It’s funny. My daughter always asks what’s my favorite color, and I can never answer, ’cause I love them all. With color, it depends on context and it’s all about combination. But a favorite font? You bet I’ve got one. It’s Franklin Gothic, and especially Franklin Gothic Condensed. Has been for years.
For several years now I’ve used a licensed Franklin Gothic web font by someone other than Webtype here. It was good but not perfect.
Webtype’s Franklin Condensed is as close to perfect as web fonts can come in October, 2011. (And as they improve it, the look and feel here will improve as well.) The font is so good that it emboldened me to apply it to other parts of the page that formerly had to make do with Helvetica. See, for instance, my footer. It’s not a work of art, but it’s now much more pleasant to read in every environment I’ve tested.
I’m still conservative about web fonts (primarily because of bandwidth issues); this site’s body text is still set in Georgia, one of the world’s most beautiful screen fonts as we all agree. This morning, simply to break away from the herd, I tried replacing Georgia with Palatino, an engaging, readable, widely available font that comes with Windows 2000/XP (“Palatino Linotype”) and the Macintosh (“Palatino”). On its own, the Palatino was lovely. But it couldn’t stand up to the heavier elements of this site’s somewhat cartoonish look and feel. So back to Georgia I went.
The site is overdue for a redesign: the last redesign (e.g. the current look and feel) was a retro tribute to the site’s 1990s look. A new look is coming, but for the interim, I’m grateful to my friends at Webtype for their craftsmanship.
OFF MY LAWN!
FROM 1996 TO 1999, I interviewed movie stars and web designers. Between 1998 and 1999, I published my favorite interviews in this little site. Then I stopped.
Here’s to plenty more years ahead, inventing the web and modern design together.
Webvanta Video: Jeffrey Zeldman on the State of Web Design
From the floor of An Event Apart Seattle 2011:
“Mobile is huge. The iPhone, iPad, and Android are huge. On the one hand, they are standards-facing, because they all support HTML5 and CSS3, so you can create great mobile experiences using web standards. You can create apps using web standards. On the other hand, there is also the temptation to go a proprietary route. In a strange way, although the browsers are much more standards compliant, it seems like we are redoing the browser war. Only now, it’s not the browser wars, it’s platform wars.”
Jeffrey Zeldman’s Awesome Internet Design Panel at SXSW
“WE KICKED OFF WITH a discussion on web platforms, perhaps the most widely-changing aspect of the web in the past 18 months. Zeldman began with a story about his efforts to check in to his upcoming flight to SXSW from a taxi cab in New York. He entered his details into his airline’s mobile app and clicked the ‘log in’ button, only to be taken to their desktop website which required Flash to log in, which inevitably, his iPhone didn’t support. How did this kind of user experience failure occur? …
“Moving on, the panel began to discuss publishing. The advent of plugins like Readability and a new product Roger Black is working on called TreeSaver allow readers to specify how they want to see content, and the advent of web standards means that content is generally separated from presentation, to the benefit of the reader. Zeldman made the point that the entire platform is for content, which makes it odd when some products are designed with the content being the last thing in mind.”
“The paywall quickly came up and the overwhelming ethos from the panel was “if you have exclusive great stuff, people will pay for it”. Dan Mall suggested that traditional publishers didn’t understand alternative modes of publishing and were attempting to price them at the same rate as their paper-and-ink versions. Mandy Brown joked that many publishers saw the iPad as their saviour, just like they did with the CD-ROM back in the 90s. She also made the point that despite its web-savvy audience, the A Book Apart project’s sales were 75% print. …
Questions, Please: Jeffrey Zeldman’s Awesome Internet Design Panel today at SXSW Interactive
HEY, YOU WITH THE STARS in your eyes. Yes, you, the all too necessary SXSW Interactive attendee. Got questions about the present and future of web design and publishing for me or the illustrious panelists on Jeffrey Zeldman’s Awesome Internet Design Panel at SXSW Interactive 2011? You do? Bravo! Post them on Twitter using hashtag #jzsxsw and we’ll answer the good ones at 5:00 PM in Big Ballroom D of the Austin Convention Center.
Topics include platform wars (native, web, and hybrid, or welcome back to 1999), web fonts, mobile is the new widescreen, how to succeed in the new publishing, responsive design, HTML5, Flash, East Coast West Coast beefs, whatever happened to…?, and many, many more.
Comments are off here so you’ll post your questions on Twitter.
The panel will be live sketched and live recorded for later partial or full broadcast via sxsw.com. In-person attendees, arrive early for best seats. Don’t eat the brown acid.
LONG BEFORE FLICKR “invented” the banterish copy platform, uncannily optimized for mobile devices a decade before they existed, coming at you from out of the past, it’s the 11 February 1998 edition of Jeffrey Zeldman Presents.