Category: Publishing

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Design Happy Cog™ industry Publishing Redesigns work

Happy Cog redesigns Advertising Age

Happy Cog’s redesign of Advertising Age, the leading journal of the advertising profession, debuted on Sunday 9 April 2006.

Along with a complete visual overhaul, the redesign included a restructuring and repositioning. In the past, the print magazine was Advertising Age and the website was, well, a website. But with this redesign, the full editorial experience of Advertising Age comes to the web.

In a welcome message, the magazine’s Scott Donaton writes:

For the first time ever, the full contents of the current issue of Advertising Age will be available online for subscribers on Sunday night, the day before the print edition hits newsstands and in-boxes.

Publishing is changing, advertising is changing, where people get their news is changing, and how publications earn their keep is changing. The journalistic enterprise is no longer one-sided: magazines, while remaining authoritative, must also listen to their readers’ voices — and readers want to know what other readers have to say. On top of all that, there were tough decisions to be made about free versus paid content.

Happy Cog worked closely and intensely with Advertising Age to solve architectural, design, and usability challenges. Considering the vastness of the undertaking (not to mention the fact that all of us are still figuring this stuff out) I think we did all right.

Thanks to Allison Arden and Jason Schmidt and their colleagues at Advertising Age for the opportunity, the thinking, and the support.

For Happy Cog: V.L. Bowls, Rob Weychert, Dan Cederholm, Erin Kissane, and Jason Santa Maria. You are all made of stars.

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Design industry Publishing Standards writing

Everyware

Adam Greenfield has written one of the most provocative books in years. If the right people read it, Everyware: The Dawning Age of Ubiquitous Computing may do for the coming, computerless computing interface what Don Norman’s The Design of Everyday Things did for design generally. Like Norman, Greenfield argues for good design not as an aesthetic issue but as an ethical and business imperative. There is an urgency and clarity to every word.

Everyware is both a prescription and a warning. Although films like Minority Report have made such ubicomp staples as the gestural interface look a bit silly, these kinds of interactivity are coming soon to a wall or object near you. Depending on who designs them and by what principles, they will work beautifully or badly. Everyware will enhance our lives by anticipating our needs or it will destroy our privacy — or both.

Besides Don Norman’s book, the other piece of writing I sometimes thought of as I read Everyware was Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction.” Writing in 1937, Benjamin pondered what the existence of photographic reproduction did to the status of the unique work of art. If the Mona Lisa can be reproduced by lithography, what is the value of the Mona Lisa?

It’s not that Greenfield writes like Benjamin (he doesn’t). It’s that both writers see and can describe changes in the world to which their contemporaries are oblivious. Greenfield is a friend and former member of Happy Cog so I have an interest in seeing his book do well. But if I didn’t know him or couldn’t stand him I would still highly recommend this book to anyone who cares about how design and technology are shaping our time.

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A List Apart industry Publishing work

Six minutes of pleasure

Here are six minutes of A List Apart during an ordinary hour of an ordinary weekday:

Six minutes of A List Apart, read around the world.

Fig A   Six minutes of A List Apart traffic on an ordinary weekday. (Enlarge.)

Six minutes of A List Apart, read around the world.

Fig B   Six minutes of A List Apart traffic on an ordinary weekday. (Enlarge.)

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Design industry links people photography Publishing writing

Year-end blowout

What makes for a good design book?
Lou Rosenfeld, co-creator of information architecture, is looking for people who like to read. Specifically, he is looking for people who like to read about design and user experience. Are you one of them? Then here is your chance to sound off. What vital topics aren’t being covered (or aren’t being covered well) in the design and user experience books you buy? Where are publishers falling down? What are you dying to read? Let Lou know what you think.
Technorati is hiring
Technorati, a real-time search engine that keeps track of what is going on in the blogosphere, seeks a modern web developer, “proficient in state of the art LAMP (Linux, Apache, MySQL, PHP) development, with emphasis on PHP and Apache.” More to the point, says Chief Technology Officer Tantek Çelik, the company is looking for one who has kept up with CSS, semantic markup, microformats, and unobtrusive JavaScript.
Even more to the point, Technorati is looking for a smart web person who is tired of big-company bureaucracy, secrecy, and in-fighting, and seeks greater emotional and professional fulfillment—in other words, Technorati is looking for a web person who wants to make a difference. Yes, they really do write job descriptions that way, and not only in San Francisco, where Technorati is based. (Tags: technorati, jobs, webdevelopment.)
Freight for sale
FREIGHT (available from Phil’s Fonts) is a superbly detailed font family created by Brooklyn type designer Joshua Darden. Optimized for screen display, Freight is ideal for web interface design. You can also use it as a default font for such daily computing tasks as reading and writing email—makes a tasty break from Verdana and Georgia. Recent Darden fonts include Meta Headline (created at the behest of Erik Spiekermann and Christian Schwartz) and lovely, funky Omnes.
Kids with cameras

In Calcutta’s red light district, over 7,000 women and girls work as prostitutes. Only one group has a lower standing: their children. Zana Briski became involved in the lives of these children in 1998 when she first began photographing prostitutes in Calcutta. Living in the brothels for months at a time, she quickly developed a relationship with many of the kids who, often terrorized and abused, were drawn to the rare human companionship she offered.

Zana held weekly photography workshops between 2000 and 2003. There the children learned camera basics, lighting, composition, the development of point-of-view, editing, and sequencing for narrative. To Zana’s delight, equipped with inexpensive point-and-shoot 35mm cameras, the children produced incredible work. Their images are explosions of color: self-portraits, family pictures, street scenes, stunning tableaus of Bengali life.

Ruby on Rails podcasts
Audio interviews with David Heinemeier Hansson, who invented Rails and manages it as an open source movement, plus Ruby on Rails heavyweights and pioneers including Dave Thomas, Chad Fowler, Rick Olson, and A List Apart’s Dan Benjamin.
Fairplay defined
Everything you ever wanted to know about the digital rights management technology built into Apple’s iPod, iTunes, and iTunes Music Store. (Except how to turn it off.)
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Design industry Publishing writing Zeldman

Style vs. Design

With our blessing, the newly launched Adobe Motion Design Center has resurrected our famous article, “Style vs. Design,” originally published in 2000. A few words and references have changed to bring the piece “up to date,” but it is essentially the same article it was five years ago.

First published when web design, buoyed by dot-com dollars, was at its most self-indulgent, the article dared to suggest …

  • That trendy elements are not the same as design
  • That design is communication
  • That most web design is meant to be used
  • That most web design should therefore be usable

It still makes these points and they are still true.

The good news is that in the five years since the article was new, responsible web design has emerged as a practice. And it is being practiced by many people who are first and foremost designers.

The bad news is that college and university design curricula are still mostly about everything but information architecture, usability, application design, user-focused design, accessibility, and web standards.

[tags]zeldman, adobe, style vs. design[/tags]