• A die-cut above

    A die-cut above

    Cover art for the 1971 prog-rock LP “Fearless,” by British band Family features a distinctive, die-cut cover design depicting the five band members gradually morphing into a single entity combining features of them all. Tom Brigham, a high school student and friend of mine the year the LP was released, had not yet invented morphing…

  • The salad bar theory of UX professionalism

    The salad bar theory of UX professionalism

    Less, but better? Not this week.

  • Claude Code for Designers

    Claude Code for Designers

    FIRST, the disclaimers: Some of my favorite writers—folks who are as anti-fascist and pro-democracy as they come—publish on Substack, but I read and recommend their work less and less frequently, because Substack has a Nazi problem. To wit: Awkward: Substack’s Nazi Problem Substack call themselves a platform rather than a publication, a classic web conundrum.…

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