It is pure pleasure to announce that famed web designer, developer, author, blogger, and entrepreneur Todd Dominey and fast-rising art director/designer/blogger Jason Santa Maria will join Eric Meyer and me on the speaker’s platform at An Event Apart Atlanta.
Todd Dominey is a living preview of tomorrow’s web designer: busy with client services, but also creating his own products; delivering powerful graphic design but always in the context of what the user needs to see; adept at web standards and Flash.
As for Jason Santa Maria, I hired him at Happy Cog and entrusted him with the redesign of A List Apart, so I think he’s pretty good.
Actually, I think Todd Dominey and Jason Santa Maria rock harder than Metallica and am thrilled that we will have them both on our stage. I hope some of you can join us at An Event Apart Atlanta.
Couldn’t make it to An Event Apart Philadelphia? Curious about what you missed? Our new, two-minute video reveals all. Well, anyway, it reveals what can be shown in two minutes. Shot on location at The Franklin Institute by filmmaker Ian Corey, it’s packed with thrills, chills, and design geekery.
See Zeldman explain why, the more words you have, the less you communicate. See Eric Meyer unveil the code behind last year’s best web layout. (Okay, so I’m prejudiced.) See Jason Santa Maria squeeze genuine typographic goodness out of two utterly common fonts. See lucky attendees win nifty prizes. See the music, hear the light.
Updated 24 January: SMIL video captioning by Andrew Kirkpatrick. Video playback requires QuickTime 7.
Lou Rosenfeld, co-creator of information architecture, is looking for people who like to read. Specifically, he is looking for people who like to read about design and user experience. Are you one of them? Then here is your chance to sound off. What vital topics aren’t being covered (or aren’t being covered well) in the design and user experience books you buy? Where are publishers falling down? What are you dying to read? Let Lou know what you think.
Even more to the point, Technorati is looking for a smart web person who is tired of big-company bureaucracy, secrecy, and in-fighting, and seeks greater emotional and professional fulfillment—in other words, Technorati is looking for a web person who wants to make a difference. Yes, they really do write job descriptions that way, and not only in San Francisco, where Technorati is based. (Tags: technorati, jobs, webdevelopment.)
FREIGHT (available from Phil’s Fonts) is a superbly detailed font family created by Brooklyn type designer Joshua Darden. Optimized for screen display, Freight is ideal for web interface design. You can also use it as a default font for such daily computing tasks as reading and writing email—makes a tasty break from Verdana and Georgia. Recent Darden fonts include Meta Headline (created at the behest of Erik Spiekermann and Christian Schwartz) and lovely, funky Omnes.
In Calcutta’s red light district, over 7,000 women and girls work as prostitutes. Only one group has a lower standing: their children. Zana Briski became involved in the lives of these children in 1998 when she first began photographing prostitutes in Calcutta. Living in the brothels for months at a time, she quickly developed a relationship with many of the kids who, often terrorized and abused, were drawn to the rare human companionship she offered.
Zana held weekly photography workshops between 2000 and 2003. There the children learned camera basics, lighting, composition, the development of point-of-view, editing, and sequencing for narrative. To Zana’s delight, equipped with inexpensive point-and-shoot 35mm cameras, the children produced incredible work. Their images are explosions of color: self-portraits, family pictures, street scenes, stunning tableaus of Bengali life.
Audio interviews with David Heinemeier Hansson, who invented Rails and manages it as an open source movement, plus Ruby on Rails heavyweights and pioneers including Dave Thomas, Chad Fowler, Rick Olson, and A List Apart’s Dan Benjamin.
First we had Flash embedding the automated way. It worked in all browsers but it didn’t validate. Then came Flash Satay and UFO, FlashObject and Hixie’s nested objects. Which techniques are most accessible and most reliable? Macromedia accessibility expert and occasional A List Apart author Andrew Kirkpatrick checked them all out and drew conclusions worth reading.
In the U.S. a mobile phone is a cell phone for making phone calls. In the rest of the world it’s a rich two-way media device. Starting a year ago, renowned designer Kelly Goto began travelling the world researching how handhelds are used today and discovering the emerging principles of ubiquitous computing. Kelly, who is here lecturing at Web Design World, maintains this mobile usability and user experience blog, to which she posts from her handheld camera/phone/whatever.
This beautiful and well-written periodical explores the changing role of science in our global culture. New York’s own Mike Pick and Tim Murtaugh created the clean, elegant, and playful site design (check out the little colored seedlings at the top left).
Got big files to share? Files so big you can’t email them? Files too big even for Basecamp hosting and posting? DropSend has you covered. This fresh-off-the-vine web application by Ryan Carson takes ease of use to a new level, working well and simply as advertised. I use it. Try it, you’ll like it.
In this New York Times Magazine feature, Daniel H. Pink explains folksonomies to the non-digerati. As most people reading this page know, “folksonomy” is IA Thomas Vander Wal’s 2004 coinage for the tag-powered, communal taxonomies that are not merely changing how websites and web products are structured but how information is perceived and categorized all over.
