Rodríguez Velasco, and Kevin Cornell’s BearskinRug Shop. Congratulations to all 15 extraordinary websites.

[tags]typography, web, design, webdesign, webtypography, webtype, awards, galleries[/tags]

Categories
12 years Design development Redesigns writing

Since 1995

Oops, there goes our anniversary. On 31 May 2007 this site turned twelve years old. Ah, memories! Who can forget …

  • Gifplex (1995, an early “web multimedia” art experiment)
  • The Ad Graveyard (real ads that almost ran, 1995–1998)
  • Pardon My Icons (unusual icons for your desktop or website, 1995–1998)
  • 15 Minutes (interviews with movie stars and “cyber stars,” 1996–1999)
  • Ask Dr Web (an early guide to designing websites; taken offline because the presentational HTML techniques it advocated have long since become outdated thanks to web standards)
  • Mr Jenkins’s Last Martini (1996, the web’s first alcoholic haiku contest)

… and all the other juicy Web 1.0 Goodness™. Not to mention a couple dozen discarded designs, legions of obsolete splash pages, and a certain Daily Report that was initially dumped onto a page called coming.html and maintained daily and steadily for years before it became conscious of itself, acquired a title, and moved to the site’s front page.

The web found me and claimed me. Everything else followed. Maybe you feel that way, too. Thank you for what you bring to the web, and thank you for twelve years or your part of it.

“The independent publisher refuses to die.”

Related

Daily Reports from 1997 On
You don’t need the WayBack machine to go way back in zeldman.com history. Enjoy these representative Daily Report pages from 1997 on (including the famous HTML Fist).

[tags]zeldman, zeldman.com, blogs, blogging, independent content[/tags]

Categories
Design Happy Cog™ Redesigns work

Happy Cog redesigns AIGA

If you develop green technologies, you dream of selling your idea to Al Gore. If you run a design agency, you fantasize about winning AIGA as a client. Originally founded as the American Institute of Graphic Arts, AIGA sets the agenda for design as a profession, an art, and a political and cultural phenomenon. In the world of design, at least in the U.S., there is nothing higher.

When AIGA approached Happy Cog to redesign their site, we figured we had no chance at all. With nothing to lose, we spoke bluntly.

We told them they had fifteen years of great content that nobody could find. We suggested that an emerging class of designers who needed what AIGA had to offer did not know AIGA and could not connect with its web presence. The site could do more, and had to do more, to reach these users. We said AIGA’s site above all others should make brilliant use of typography. It should be a joy to read—and it was not.

I reckoned AIGA would hire a more obviously design-focused shop. “Designy design” agencies is how I think of such places, and I mean no disrespect by it. AIGA would, I figured, shrug off our fairly harsh words and choose someone more agreeable. Instead, they hired us.

Months of intense collaboration later, Happy Cog’s redesign of AIGA has launched. We junked the old structure, flattened the hierarchy, and surfaced the content. We gave the site’s years of brilliant writing by the likes of Ellen Lupton and Steven Heller an appropriately readable home—one that demonstrates what web typography can achieve.

And to make the site as inspirational as it is educational, we introduced a second narrative to the user experience: dynamically chosen selections from AIGA’s design archives visually intrude at the top of every page, inviting designers to dive into the archives whenever they seek refreshment.

AIGA’s Ric Grefé, Denise Wood, Liz Danzico, and Kelly McLaughlin guided us throughout the process. They are brilliant collaborators. Chicago’s Thirdwave created the robust and sophisticated back-end architecture required to support our detailed and unusual design requirements.

Thousands of pages of old content, none of it semantically marked up, and none of it structured to match our new requirements, have been fairly seamlessly integrated into the new design. Naturally there are still some bugs (not to mention validation hiccups) to work out. AIGA, Thirdwave, and Happy Cog will be working to patch these little bumps in the days ahead.

