“A is for Aaron, who fell down the stairs. K is for Kevin, menaced by bears.” No wait, those are just the notes from our last staff meeting. Jack Pickard offers a lighter look at the world of web standards.
[tags]design, a list apart, alistapart, textsize[/tags]
AsylumNYC presents all non-US artists with the opportunity to exhibit and live in New York City, providing a solo show at a recognized New York institution and the legal aid necessary to obtain an artists visa in the United States.
“The New York Times Librarian Awards were created to support and recognize public librarians, who do so much to nurture a better-informed society.” Nominate your favorite librarian from anywhere in the U.S.
Concise, uniquely conceived blog entries, elegantly written and cleverly embedded in photos which function as parallel blog entries. The creator is a thoughtful and multitalented web developer, portrait photographer, and book author.
[tags]librarian, awards, typography, design, graphic design, web design, user experience, UX, information architecture, IA, microformats, hcard, net neutrality, webstandards, web standards, bandwidth, Google, Oliver Stone, art, illustration, immigration, links[/tags]
Type designer and Test Pilot Collective founder Joe Kral recently survived emergency surgery. Now his medical bills are killing him. (Like millions of Americans, Joe is uninsured.) Visit Joe Kral Needs Help to contribute, if you can — or buy one of Joe’s fonts from Veer.com. (Veer will send all revenue to Joe.)
When I’m not reading A List Apart, I read Digital Web Magazine. It’s a wonderful and deep resource of information about web design and user experience. In the past few years it’s grown particularly wonderful, in large part thanks to Editor-in-Chief Krista Stevens‘s ability to recruit great thinkers and writers. Alas for Digital Web, Krista will step down at the end of 2006. If you have what it takes to replace her, Digital Web needs you.
An Event Apart Chicago has wrapped. It felt like the best one yet. Everything clicked.
There were as many designers as coders in attendance, as many Chicagoans as out-of-towners, as many agency people and freelancers as in-house folks, and nearly as many women as men. They engaged at “good morning” and stayed involved all day, asking shrewdly penetrating questions and sharing their own insights and experiences. Energy flowed not only between the floor and the seats but also from one seat to another. It felt like community.
This was the third time out for Eric, Jason, and me. Our talks were sharper and shorter — looser and more relaxed, yet also more focused than before. The rhythm was better. The balance between technical and aesthetic subjects, how much time was alloted to each, the way one theme flowed into another — the music of the day — felt tighter and truer than at events past.
Thanks to our sponsors at Adobe, AIGA, New Riders, and Media Temple, we were able to give away thousands of dollars worth of software, books, and services. (We’ll be doing the same at An Event Apart NYC next month.)
Guest speaker Jim Coudal‘s leisurely stories were like little grenades of inspiration. He tossed them out casually; moments later, they detonated.
The day formally ended with lively critiques of sites submitted by attendees. We tried this once before, at An Event Apart Philadelphia, with mixed results. This time it felt like it really worked. The day informally ended at Timothy O’Toole’s pub, with a mixer sponsored by Jewelboxing.
Time, and the blog posts of those who attended, will tell if the event was as good for you as it was for us. Sincere thanks to all who attended. Thanks also to Dawson, John Gruber, Amy Redell, Michael Nolan, and Orrin Fink.
And a reminder: the Early Bird Rate for An Event Apart NYC ends June 9th. That’s a week from today! On June 10th, the price will increase by $100. So if you’re thinking of attending An Event Apart NYC — two days of design and code — please register soon.
Talk is free, fonts are cheap, and it’s time to refresh your stock (icon) portfolio in today’s Report.
On beyond podcast
AIGA, the professional association for design, kicks off a weekly series of Event Apart-themed interviews with podcast the first, in which AIGA’s Liz Danzico drills your humble narrator on the whos, what, whens, and whys of our upcoming conference. Tune in next week for podcast the second, featuring a man called Meyer.
For the type nerd on your Kwanza list
Indie Fonts, a fantastic showing of 2000 faces from the likes of Chank, Garage Fonts, Test Pilot Collective, and 15 other hot indie foundries (plus 33 fonts on CD) is normally a steal at US $39.95. But if you buy by 14 November it’s available at the ridiculously cheap price of US $19.95.
But wait, there’s more. For $40 you can get Indie Fonts 1 and Indie Fonts 2, featuring work by Mark Simonson Studio, Jukebox, Atomic Media, and many more. Ho, ho, ho!
The corporate world can be ugly. But it just got prettier with 52 finance and commerce icons covering capitalist concepts like transactions, credit, and interest. Newly available from Stockicons at a CFO-friendly US $179 are two add-on sets: Harmony and Contour.
Stockicon sets are designed to be used in commercial works, software projects, and websites, and are brought to you by The Iconfactory.