Categories
Design industry tweets twitter

Twitter Blue

Before the present owner, I was a Twitter Blue customer, because I always pay for software—to support its creators and help prevent it from disappearing, as so many great websites and platforms have done over the years. 

It wasn’t about the Twitter Blue pro features, to be honest, because they were few and inessential.

For instance, the ability to unsend a tweet for 30 seconds turned out to be more of an annoyance than an asset. Its value could be replicated without the feature, simply by taking a few seconds to reread your post before hitting Send. Most of the time, the feature felt to me like an annoying delay before every tweet went up.

And as Twitter compulsion is closely connected to the dopamine hit of instant gratification—voila! your thought is out there in the world, quick as the firing of a synapse!—waiting 30 seconds soon came to feel like like a drag on the experience, not a benefit worth paying for. Like a cigarette that takes thirty seconds to deliver nicotine when you drag on it.

Nevertheless, as long as I had the income to do so, I would have continued to pay, simply to help Twitter keep going.

Because we’ve all seen what happens to beloved platforms after they run for too long on fumes. Investors grab lifeboats. Founders sell to a new owner who rapidly enshittifies the platform. Or the product disappears. Or it lingers as an under-resourced shadow of its former self, like a loved one with a tragically wasting disease. (Something I know far too much about.)

Besides: Twitter, as a town square, was important. Leaving its future health to the mercies of subscription models and advertising was risky enough.

Just as, despite the many obstacles to true representative democracy that threaten my country, it remains my sacred duty to vote, so too—as a user and fellow creator—did it feel like my duty to vote for Twitter’s continued existence with my wallet. (Again, acknowledging the privilege of having employment and at least a modicum of disposable income.) 

I won’t rehash the history of the new regime’s dangerous decisions and confounding errors of judgement—and that’s putting it charitably. Or share my anxieties about the Beloved Platform turning into a red-pilled fuckfest of racist, sexist pile-ons. 

Even when a longtime web acquaintance persuaded the new owner to “democratize” the blue checkmark by charging for it (and we’ll skip that history, which is still in progress, as well), I kept using Twitter, kept paying my Twitter Blue dues, and kept hoping for the best.

Even as brilliant people with vital jobs got kicked out by the thousands. Even when respected friends and colleagues abandoned Twitter like it was a room that smelled of corpses. Even when each day’s freshly absurd Twitter news cycle conjured disbelief worthy of U.S. Election Night 2016.

“Maybe it won’t be so bad,” I whispered to myself.

“I’ll hang in there,” I said.

As if continuing to use Twitter was some bizarre loyalty test to the platform itself, and not to the ideas and human beings that drove it. Like loyalty to a friend who drives his car into trees while drunk. “I’m not going to abandon him now, he needs help.”

Here comes the punchline: one day Twitter emailed me to say that my Twitter Blue account was being discontinued, but I would soon have the opportunity to pay for an exciting *new* version of Twitter Blue.

Then Twitter emailed me inviting me to roll over my credit card so as to become a member of the new Twitter Blue. Which made me wonder: do I continue to go by the principle of paying for software I use, even when I disapprove of the direction in which a new owner is taking the platform? Or do I register my dislike of that direction by refusing to pay, even if it accelerates the death of the platform? (Whereas I was still hoping for the platform to survive and right itself, no pun intended.)

In the end, and I know I’ll lose many of you here, I decided to keep paying. And now the promised punchline: Twitter was unable to accept my credit card, and the subscription failed. 

I tried for maybe 30 minutes.

I’ve successfully used software for over 30 years, and I’ve written a few things about UX and web design and development, so I generally have some idea of what I’m doing when I interact with internet content, and I also know that shopping carts are supposed to work. They’re not supposed to make users think. They’re supposed to make it easy to pay, whether you actually need the product or not.

Yet somehow—I wonder if it had to do with (illegally) firing most of the staff?—Twitter was not able to take my money.

The attempt to subscribe failed. Over and over. Perhaps it was my higher power telling me something. Perhaps it was my unconscious telling me something. But most likely, it was simple engineering and UX incompetence, caused by the removal of almost everyone at Twitter who knew what they were doing.

And the second punchline? I still have my blue checkmark. Which I’ve had since, like, 2006, or whenever the original Twitter first bestowed it. I guess because I’m of some small note in my field.