I creative directed the project, but its quality is purely due to the incredible team that worked on it:

More information is available at Happy Cog and on Jason’s and Dan’s sites. Better still, just dive into the new AIGA.org.

[tags]aiga, design, redesigns, webdesign, happycog[/tags]

Categories
business Design events fashion Happy Cog™ Philadelphia Redesigns work

Happy Cog redesigns, 2/7/2007

Mr Mancini, my high school science teacher, grew a mustache when he began to dye his grey hair black. The dye job progressed by degrees. He was a little grey, then less grey. Nobody noticed; his mustache mesmerized us.

On the day Mr Mancini went all black, he shaved his mustache. All we noticed when he bounced into the classroom was his big, smooth-shaven face. He had to tell us that he’d changed his hair. As a man, he wanted to protect the secret of his vanity, but as a science teacher he felt morally obliged to explain the psychological trick he’d played on us.

Good redesigns work like my teacher’s hair. They are always an opportunity to fix or change a lot of things that aren’t obvious on the pretty new surface. Happy Cog has just redesigned.

It started with a sentence

The new version of Happy Cog’s website had to better convey how our agency’s business has diversified. We are first and always designers for hire. We are also publishers, whose micro-empire is expanding. And we have lately co-founded a high-profile event series.

The old site told the “design for hire” story. The redesign had to tell all three stories.

Usually this would be done by creating a navigation bar with labels like “We design,” “We publish,” and “We present.” But labels don’t connect; they separate. Navigation labels could point to three separate story-lines, but they would not make the case that ours was a holistic enterprise—that our conference, our publications, and our client services business were one.

For some time, I’ve been thinking about the primacy of words in the user interface. A sentence, I felt, could present our three businesses, and by its very nature, connect them in the reader’s mind.

The primary navigation interface had to be a sentence. And so it is.

The drawing board

One sentence led to another. I found it easy to write the new Happy Cog and easy to spin an organic architecture out of the opening sentence. But hell if I could design the thing.

I’d always designed Happy Cog; it was my baby; but every time I opened Photoshop or took crayon to paper, the results were a muddle. Maybe it was because my brain was barreling along on architecture and copy. Or maybe there are only so many times a single designer can take a new look at the same site.

I tapped Jason Santa Maria (or maybe he tapped me). Jason has one of the keenest minds and two of the freshest eyes in the business. He makes legibility beautiful. What the Ramones did with three chords, he does with two system fonts. His designs always spring from the user and the brand proposition.

His first effort sucked. (I was secretly relieved.)

A month later, Jason came back with pretty much the design you now see at happycog.com. (I rejoiced.) The painting at the top, which makes the design, is by A List Apart illustrator Kevin Cornell.

The group

We fleshed out all the pages in Photoshop or as “copy wireframes” and then called on Happy Cog’s Daniel Mall to create lean, semantic markup, beautifully optimized style sheets, and all required PHP and JavaScript contraptions. Dan also set up the WordPress blog.

Dan is as good as anyone I’ve worked with. He is super-fast yet also deeply thoughtful. We spent many a mini-session debating such things as whether the About page and its subsidiaries should include microformats. We decided not.

Mark Huot migrated the new site, a job that involved considerable strategy as well as expertise. Rob Weychert contributed additional art direction and Jon Aldinger offered additional programming.

The redesign tells our story and gives us room to breathe and grow. It is also (I think) quite pretty and thoroughly appropriate. We hope you like it, and we invite you to subscribe to Happy Cog’s RSS feed to stay abreast of all matters Coggish.

Other perspectives

Jason Santa Maria and Daniel Mall have written their perspectives on the Happy Cog redesign. They’re swell! Jason’s writeup includes information about the Happy Cog Philadelphia Open House, featuring the live music of Comhaltas. If you’re around, please visit.

