I have an iPhone 4 and fwiw, mine was losing 10% per 2 hours and running warm as soon as I upgraded to iOS 5. In my case the culprit was quite easy to track-down. The new OS Location Services has a new sub menu: System Services. These services by default do not show the familiar arrow icon at the top right of the status bar. However, a new setting allows System Services location usage to be displayed. Just as well as in my case (I hasten to add that your mileage might vary) the culprit was ‘Compass Calibration’ which was perpetually holding on to Location Services even through restarts. Switching the blighter off cured the problem. What’s odd is that I have tentatively switched it back on since and it no longer activates Location Services. Very odd, but there’s my tale.
“SHARE YOUR MEMORIES of Steve Jobs” read the email from Faith Korpi, producer of the 5by5 network to which I contribute a podcast. I thought she meant memories of actually interacting with the guy. I had one such experience: Steve fired me from a freelance project. That being my only “memory” of Steve Jobs, I responded to the assignment by telling that story.
5by5 created a beautiful audio tribute to Steve Jobs. The other contributors, who understood the assignment correctly, carefully crafted personal tributes to Steve Jobs and his legacy. Listening to this series of heartfelt recollections, you get a sense of the contribution Steve Jobs made to all our lives. The testimonials of my colleagues make me feel awe, wonder, hope, and terrible sadness.
A little over twenty minutes into this love fest for a giant of our time, my little story comes along and quickly sinks like a stone. I didn’t write it out in advance (no time, I was chaperoning my daughter’s second grade field trip) and I didn’t record it in my pristine podcasting studio (same excuse). The gist of it is, Steve Jobs fired me and another guy from a project before we did a lick of work, paid us anyway, and afterwards, for nearly ten years, Apple hardware and software that worked perfectly well for everyone in the world misbehaved for me — as if the aborted project had left me cursed.
Pathetic.
I admire and marvel at Steve Jobs every bit as much as my better spoken, better prepared colleagues. Not only did he understand that computing is about people, not technology; he also had the will to unapologetically demand perfection from the human beings who worked for him. If I live to be one thousandth the creative director he was, I will tell myself, “Well done.”
“EVER SINCE the iPhone 3GS, the iPhone has become my primary camera. Aside from its terrific image quality, it’s the abundance of photo apps that make it shine. I get asked a lot about what apps I use, which are good, etc. Here’s my list.”—Jim Barraud
UNLESS YOU ENJOY waking up to a blank calendar, hold off upgrading MobileMe iCal for now. Prior to the latest update, I enjoyed flawless, seamless calendar integration across my desktop and laptop computers, iPhone, and iPad. I could enter an appointment on any device and know that it would show up immediately on all the other devices. And I could share calendar data easily with others, whether or not they were MobileMe users. All that changed last week with Apple’s latest calendar update.
The first thing the update does is pointlessly duplicate all your existing calendars, so that you have double listings of all events.
To stop that nuisance, you have to choose which version of each calendar to stop displaying: the new one hosted at MobileMe, or the “old” one that is locally cached on all machines and is in the fact the same thing. With no information from Apple, I guessed that I should stop displaying the “old” sync’d calendar and instead display the new MobileMe copy.
This caused the “old” calendars to disappear from my sidebar entirely. Now when I create a new event, there is much spinning of the beach ball as the cloud and my local computer negotiate every character press.
That’s bad enough; losing all calendar data is worse.
When I rouse my home machine in the morning, it fails to sync with itself due to some asinine unknown problem in Apple’s cloud, sends me the pointless error message shown here, and gives me a calendar like the one at the top, which is completely empty except for locally cached birthdays. Restoring the calendar requires me to stop work, quit any open apps, and restart my machine several times.
Additionally, “old” calendars long shared with others don’t update. You have to tell the user to stop linking to the “old” calendar and send info about the new one. And the new one won’t work if the user isn’t on MobileMe.
I’d happily go back to the “old” calendars that were always locally cached, never got hiccups when I typed data into them, and never disappeared like this, but Apple has helpfully removed them from my sidebar, so I can’t. I’m stuck with poor performance and disappearing calendars.
Things work better some places than others—for instance, on my iPhone, where I use Calvetica, I haven’t suffered the same frustrations I’ve experienced on my home iMac—and of course your mileage may vary. No doubt Apple tested the update on at least a few user setups, and I’m sure there are people for whom the .0 update is working, but I’m not one of them, and you might not be either. Eventually Apple will fix these bugs. I suggest waiting until they do. There is no benefit to the new calendar for existing MobileMe users, and there are plenty of drawbacks for now. I love Apple but their usability testing sucks.
Macworld editorial director Jason Snell is our guest on The Big Web Show (“Everything Web That Matters”) Episode #38, recording live Thursday, February 10, at 12:00 PM Eastern. Jason, co-host Dan Benjamin and I will discuss the future of publishing, Macworld’s evolving digital strategy, and of course our favorite computers, phones, apps, and tablets.