Of course, for all of having 322K followers, almost nobody sees my tweets, as the stats (and lack of engagement) plainly show me.

So either most of my 322K followers have abandoned the platform, or the algorithm works to minimize my footprint. And, theoretically, that latter situation would change if I paid Twitter the monthly $8—or, I believe it has gone up to $11, now, with price increases over time part of this week’s strategy to frighten folks into subscribing while they can still afford do so.

But I tried to give Twitter my money, even when I had Enormous Doubts that it was the right thing to do. And they simply wouldn’t take it. La de da. And for now I’m content to wait, peck my posts into the maw of the blind white whale, and see what changes next. 

Twitter Blue, Twitter blew it.

Categories
family glamorous Grief people Pete Zeldman

About Pete

Dear Fund donors —

This is one of the most difficult things I’ve ever had to write. Pete is still with us, but has decided that he cannot fight this fight any longer. Here is a window into what I have witnessed behind the scenes: I have never seen someone battle in such a heroic way in my life. Starting last summer when we first discovered that there were possible cures available for the very deadly pancreatic cancer he has, Pete was informed that if he tolerated the Abraxane/GEM chemo protocol that he was on, and if his numbers continued to fall, he would be a good candidate for the trial at the end of the year. In an effort to continue to be in the trial he essentially poisoned himself, refusing to complain or change course, with a 100% dosage for over 6 months (apparently a very rare thing) to get himself to the finish line when the next trial was scheduled to start.

He was hospitalised more than once with septicaemia due to the toxic levels of chemo in his body. He compared it to a Russian-style nerve agent poisoning. His glorious brain went deeper and deeper into a state of confusion and he had trouble thinking straight. His body started falling apart and his usually exquisite sense of ultimate limb and body control started to abandon him, and he began to take frightening falls. But this reaction to the chemo was all in service of his making it to the trial so he continued on, even though the whole thing was devastating and brutal.

When the time for the trial came, when we launched this GoFundMe, we were threading a needle. He had gone off the chemo to give his broken body and mind a break. The original lab in Portugal that was going to do the trial did not have their new lab ready and so sent him to a new-to-our-team lab in Germany. Pete’s team in the UK waited quite a while to put him back on a chemo protocol. When they did put him back on, they chose a protocol that had been more tolerable for him during his first bout in 2021, when they were trying to get him operable (and did!). As this chemo pause and shift to a new team was taking place, his once very low cancer markers were rapidly, more rapidly than anyone thought would have happened, rising in his body.

He was recently put back on Folfirinox, his once well-tolerated chemo protocol, and he just could not spend another day on it. It was terrible for him. The lab in Germany did the initial evaluation of his tumour and blood at a cost of €16k from this GoFundMe fund (which cannot be refunded), and found things there that have given them some optimism, but the vaccine takes 10-12 weeks to produce, and without a chemo protocol keeping him alive, he more than likely doesn’t have those weeks left to wait.

He is being put in palliative care now. The world is losing one of the greatest musicians, rhythmic theorists and just lovely and decent human beings ever to exist. I am heartbroken. I have been privileged to have met him when I was 19. We were a romantic couple when we were kids, from the time I was 20 until I was 25. We were in 2 amazing bands together. And he has allowed me to go on this illness and end-of-life journey with him. He is truly a hero to me.

His wife Cheryl is a beautiful human being. They have been together for 20 years. They adore one another. She is the perfect partner for him. Calm and loving. Understanding and kind. Smart and practical. I’ve seen over the years how much he loves her. I am heartbroken for her too.

He’s been extremely nervous about this GoFundMe should we have needed to halt it for any reason. He’s been incredibly touched by everyone’s beautiful, kind and loving contributions to his health and well being. We have been discussing a strategy regarding the remaining money in the fund, and are going to work out an amortisation based upon everyone’s overall contribution to the fund, and will refund according to percentage. This is Pete and Cheryl’s wish for the monies.

That is all I can say at the moment. I am in a great deal of personal pain, but that is to be expected because it is perfectly in proportion to the amount of love I have felt for Pete in every role he has played in my life. If you haven’t taken a moment to look at the videos of him playing polyrhythmic drums and explaining what he’s playing as he’s playing it, please do that now. Then, if you’re so moved, you can send him a message about it while he’s still here. I know he’d appreciate that.