[tags]happycog, design, redesigns, webdesign, jasonsantamaria, danielmall, danmall, zeldman[/tags]

Categories
Accessibility An Event Apart better-know-a-speaker Boston business cities Community Design development events industry Redesigns Standards Tools

Register for An Event Apart Boston

Registration is now open for An Event Apart Boston 2007. Enjoy two amazing days of design and code plus meals, a party, and a bag of swag for a mere $795 (reg. $895) while early bird savings last. Attend for as little as $745 with a discount code exclusively for zeldman.com readers.

Learn by day, party by night

On An Event Apart’s website, you’ll now find a detailed schedule describing the presentations with which our superstar speakers hope to entertain and enlighten you. From “Web Standards Stole My Truck!” to “Redesigning Your Way out of a Paper Bag,” it’s two stimulating days of best practices and fresh ideas in design, usability, accessibility, markup and code.

Check out that schedule. I’ll wait.

Lest you be overwhelmed by learning too much too soon, we’ll help you unwind (and do a little networking) at the Opening Night Party sponsored by Media Temple. You might even win a prize, courtesy of Adobe, New Riders, or Media Temple.

Hotel savings

Our Boston Events page also includes notes to help you book your hotel room at a specially negotiated discount price.

Located in beautiful and historic Back Bay, the Boston Marriott Copley Place provides in-room, high-speed internet access; laptop safes and coolers; 27-inch color TV with cable movies; luxurious bedding and linens, and more. Best of all, it’s the site of the conference. You can walk out of your room and into the show!

Save more with discount code

During the early bird period, the price for this two-day event is $795. But you can nab an extra $50 off with this discount code exclusively for zeldman.com readers:

AEAZELD

Just enter AEAZELD in An Event Apart’s shopping cart to enjoy those savings immediately. During our early bird period, you’ll pay just $745 for the two days and everything that comes with them.

After February 26, 2007, when the early bird savings ends, the price goes up to $895, and you’ll pay $845 with the discount. Still pretty good for two days with some of the sharpest minds and greatest talents in web design. But why pay more? Book An Event Apart Boston as soon as you can.

Unlimited creativity, limited seating

An Event Apart Boston will be the best conference Eric Meyer and I have yet put together. It will also be this year’s only East Coast Event Apart. Don’t miss it.

Join Eric and me, along with Steve Krug, Andrew Kirkpatrick, Molly Holzschlag, Cameron Moll, Dan Cederholm, Ethan Marcotte, and Jason Santa Maria, for what we modestly believe may be the most exciting and enlightening show in modern web design.

Hurry! Seating is limited and early bird savings end Feb. 26, 2007.

[tags]aneventapart, boston, aneventapartboston07[/tags]

Categories
Accessibility An Event Apart cities Design development events industry Redesigns Standards Tools work writing Zeldman

Wrapping Chicago

An Event Apart Chicago has wrapped. It felt like the best one yet. Everything clicked.

There were as many designers as coders in attendance, as many Chicagoans as out-of-towners, as many agency people and freelancers as in-house folks, and nearly as many women as men. They engaged at “good morning” and stayed involved all day, asking shrewdly penetrating questions and sharing their own insights and experiences. Energy flowed not only between the floor and the seats but also from one seat to another. It felt like community.

This was the third time out for Eric, Jason, and me. Our talks were sharper and shorter — looser and more relaxed, yet also more focused than before. The rhythm was better. The balance between technical and aesthetic subjects, how much time was alloted to each, the way one theme flowed into another — the music of the day — felt tighter and truer than at events past.

Thanks to our sponsors at Adobe, AIGA, New Riders, and Media Temple, we were able to give away thousands of dollars worth of software, books, and services. (We’ll be doing the same at An Event Apart NYC next month.)

Guest speaker Jim Coudal‘s leisurely stories were like little grenades of inspiration. He tossed them out casually; moments later, they detonated.

The day formally ended with lively critiques of sites submitted by attendees. We tried this once before, at An Event Apart Philadelphia, with mixed results. This time it felt like it really worked. The day informally ended at Timothy O’Toole’s pub, with a mixer sponsored by Jewelboxing.