Jason Snell is editorial director of Macworld. He’s been covering Apple since 1994. He’s also the host of The Incomparable Podcast, at theincomparable.com.
The Big Web Show (“Everything Web That Matters”) records live every Thursday at 12:00 PM Eastern. Edited episodes can be watched afterwards, often within hours of recording, via iTunes (audio feed | video feed) and the web. Subscribe and enjoy!
WHAT A YEAR 2010 has been. It was the year HTML5 and CSS3 broke wide; the year the iPad, iPhone, and Android led designers down the contradictory paths of proprietary application design and standards-based mobile web application design—in both cases focused on user needs, simplicity, and new ways of interacting thanks to small screens and touch-sensitive surfaces.
It was the third year in a row that everyone was talking about content strategy and designers refused to “just comp something up” without first conducting research and developing a user experience strategy.
CSS3 media queries plus fluid grids and flexible images gave birth to responsive web design (thanks, Beep!). Internet Explorer 9 (that’s right, the browser by Microsoft we’ve spent years grousing about) kicked ass on web standards, inspiring a 10K Apart contest that celebrated what designers and developers could achieve with just 10K of standards-compliant HTML, CSS, and JavaScript. IE9 also kicked ass on type rendering, stimulating debates as to which platform offers the best reading experience for the first time since Macintosh System 7.
Even outside the newest, best browsers, things were better than ever. Modernizr and eCSStender brought advanced selectors and @font-face to archaic browsers (not to mention HTML5 and SVG, in the case of Modernizr). Tim Murtaugh and Mike Pick’s HTML5 Reset and Paul Irish’s HTML5 Boilerplate gave us clean starting points for HTML5- and CSS3-powered sites.
Print continued its move to networked screens. iPhone found a worthy adversary in Android. Webkit was ubiquitous.
Insights into the new spirit of web design, from a wide variety of extremely smart people, can be seen and heard on The Big Web Show, which Dan Benjamin and I started this year (and which won Video Podcast of the Year in the 2010 .net Awards), on Dan’s other shows on the 5by5 network, on the Workers of the Web podcast by Alan Houser and Eric Anderson, and of course in A List Apart for people who make websites.
Zeldman.com: The Year in Review
A few things I wrote here at zeldman.com this year (some related to web standards and design, some not) may be worth reviewing:
Lack of Flash in the iPad (and before that, in the iPhone) is a win for accessible, standards-based design. Not because Flash is bad, but because the increasing popularity of devices that don’t support Flash is going to force recalcitrant web developers to build the semantic HTML layer first.
while our current tools can certainly stand improvement, no company will ever create “the modern day equivalent of Illustrator and PageMaker for CSS, HTML5 and JavaScript.” The assumption that a such thing is possible suggests a lack of understanding.
Love means never having to say you’re sorry, but client services means apologizing every five minutes. Give yourself one less thing to be sorry for. Take some free advice. Show up often, and show up early.
Outside Reading
A few things I wrote elsewhere might repay your interest as well:
Cheap, complex devices such as the iPhone and the Droid have come along at precisely the moment when HTML5, CSS3 and web fonts are ready for action; when standards-based web development is no longer relegated to the fringe; and when web designers, no longer content to merely decorate screens, are crafting provocative, multi-platform experiences. Is this the dawn of a new web?
Style vs. Design written in 1999 and slightly revised in 2005, for Adobe
When Style is a fetish, sites confuse visitors, hurting users and the companies that paid for the sites. When designers don’t start by asking who will use the site, and what they will use it for, we get meaningless eye candy that gives beauty a bad name.
FLIPBOARD, AS YOU DOUBTLESS know, is a social media magazine for iPad. Part RSS reader, part iPad publication uniquely curated by each reader, the app brings serendipity, discovery, and typographic excellence to the experience of keeping up with one’s friends on Twitter, Facebook, and so on. This morning (last night in Japan), a new, improved version of Flipboard was launched, offering designers like us even more visual pleasure and rewarding the hours we put into our content’s semantic underpinnings.
Designer Craig Mod, in a letter, told me his “goal was to try and produce one of the best RSS experiences out there.” It’s accomplished via features like those listed below and more, as seen in these screenshots Craig sent me from his pre-launch tests:
auto-small caps
portrait and landscape optimized typography
full bleed images
flowing of text based on image size and location in the document
auto-generation of [figure] and [figcaption] objects based on alt
text on images
Adds Craig, “What’s great is that the more semantic and clean your feed, the better it will look in the app.”
The iTunes Store now features a Daily Show app. When you click to purchase it, the store tells you it doesn’t exist/isn’t available under this name.
Apparently, Apple or MTV Networks has withdrawn the app—and the news never made it to the database. How is this possible?
The error message indicates that the app “may be available” with a different price or “elsewhere on the store.” Neither of these possibilities turns out to be true.
Imagine a shoe store with special shoes highlighted in the window. When you try to buy them, the clerk says you can’t, but they “may be available” elsewhere in the store for a different price.
iPad. Never have so many embraced a great product for exactly the wrong reasons.