Cindy

Categories
glamorous

Smells like victory

I love the smell of my neighbor’s weed in the morning.

And afternoon.

And evening. Seven days a week, God bless him.

A grocery delivery guy dropping food at my apartment Thursday morning thought it was my weed and complimented me on the quality.

Twenty-nine-and-a-half years sober. I still enjoy the smell.

Categories
Design social media social networking software twitter

“A $44 billion version of MySpace.”

The beautiful Twitterific icon, designed by The Iconfactory. Rest in peace.

My longtime friend and former collaborative partner Craig Hockenberry bids a dignified adieu to Twitterific, Twitter, and his mom … and calls for a standards-based universal timeline. — The Shit Show

Categories
cats family glamorous

A Cat Tale

Snow White in repose, prior to our story’s beginning.

First thing after her breakfast, Snow White climbed into a small, half-filled paper and cardboard recycling box. It was barely wide or deep enough to contain her. Her little brother Mango instantly appeared, sliding into a position that was barely an inch from the box. As Snow White arranged the papers and cardboard beneath her, Mango watched with tremendous concentration.

Moments later, with a pretty little jump, Snow White abandoned the box, striding off in the direction of the living room in slow, deliberate, dignified steps.

Seizing his chance, Mango leaped into the box.

As soon as he had settled in—the work of an instant—he turned his head to gaze at Snow White and confirm that she was watching him.

But she was still slowly walking away, not paying him the slightest mind.

So, half a moment later, Mango too sprang out of the box, sauntering off meaningfully into the front hall.

Categories
family glamorous

A Tale of Two Pools

Two swimming pools hold an almost holy place in my heart:

The indoor pool and gymnasium of the Chatham Center Hotel in Pittsburgh, where our family lived before our house was ready for occupancy. And where the gym manager Mr Kaufman, a mountain of lazily contented flesh who was never without his lighted cigar, unfailingly greeted my brother and me thusly: “Hello, boys. How’s your mother?” And where I taught my younger brother Peter to swim. We would hold our noses and hang upside down, our legs gripping the edge of the pool. When water went up our noses, we would shout “Angela!”, emulating some character on a TV show who had shouted that name, and cracking ourselves up over nothing, as only two close siblings can. After swimming, we would have spaghetti in the Howard Johnson’s that served as the hotel’s restaurant. That world is long gone.

The Big Pool at the Grand Floridian hotel in Disney World, several summers in a row, starting when my daughter Ava was six. The hotel is on the Magic Kingdom’s grounds. Entering the park an hour before general admission began, we’d hit our favorite attractions for an hour or two, while the temperature and humidity were still bearable. It’s a Small World and Pirates of the Caribbean were of course our favorites, but we also enjoyed the singing bears, and even the dreaded hall of presidents. Before lunchtime, our Magic Kingdom needs sated, we’d have returned to the hotel for a long day’s lounging in and around the pool. We made up imaginary and ridiculous Disney movies, describing the trailers to each other. (In “The Dog Who Shit Nickels,” when the suburban neighbor, pointing to a pile of coins, complains to dog owner Arnold Schwarzenegger, “Look what your dog did on my lawn!”, Arnold says, “Keep ze change.”) We splashed, we swam, we paddled. We floated on our backs, gazing at the palm trees and getting giddy over the ducks who roamed the grounds and used the pool as their toilet. My nostalgia for those moments is enormous. They will never come again. For we will never again travel to Florida.

Categories
glamorous

I’m Here

All my life I’ve known I was “creative” and “different.” Only recently have I realized that I’m both neurodivergent and bisexual.

In my youth, as I struggled with drugs, alcoholism, depression, and underemployment, it never crossed my mind that I was neurodivergent—not that the term existed then.

Even after I was diagnosed with an Anxiety Disorder some ten-plus years ago, I didn’t make the neurodivergence connection. It was only as my ex and I began coming to grips with our kid’s autism that I began to recognize many of her autistic qualities in myself and other members of our family.

And it’s only in the past year or two, and only with my daughter’s help, that I’ve come to realize I’m bisexual. 

I’ve known I was attracted to women since age five, when my mom took me into the powder room at B. Altman, where I gazed with open mouth as ladies touched up their lipstick, fluffed their hair, and adjusted how their bodies fit into their dresses. I was dressed in a wee suit with short pants and a bow tie. Two of the ladies picked me up and called me handsome. A lady kissed me. I smelled flowers as she enveloped me in a hug. A deep hunger was born in that moment. (I know. That sentence is gross.) Years later, in college, as I watched the adoration sequence during my first viewing of Fellini’s 8 1/2, I recognized my own experience of awakening.