Time, and the blog posts of those who attended, will tell if the event was as good for you as it was for us. Sincere thanks to all who attended. Thanks also to Dawson, John Gruber, Amy Redell, Michael Nolan, and Orrin Fink.

And a reminder: the Early Bird Rate for An Event Apart NYC ends June 9th. That’s a week from today! On June 10th, the price will increase by $100. So if you’re thinking of attending An Event Apart NYC — two days of design and code — please register soon.

Categories
Design Happy Cog™ links people Redesigns war, peace, and justice work

May Day, May Day

Every year or two a fresh crop of internet blowhards decides design doesn’t matter. Indeed, they proclaim that bad design is good. Not merely is it good, it is the secret to internet wealth and success, they tell us. Whereas, they assure us, user-friendly, brand-appropriate, professional graphic design — or even mere competence — is the royal road to Failureville.

I don’t understand the siren song of this demonstrably idiotic claim. I don’t know why it seduces a new crop of assh*les each year. I only know it does. And then, just as predictably, all the year’s hot young new media designers get in a huff defending design against the fools who attacked it.

Seems to me it might be better to let the anti-design dummies rant themselves out and roll along their happy ignorant path in search of new things to attack. Such as air. Or babies.

Maybe I am jaded. Or maybe it’s hard to get exercised over inanity you’ve seen recur so many times. The assertion that “bad design is good internet” has been made by one set of dorks after another since at least 1995. One prominent consultant aside, nobody can remember who these blowhards were. They charged full bore into obscurity, as dolts generally do.

So to this year’s hot (under the collar) web designers, remember: next year, you will still be designing beautiful websites. And the people who claim that bad design is good? If they’re lucky, they will be selling apples on the street corner.

In other news

  • It’s May Day. Immigrants protest, and rightfully so.
  • It’s May Day. And that means a reboot.
  • It’s May Day. And that means a reboot.
  • It’s May Day. A day that honors worker’s rights. So it is only fitting that May Day was also the day of the Canadian Union of Public Employees website reboot. Happy May Day! Happy workers! Happy Canadians! Happy Cog redesigned this site.

In other, other news

Registration is now open for An Event Apart NYC.

In other, other, other news

An Event Apart Chicago has sold out. Whee.

Categories
Design Happy Cog™ industry Publishing Redesigns work

Happy Cog redesigns Advertising Age

Happy Cog’s redesign of Advertising Age, the leading journal of the advertising profession, debuted on Sunday 9 April 2006.

Along with a complete visual overhaul, the redesign included a restructuring and repositioning. In the past, the print magazine was Advertising Age and the website was, well, a website. But with this redesign, the full editorial experience of Advertising Age comes to the web.

In a welcome message, the magazine’s Scott Donaton writes:

For the first time ever, the full contents of the current issue of Advertising Age will be available online for subscribers on Sunday night, the day before the print edition hits newsstands and in-boxes.

Publishing is changing, advertising is changing, where people get their news is changing, and how publications earn their keep is changing. The journalistic enterprise is no longer one-sided: magazines, while remaining authoritative, must also listen to their readers’ voices — and readers want to know what other readers have to say. On top of all that, there were tough decisions to be made about free versus paid content.

Happy Cog worked closely and intensely with Advertising Age to solve architectural, design, and usability challenges. Considering the vastness of the undertaking (not to mention the fact that all of us are still figuring this stuff out) I think we did all right.

Thanks to Allison Arden and Jason Schmidt and their colleagues at Advertising Age for the opportunity, the thinking, and the support.

For Happy Cog: V.L. Bowls, Rob Weychert, Dan Cederholm, Erin Kissane, and Jason Santa Maria. You are all made of stars.