Plazes (beta) is a spanking new web app offering a “grassroot approach to location-aware interaction, using the local network you are connected to as location reference. Plazes allows you to share you location with the people you know and to discover people and plazes around you. It’s the navigation system for your social life and it’s absolutely free.” I’m using it right now and it is cool.
An Event Apart Philadelphia Postpartum
I returned from An Event Apart Philadelphia with a head full of ideas, inspiration, and snot. Walking the snowy Franklin Parkway at 5:30 am after not sleeping for two nights in a row can give you a heck of a head cold. (It wasn’t nervousness about the show that kept me from sleeping; it was my fourteen-month-old’s nighttime restlessness. Will I take the kid on another business trip? You bet.) Mostly I came home happy to have pulled off our first travelling road show and pleased that it seemed to please most who attended.
Attendees came from as far away as Tokyo and London. There were plenty of locals, too. Philadelphia has a tight and engaged design community — you could see it and feel it.
There were problems. We were promised WI-FI for 150 people and barely had bandwidth for half that many. Some seats were more comfortable than others.
But most of the surprises were pleasant. Every attendee got a free book from New Riders—titles by Dan Cederholm, Hillman Curtis, Steve Krug, Marty Neumeier, Jakob Nielsen, Eric Meyer, and yours truly. Twenty people got free web hosting for a year courtesy of Media Temple. AIGA gave away posters, Pixelworthy gave away drinks. The event would not have been half so good without the caring support of these fine sponsors.
The Philadelphia Standards Organization, blogging live, published the day’s schedule, to which we mostly adhered. In future posts here or at aneventapart.com I may talk more about what we covered and why. For now, I’ll defer to my co-host Eric Meyer, our special guest Jason Santa Maria, and various lovely people who came to the show:
AEA Technorati (Technorati has no exclamation point and is not yet a Yahoo! product but the day is young)
No rest for the wicked
I am now at Web Design World, Boston; tomorrow I’ll keynote on web standards and do a session on the radically under-covered subject of writing as interface design. See some of you here and the rest when I return.
Each week leading up to An Event Apart Philadelphia, AIGA talks with founders and guest artists about what attendees can expect from the conference. Subscribe to AIGA’s Podcast Directory RSS feed to stay abreast.
This week, AIGA’s Liz Danzico talks withJason Santa Maria about being An Event Apart’s first guest speaker, his involvement with the first critiques, and upcoming plans for Stan, his virtual persona.
This week, AIGA’s Liz Danzico and An Event Apart’s Eric Meyer discuss the comparison between code and chisels, and why designers need to care about what’s under the hood.
It’s eight minutes and 16 seconds of pure design geek joy. Happy listening!
Talk is free, fonts are cheap
Talk is free, fonts are cheap, and it’s time to refresh your stock (icon) portfolio in today’s Report.
On beyond podcast
AIGA, the professional association for design, kicks off a weekly series of Event Apart-themed interviews with podcast the first, in which AIGA’s Liz Danzico drills your humble narrator on the whos, what, whens, and whys of our upcoming conference. Tune in next week for podcast the second, featuring a man called Meyer.
For the type nerd on your Kwanza list
Indie Fonts, a fantastic showing of 2000 faces from the likes of Chank, Garage Fonts, Test Pilot Collective, and 15 other hot indie foundries (plus 33 fonts on CD) is normally a steal at US $39.95. But if you buy by 14 November it’s available at the ridiculously cheap price of US $19.95.
But wait, there’s more. For $40 you can get Indie Fonts 1 and Indie Fonts 2, featuring work by Mark Simonson Studio, Jukebox, Atomic Media, and many more. Ho, ho, ho!
The corporate world can be ugly. But it just got prettier with 52 finance and commerce icons covering capitalist concepts like transactions, credit, and interest. Newly available from Stockicons at a CFO-friendly US $179 are two add-on sets: Harmony and Contour.
Stockicon sets are designed to be used in commercial works, software projects, and websites, and are brought to you by The Iconfactory.
The unshaken world looked on in horror as school buildings collapsed on children during the Kashmir earthquake. Carrie and I watched a man clawing at rubble because his little girl or boy was somewhere under there. A television journalist, reporting from the scene, said every child in that village had died.
Television journalists report on all kinds of awful events from all kinds of places, and it is part of their job to calmly relate even the most terrible facts. Yet this particular television journalist, standing just a few feet away from the grief-maddened parent, looked as if he, too, had been crying.
Then the 24-hour news cycle turned its attention to the next scandal, the next storm, the next talking point.
But the people of Afghanistan, Pakistan, and India who survived the earthquake don’t have the option to change the channel. Three million are homeless and a harsh mountain winter is setting in. Three million who survived will die in the coming weeks if not enough is done to help them.
It will take money and effort. And both are wanting.
You would think the governments of rich western nations would consider saving three million lives a no-brainer. For one thing, they are human lives, and from our pulpits and benches we constantly and truthfully proclaim that human life is an absolute value.
There are humanitarian reasons to make every effort to save these lives. There are ethical reasons, spiritual reasons, and even (though it is horrible to say so) political reasons, given that most victims are Muslim and the west has, to say the least, not done the best job of winning Muslim friends lately. But that is just logic and ethics and the religious duty of one human being to another, and thus not enough is being done.