Yet for all those years of knowing I loved women, I didn’t understand that the love I felt for male friends could also be a romantic attraction. 

How could I not know that? I suppose it’s because the other drive was more dominant—and, let’s face it, was also far more socially acceptable in those benighted days. As a short, nonathletic, curly-haired, unaggressive Jewish male in a world that beat me down for every one of those adjectives, I suppose I wasn’t eager to throw an extra (and even heavier) albatross around my own neck. 

So much so that I could not accept or even recognize that aspect of myself—not even when my unconscious tried to tell me.

I remember writing a short story about a failed connection between two male high school friends. Thinking I was another D.H. Lawrence, and that my hermetically sealed tale was secretly ripe with deep meaning and profound feelings, I shared the story with my peers in the graduate creative writing program where I was hiding to avoid growing up. 

A colleague in the program, who was a far better writer than me, and an out gay man, disdainfully labeled my work “another failed male bonding story.” I thanked him for his honesty and because his ability to use words that way amazed me, but I didn’t understand why he didn’t understand—because it was I who didn’t understand. (Understand?)

And so the decades have passed.

At this point in my life, being single works for me, and, after two marriages, I have enough to get on with, just working and being a dad. So why even share these fragments and evasions? Surely who I find attractive is of interest to absolutely no one.

Except that Fascists in my country are drawing lines, turning back the clock on human rights and human decency, and I’ll be damned if I’m going to sit silently warming my feet at the hearth of some late-recognized private truth.

If they want to outlaw queerness and Blackness and ovaries and pretty much any identity other than Ward or June Cleaver, then they’re not just a threat to humanity and a wrong turn in the arc of history, they’re my enemy to fight. I’m right here, motherfuckers.

Categories
Advocacy Archiving Browsers Community Design glamorous HTML industry javascript launches links Off My Lawn! people Publications Responsive Web Design Standards State of the Web Stories The Profession W3C Web Design Web Design History Web Standards Websites

He Built This City: The Return of Glenn Davis

You may not know his name, but he played a huge part in creating the web you take for granted today. 

As the first person to realize, way back in 1994, that the emerging web could be a playground, he created Cool Site of the Day as a single-focused blog dedicated to surfacing interesting sites, thereby demonstrating the web’s potential while creating its first viral content. (As an example, traffic from his followers, or, as we called them back then, readers, brought NASA’s web server to its knees.)

He co-founded The Web Standards Project, which succeeded in bringing standards to our browsers at a time when browser makers saw the web as a software market to be dominated, and not a precious commons to be nurtured.

He anticipated responsive web design by more than 20 years with his formulation of Liquid, Ice, and Jello as the three possible ways a designer could negotiate the need for meaningful layout vis-a-vis the unknowns of the user’s browsing environment.

He taught the web DHTML through his educational Project Cool Site. 

And then, like a handful of other vital contributors to the early web (e.g. Todd Fahrner and Dean Allen), he vanished from the scene he’d played so large a role in creating.

He’s ba-ack

Glenn Davis wasn’t always missed. Like many other creators of culture, he is autistic and can be abrasive and socially unclueful without realizing it. Before he was diagnosed, some people said Glenn was an a**hole—and some no doubt still will say that. I think of him as too big for any room that would have him. And I’m talking about him here because he is talking about himself (and the history of the early web) on his new website, Verevolf.

If you go there, start with the introduction, and, if it speaks to you, read his stories and consider sharing your own. That’s how we did it in the early days, and it’s still a fine way to do it—maybe even the best way.

I knew Glenn, I worked with him and a lot of other talented people on The Web Standards Project (you’re welcome!), and it’s my opinion that—if you’re interested in how the web got to be the web, or if you were around at the time and are curious about a fellow survivor—you might enjoy yourself.

Categories
Education glamorous

Education is its own privilege

When I think back to my college friends and me, what a beautiful bubble we lived in! Don’t get me wrong. It wasn’t a fancy college—it was state school, and we were all from out of state. And we certainly weren’t rich kids: my friend J came from a Lower East Side single parent family, back when the Lower East Side was the Lower East Side. 