Categories
development Redesigns Standards Tools

Zeldman.com Reloaded

With a book half-written, two conferences looming, and waves of client work smashing the levees, it seemed a good time to change hosts and funnel this old hand-tooled site into a modern content management system.

The site is now powered by WordPress (why?) and hosted by Media Temple (why?). The hand-rolled summaries feed has retired. In its place is full-text RSS 2.0. There is also a full-text Atom feed for those who like their tofu extra crunchy.

Feeds and browsers

As the DNS rolls over, revealing this post, the retired RSS feed will seamlessly redirect to the new. If you’re reading this but seeing the wrong feed when you click the little RSS badge in your browser’s address bar, you’re using Apple’s Safari, and it’s clutching dead files in its cache. Quit the browser and restart OS X to make Safari find the new feed.

(Safari users may not need to do any of this, of course. Bang-your-head-against-the-desk Safari caching problems typically only affect site owners and developers.)

Hacky sack

I wanted WordPress to do things my way, which meant getting under the hood. I needed to finish before SXSW, which starts tomorrow. And I didn’t have time to learn anything new.

So I asked Noel Jackson (home, agency, software) to do the light hacking required to make WordPress my beast. He made it happen well and fast.

Still to come

Haven’t implemented comments yet. Still considering how best to do so. May not get around to it until after An Event Apart Atlanta. Comments. Gar. After nearly 11 years without. Huge. Gotta ponder. As for My Glamorous Life, for the time being that part of the site is sealed off until I figure out how (if at all) I want to carry it forward.

Basically, though, we’re open for business. Welcome back. (If you haven’t read Why WordPress? and Why Media Temple?, now might be a good time to do that.)

[tags]zeldman, wordpress, blog[/tags]

Categories
Design events links people Redesigns Tools

Roadside link jamboree

WHILE I’M WRAPPING Web Design World Boston, here are some links for your pleasure:

In Search of a Perfect Plug-in Technique
First we had Flash embedding the automated way. It worked in all browsers but it didn’t validate. Then came Flash Satay and UFO, FlashObject and Hixie’s nested objects. Which techniques are most accessible and most reliable? Macromedia accessibility expert and occasional A List Apart author Andrew Kirkpatrick checked them all out and drew conclusions worth reading.
gotomobile: the mobile usability and UX blog
In the U.S. a mobile phone is a cell phone for making phone calls. In the rest of the world it’s a rich two-way media device. Starting a year ago, renowned designer Kelly Goto began travelling the world researching how handhelds are used today and discovering the emerging principles of ubiquitous computing. Kelly, who is here lecturing at Web Design World, maintains this mobile usability and user experience blog, to which she posts from her handheld camera/phone/whatever.
Seed Magazine
This beautiful and well-written periodical explores the changing role of science in our global culture. New York’s own Mike Pick and Tim Murtaugh created the clean, elegant, and playful site design (check out the little colored seedlings at the top left).
DropSend
Got big files to share? Files so big you can’t email them? Files too big even for Basecamp hosting and posting? DropSend has you covered. This fresh-off-the-vine web application by Ryan Carson takes ease of use to a new level, working well and simply as advertised. I use it. Try it, you’ll like it.
Folksonomy is such a lonely word
In this New York Times Magazine feature, Daniel H. Pink explains folksonomies to the non-digerati. As most people reading this page know, “folksonomy” is IA Thomas Vander Wal’s 2004 coinage for the tag-powered, communal taxonomies that are not merely changing how websites and web products are structured but how information is perceived and categorized all over.
Greg Storey portfolio
I’ve always thought Greg Storey was a heck of a designer. Now you can more easily see for yourself just how good he is.
Oh, the Plazes you’ll go!
Plazes (beta) is a spanking new web app offering a “grassroot approach to location-aware interaction, using the local network you are connected to as location reference. Plazes allows you to share you location with the people you know and to discover people and plazes around you. It’s the navigation system for your social life and it’s absolutely free.” I’m using it right now and it is cool.