Too many designers and publishers see the iPad as an opportunity to do all the wrong things—things they once did in Flash—without the taint of Flash.
In the minds of many, the iPad is like Flash that pays. You can cram traditional publishing content into an overwrought, novelty Flash interface as The New York Times once did with its T magazine. You may win a design award but nobody will pay you for that content. Ah, but do the same thing on the iPad instead, and subscribers will pay—maybe not enough to save publishing, but enough to keep the content coming and at least some journalists, editors, and art directors employed.
It’s hard to argue with money and jobs, and I wouldn’t dream of doing so.
Alas, the early success of a few publications—publications so good they would doubtless survive with or without iPad—is creating a stampede that will not help most magazines and interfaces that will not please most readers.
Everything we’ve learned in the past decade about preferring open standards to proprietary platforms and user-focused interfaces to masturbatory ones is forgotten as designers and publishers once again scramble to create novelty interfaces no one but them cares about.
While some of this will lead to useful innovation, particularly in the area of gestural interfaces, that same innovation can just as readily be accomplished on websites built with HTML, CSS, and JavaScript—and the advantage of creating websites instead of iPad apps is that websites work for everyone, on browsers and devices at all price points. That, after all, is the point of the web. It’s the point of web standards and progressive enhancement.
Luke Wroblewski’s Touch Gesture Reference Guide gives designers plenty of ammunition to create dynamic user experiences that work on a wide variety of mobile phones and devices (including iPad) while these same sites can use traditional desktop browser effects like hover to offer equally rich experiences on non-touch-enabled browsers. Unless your organization’s business model includes turning a profit by hiring redundant, competing teams, “Write once, publish everywhere” makes more economic sense than “Write once, publish to iPad. Write again, publish to Kindle. Write again, publish to some other device.”
I’m not against the iPad. I love my iPad. It’s great for storing and reading books, for browsing websites, for listening to music and watching films, for editing texts, presentations, and spreadsheets, for displaying family photos, and on and on. It’s nearly all the stuff I love about my Mac plus a great ePub reader slipped into a little glass notebook I play like a Theremin.
I’m not against iPad apps. Twitterific for iPad is by far the best way to use Twitter. After all, Twitter is really an internet service, not a website; Twitter’s own site, while leaps ahead of where it used to be, is hardly the most useful or delightful way to access its service. Gowalla for iPad is my constant companion. I dread the idea of traveling without it. And there are plenty of other great iPad apps I love, from Bloom, an “endless music machine” by Brian Eno and Peter Chilvers, to Articles, which turns Wikipedia into an elegant reading experience, to Mellotronics for iPad, an uncannily accurate Mellotron simulator packed with 13 authentic voices—“the same production tapes featured on Strawberry Fields Forever” and other classic tracks (not to mention tracks by nouveau retro bands like Eels).
There are apps that need to be apps, demand to be apps, and I admire and learn from them like every other designer who’s alive at this moment.
I’m just not sold on what the magazines are doing. Masturbatory novelty is not a business strategy.
Paul Ford is our guest on The Big Web Show, taped live before an internet audience at 1:00 PM ET tomorrow, 14 October 2010, on the 5by5 network at live.5by5.tv.
Paul is a freelance writer and computer programmer. He was an editor at Harper’s Magazine from 2005–2010, and brought Harper’s 159-year, 250,000-page archive to the web in 2007; the system now supports tens of thousands of registered subscribers. More recently he helped the media strategy firm Activate with the launch of Gourmet Live, a re-imagining of Gourmet Magazine for iPad, and co-founded Popsicle Weasel, a small company totally focused on microsites.
He has written for NPR, TheMorningNews.org, XML.com, and the National Information Standards Organization’s Information Standards Quarterly, and is the author of the novel Gary Benchley, Rock Star (Penguin/Plume). Paul programs in PHP, Java, and XSLT2.0, but lately is all about Python and Django. His writing has been anthologized in Best Software Writing I (2005) and Best Music Writing 2009. He enjoys both software and music.
He will teach Content Strategy at the School of Visual Arts in New York City starting in 2011. His personal website, started in 1997, is Ftrain.com. He lives in Brooklyn, New York with his wife Mo and the obligatory cats.
The Big Web Show (“Everything Web That Matters”) is recorded live in front of an internet audience every Thursday at 1:00 PM ET on live.5by5.tv. Join us!
Edited episodes can be watched afterwards, often within hours of recording, via iTunes (audio feed | video feed) and the web. Subscribe and enjoy!
“Cheap, complex devices such as the iPhone and the Droid have come along at precisely the moment when HTML5, CSS3 and web fonts are ready for action; when standards-based web development is no longer relegated to the fringe; and when web designers, no longer content to merely decorate screens, are crafting provocative, multi-platform experiences. Is this the dawn of a newer, more mature, more ubiquitous web?”
Originally written for .net magazine, Issue No. 206, published 17 August in UK and this month in the US in “Practical Web Design” Magazine. Now you can read the article even if you can’t get your hands on these print magazines.