The most comfortable of us came from middle class homes with a single professional breadwinner (engineer, dentist). Some of us had been caught in the American legal system as teenagers—although, as white teenagers, we’d had it comparatively easy. 

We’d all experienced prejudice, not only witnessing bigotry against friends, but coming up against it ourselves due to our ethnicity, or sexuality, or religion, or looks, or weight, or height, or comparative lack of athletic prowess, or disability, or the way we thought, or the way we talked, or what part of our town we lived in, or because we did well on tests, or because we did poorly on tests, or because of some other thing, or (usually) some multiple of the above. 

In Pittsburgh, where Cadillacs were called Jew canoes, the kids who tolerated me in ninth grade called me Mini Kosher, and I was subjected to daily humiliations until I proved myself by getting arrested and becoming a low-level pot dealer. But I digress.

We weren’t rich or cheerleaders or jocks (not that those kids don’t have problems of their own), and we weren’t the kind of white kids White America approved of, but we were privileged as hell not only by skin color, but also because we were educated. 


Education should be a right and American public school was initially set up, however imperfectly and even accounting for the racial segregation and deep unfairness of the time, to make sure everybody, at least in principle, would be educated enough to read books, understand political issues sufficiently to participate in America’s representative democracy, take care of their children, earn a living, grill hot dogs in summer, and pay taxes—the good life. 

For the luckiest, those whose families cherished learning, those whose parents read to them, those who looked forward to a Saturday library visit to pick out new books to read (novels and history books and science books and science fiction novels and fantasy stories and books about insects and books about reptiles and books that shed at least some light on the thrilling secret mysteries of adult relationships)…

Those who understood how to take tests so as to do well in school (which is a completely different thing from learning and retaining information), those whose parents encouraged reading and learning and cared and asked about grades and teachers, those with parents at least one of whom had time to spend with them, making them feel loved and safe, those who came from cultures where learning was cherished, so that their aunts and uncles talked about art and science and politics, and not just ball games and recipes…

Those whose families strenuously opposed all racial and religious bigotry, who taught their kids to stand up for the underdog, those who taught their children to approach all others with love and respect (even when, in reality, approaching everyone with love and respect means you sometimes get bullied and ridiculed, because some people are damaged and hateful and will see your humanity as a weakness)…

Those whose families (like all families) were far from perfect, but who somehow, despite failings and tragedies, instilled a love of learning or blew on a spark that was already present…

…So that their kids could do well enough in high school to attend a college, even if they really wanted to run away and join a rock and roll band…

And whether or not it was the most expensive or most competitive college in the land (it wasn’t), it was a place where they’d encounter other smart kids from different backgrounds and discover Truffaut and Bergman and stay up all night enthralled by great ideas or ridiculing them, cracking each other up, sleeping together, experiencing new levels of romance and heartbreak, discovering possibilities.

The ultimate privilege: having a sufficiently educated background to discover possibilities and think for yourself.

If only we all had that.

For Judith

Categories
glamorous

Walking Through Fear

I used to medicate my anxiety by drinking, but that was not good for me, my friends, girlfriends, family, coworkers, liver, or wives, so I stopped.

One way I manage anxiety today is by avoiding or delaying indefinitely the tiny tasks that stress me out—tasks other people do without blinking. Like checking my postal mail. The mail carrier used to think I was away from home, traveling. Nope, just scared to open the mailbox.

Today, I will tackle a series of important tasks I must get done before nightfall. I cannot avoid or postpone them. I’ve already tried bargaining, rationalizing, and pleading with myself, but was unable to find a loophole. What’s gotta be, gotta be.

By the end of this day, I will have done it all.

Categories
Code Community Diversity Education

Gender Bias and Reputation on Stack Overflow

This paper concludes that women are not disadvantaged by their own actions; they are penalised by a scoring structure which conceals sexism and disregarded by a masculine-majority userbase. Far from programmers’ paradise, gender-biases dictate the sharing and recognition of technical knowledge on SO.

Trouble in programmer’s paradise: gender-biases in sharing and recognising technical knowledge on Stack Overflow by S. J. Brooke

Hat tip: Shannon Smith (@cafenoirdesign).

