[tags]zeldman, zeldman.com, design, redesign, css[/tags]
Bowman’s experience shows there actually is something worse than having epic bad taste …. This worse thing is an active denial of taste. The extreme male brain, housed by the thousand in Google meatbags, cannot discern patterns or distinctive features that constitute good design according to the consensus of informed, educated people.
Instead of simply trying harder to learn to make such distinctions or just taking our word for it, the Googler embarks on a full-scale jihad against the very concept of taste…
Read Joe Clark on The Extreme Google brain.
[tags]design, anti-design, antidesign, joeclark, google, douglasbowman, aesthetics, taste[/tags]
In Issue No. 282 of A List Apart, For People Who Make Websites:
- Can we finally get real type on the web?
- Does beauty in design have a benefit besides aesthetic pleasure?
by DAVID BERLOW, JEFFREY ZELDMAN
Is there life after Georgia? We ask David Berlow, co-founder of The Font Bureau, Inc, and the ﬁrst TrueType type designer, how type designers and web designers can work together to resolve licensing and technology issues that stand between us and real fonts on the web.
by STEPHEN P. ANDERSON
Research proves attractive things work better. How we think cannot be separated from how we feel. The next time a boss, client, or co-worker scoffs at the notion that beauty is an important aspect of interface design, point their peepers here.
A List Apart explores the design, development, and meaning of web content, with a special focus on web standards and best practices.
[tags]alistapart, type, typography, realtype, truetype, CSS, beauty, design, aesthetics[/tags]
RATED FIVE STARS at Amazon.com since the day it was published, Taking Your Talent to the Web (PDF) is now a free downloadable book from zeldman.com:
I wrote this book in 2001 for print designers whose clients want websites, print art directors who’d like to move into full–time web and interaction design, homepage creators who are ready to turn pro, and professionals who seek to deepen their web skills and understanding.
Here we are in 2009, and print designers and art directors are scrambling to move into web and interaction design.
The dot-com crash killed this book. Now it lives again. While browser references and modem speeds may reek of 2001, much of the advice about transitioning to the web still holds true.
It’s yours. Enjoy.
Oh, yes, here’s that ancient Amazon page.
Update – now with bookmarks
Attention, K-Mart shoppers. The PDF now includes proper Acrobat bookmarks, courtesy of Robert Black. Thanks, Robert!
Bigthink.com/jeffreyzeldman is your BigThink channel for all your BigThink Jeffrey Zeldman needs. Now playing at that URL are three Zeldman interview clips for your pleasure:
- “Jeff” Zeldman dissects online journalism
- “Jeff” Zeldman outlines the history of blogging
- “Jeff” Zeldman discusses the future of open source
View early and view often. Happy watching and blogging.
[tags]bigthink, zeldman, jeffreyzeldman, interviews, internet, web, design, history, journalism, online, onlinejournalism, webpublishing, opensource, webstandards[/tags]
Next time a client says design doesn’t matter, share this with them: Tropicana Line’s Sales Plunge 20% Post-Rebranding (Ad Age).
I discuss “open source design” in an excerpt from a long interview at Big Think. The full interview, with a complete transcript, will soon be available there as well.
BigThink’s Merrell Hambleton did a great deal of research prior to conducting the hour-long interview, and was thereby able, not only to probe typical Zeldman topics in greater depth, but also to ask interesting questions outside my comfort zone.
The interview was carried out via Interrotron, a fascinating device invented by Errol Morris.
[tags]bigthink, zeldman, design, webdesign, opensource, standards, webstandards, libraries, jeffreyzeldman, interview[/tags]
PRESENTING the full audio recording of “From Freelance to Agency: Start Small, Stay Small”, a panel at SXSW Interactive 2009 featuring Roger Black (founder of agencies huge and small), Kristina Halvorson (freelancer turned agency head), and Whitney Hess (agency pro turned freelance), and moderated by yours truly.
The panel was about quitting your job (or coping with a layoff), working as a freelancer, collaborating with others, and what to do if your collaboration starts morphing into an agency. We sought to answer questions like these:
- What business and personal skills are required to start a freelance business or a small agency? Is freelancing or starting a small agency a good fit for my talents and abilities?
- Is freelancing or starting a small agency the right work solution for me in a scary and rapidly shrinking economy? Can the downsides of this economy work to my advantage as a freelancer or small agency head?
- I’ve been downsized/laid off/I’m stuck in a dead-end job working longer hours for less money. Should I look for a new job or take the plunge and go freelance?
- What can I expect in terms of income and financial security if I switch from a staff job to freelancing? What techniques can I use as a freelancer to protect myself from the inevitable ups and downs?
- How do I attract clients? How much in-advance work do I need to line up before I can quit my job?
- How do I manage clients? What client expectations that are normal for in-house or big agency work must I deliver on as a freelancer or the head of a small or virtual agency? Which expectations can I discard? How do I tell my client what to expect?
- Do I need an office? What are the absolute minimum tools I need to start out as a one-person shop?
- How big can my freelance business grow before I need to recast it as a small agency?
- What models are out there for starting an agency besides the conventional Inc. model with all its overhead? Which model would work best for me?
- Who do I know with whom I could start a small or virtual agency? What should I look for in my partners? What should I beware of?
- If I’m lucky enough to be growing, how do I protect my creative product and my professional reputation while adding new people and taking on more assignments?
- How big can my agency grow before it sucks? How I can grow a business that’s dedicated to staying small?
[tags]design, webdesign, podcast, recording, SXSW, SXSWi, SXSWi09, panels, panel, freelance, agency, smallagency, transition, survival, economy[/tags]
Spec = asking the world to have sex with you and promising a dinner date to one lucky winner.
(In case you missed my Tweet.)
Comments off. Feel free to respond on Twitter.
[tags]spec, design, business, clientservices, twitter[/tags]
In Issue No. 280 of A List Apart, for people who make websites: Embrace imperfection in design; nurture great content through community building.
by LAURA BRUNOW MINER
A key to running successful “social networking sites” is to remember that they’re just communities. All communities, online or off, have one thing in common: members want to belong—to feel like part of something larger than themselves. Communicating effectively, setting clear and specific expectations, mentoring contributors, playing with trends, offering rewards, and praising liberally (but not excessively) can harness your members’ innate desires—and nurture great content in the process.
by DAVID SHERWIN
Asymmetry, asperity, simplicity, modesty, intimacy, and the suggestion of a natural process: these attributes of elegant design may seem relevant only to a project’s aesthetics. But the most successful web designs reflect these considerations at every stage, from idea to finished product. Bring heart to the experiences you create by infusing them with intelligence that transcends aesthetics and reflects the imperfection of the natural world.
[tags]alistapart, webdesign, community, social networking, design[/tags]