Categories
Advertising client services Design glamorous industry

Fear of getting noticed

Back when I was in advertising, one of my team’s clients was a well-known Irish Airline. They could only afford an 1/8th-page ad in the travel section of the paper. But my partners and I didn’t think creativity was dependent on budget. We were determined to deliver great ads for them—ads that would make a viewer look, even though the ad was tiny and was surrounded by other ads.

So we created a standout campaign for them—the kind that would not simply be noticed, but would also make travel-focused consumers smile and encourage them to buy tickets.

We blew up our tiny layouts and mounted the enlargements on illustration board, for an impactful creative presentation when we met to show the client the work.

The great day came. The work was good, and we had rehearsed our presentation to perfection. We booked the conference room, had the client’s favorite snacks and beverages spread out when they arrived, and sold our little hearts out as we presented.

Silence.

The lead client blinked, cleared his throat, and finally said, in a thick Irish brogue:

“I’m afraid it’s far too clever for our needs. It calls too much attention to itself on the page,” he explained—as if getting a distracted newspaper reader to notice his company’s message was a bad thing.

The lead client asked us to set “Ireland $399” in bold type, stick a shamrock in one of the 9s, and call it a day.



Fear of getting noticed is a terrible thing. It’s also a self-fulfilling prophecy.

Clickbait headlines get a deservedly bad rap in digital marketing, but you know what else should get a bad rap? Blind, boring, infinitely ignorable links and titles, that’s what.

Crafting messages that get noticed and acted upon by their intended audience—the people for whom you create your company’s digital products in the first place—isn’t a crime. It’s your job.


Hat tip to Mark Mazut and Tim Irwin, my fellow passengers on the above disaster. Bit o’ nostalgia for those who remember The Ad Graveyard.

Categories
art art direction creativity Design Designers experience Illustration industry New York City NYC people Portfolios Startups Stories Web Design

Looking Back, Looking Ahead: artist Dan Licht

Illustration by Dan Licht: a scary cowboy smoking a stogie and sloshing his drink. His eyes are red and he looks like he's itching for a fight.
Illustration by Dan Licht
Illustration by Dan Licht.

In 1999, I had the good fortune to work alongside Dan Licht at an NYC digital startup called SenseNet, RIP. Back then, although still in his early 20s, Dan was already an accomplished art director and digital designer. Today he’s a fantastic comics illustrator, artist, and creative director. Check his recent art on Instagram and his client work at Daniel V. Licht dot com.

A heroic letter carrier is pictured sending letters on their way in this illustration by Dan Licht. The picture has a great deal of energy, and the action is all flying toward you, the viewer.
“Protect the U.S. Postal Service,” a 2020 illustration by Dan Licht.
Categories
glamorous work Working

My First Job

I was a teenage telemarketer. Reading from a script, I attempted to raise money for St. Jude’s Hospital for Leukemia-Stricken Children. I was fired after three days for departing from the script. 

We were supposed to hard-sell, no matter what the person on the other end of the line said. But when the people I cold-called talked about their financial hardships, I sympathized, asked questions, and didn’t try to force a donation.

Our boss listened in on the calls. My empathy toward the people I called was not appreciated. 

My boss failed to see any irony in the job’s requiring psychopathically cold-hearted behavior toward some needy people in order to raise money for others.

Probably he could not allow himself to see it.

Categories
Advocacy automattic Blogs and Blogging Brands Community Design industry Own your content software Standards Web Design Web Standards wordpress

Enabling Folks to Express Themselves on the Web: State of the Word 2021

Screenshot of slide highlighting the four phases of WordPress Gutenberg.

Not only are we enabling folks to express themselves uniquely on the web, unlike the cookie cutter looks that all the social sites try to put you into. We’re doing it in a way which is standards-based, interoperable, based on open source, and increases the amount of freedom on the web.

—Matt Mullenweg, State of the Word 

In a live address, Automattic’s Matt Mullenweg

  • Introduces Openverse (an opt-in content commons);
  • Announces that WordPress’s beginner-friendly Learn.Wordpress.org is now available in 21 languages;
  • Philosophizes about Web3 and the “decentralized web” —which, despite big company colonization attempts, is really what the web has always been;
  • Extols the virtues of Open Source;
  • And more. 

Watch the 2021 #StateoftheWord annual keynote address on YouTube. It’s two hours long, so bring popcorn.

Selected Additional Reactions & Commentary

Hat tips to Chenda Ngak, Reyes Martínez, and Josepha Haden.

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