Categories
arts books development Fiction writing

Kickstart Sundman’s Creation

John Sundman is looking for your financial support so he can finish writing and publish his new novel, Creation Science, “a technothriller about scary science—like designer DNA, brain hacking & mind control, computer viruses and biological viruses.”

Sundman is the author of three previous novels: Acts of the Apostles, Cheap Complex Devices, and The Pains.

Apostles is a personal favorite of mine: a thriller only a geek could write (Sundman has decades of experience in computer programming), with real characters, frenetic action and suspense, salty dialog, and serious ideas behind the hot cyber action. If Dan Brown read Sundman, he would understand that thrillers about ideas don’t have to be claustrophobic, one-dimensional, and absurd. If he took Sundman to heart, he would write better books, although they would sell fewer copies.

Which brings it back to you. Sundman is a brilliant author who, for political, intellectual, or other reasons shuns mainstream publishing and success. If we are to keep enjoying his works, we need to help him realize them. I was proud to contribute to Designing Obama and equally delighted to do likewise by Creation Science. If you enjoy good writing and modern independent fiction, I urge you to support this book.

Short URL: zeldman.com/?P=2886

Categories
Authoring links Luls Microauthoring Microblogging Micropublishing twitter writing

17 Tweets

  1. http://webtrendmap.com/ by IA Inc. is farking amazing and beautiful. Congratulations, @iA.
  2. OH: “Type means the letters.”
  3. http://www.biggestapple.net/ is an exquisite new blog by a Wodehouse fan and non-designer (but you’d never know).
  4. My 5-year-old just spent 10 minutes showing me the correct way to massage her foot. My little girl is becoming a woman.
  5. HTML5 Super Friends declaration of support: http://www.zeldman.com/superfriends/
  6. In the park with the kid and friends, watching the sunlit hours melt away. It is the mellow end of summer and our bodies know it.
  7. http://bit.ly/InfXh Installing Snow Leopard: What you need to know. Fewer options make for simpler installation.
  8. The difference between marriage and divorce is, in divorce, the person who’ll never have sex with you again has her own apartment.
  9. “HTML 5 and me” by Jeremy Keith: http://bit.ly/sOqt7
  10. Dreamed about Mackenzie Phillips and woke up with a $500 a day habit.
  11. RT @leeclowsbeard Every client wants something new. And three examples of where it’s worked before. (via @Coudal)
  12. #twitterwit is now in bookstores. It’s an honor to have my work appear in the same volume as real writers like Ashton Kucher.
  13. Laura Dern’s hair is the scariest thing in Blue Velvet.
  14. @sourjayne At a certain level, you don’t write a resume, you write a paragraph.
  15. @sourjayne A multi-page resume suggests you’re narcissistic or inexperienced. These are not desired qualities in an employee.
  16. @sourjayne A 1-page resume shows you’re aware the person reading it has no time to waste — proving you’re experienced + have people skills.
  17. Actually, Barnes & Noble, I think I’ll save *100%* on Dan Brown’s follow-up to The Da Vinci Code.

Have another?

ShortURL: zeldman.com/?p=2554

Categories
Design DWWS editorial Formats Kindle Publications Publishing writing

Kindling II

Refer to the previous post on Kindle. Two salient points, omitted from the previous discussion and verified this morning, are worth mentioning:


  • The Kindle edition of Designing With Web Standards, 2nd Edition, is free of conversion errors, to the best of our knowledge. As an author who hopes to sell copies of his work, I should have pointed that out in my initial post.
  • Kindle for iPhone can sometimes create the appearance that a Kindle edition is missing content. Before contacting the publisher to report an error, try switching to the smallest available font size and then re-viewing the page that appeared to be missing some content. Asides, in particular, suffer from this problem, in which text is present but exceeds the viewport, and there is no scrolling mechanism or indication that additional content exists.

ShortURL: zeldman.com/x/59

Categories
Design downloads editorial Formats Publications Publishing writing

Kindling

The process by which books are converted to Kindle format introduces errors which do not get corrected. Every publisher knows this, though none will say so on record.

To be clear, there is nothing wrong with Kindle or its format. The problem is one of economics. The cost of a printed book covers some degree of proofing and checking—not enough, but some. The cost of a Kindle book does not support editorial quality control, and the multi-step conversion process, handled in bulk by third parties, chops out content and creates other errors that no one fixes because no one is there to do QA.

I love the idea of Kindle. I love Kindle on my iPhone. As the economics of publishing continues to change, perhaps one day soon, a Kindle edition will contain the same text as the printed book. Until it does, Kindle is great for light reading. But if it’s critical that every word, comma, and code sample come through intact, for now, you’re better off with print.

Update

Two salient points I should have made in this post are covered in Kindling II, posted 27 August 2009.

ShortURL: zeldman.com/x/58

Categories
DWWS Education Publications Publishing Web Design Web Standards work writing Zeldman

What’s new in DWWS 3e

Designing With Web Standards, 3rd Edition

The 3rd Edition of Designing With Web Standards is coming soon to a bookstore near you. Abetted mightily by our secret cabal of interns, co-author Ethan Marcotte, technical editor Aaron Gustafson, copyeditor Rose Weisburd, editor Erin Kissane and I have worked hard to create what we hope is not merely an update, but a significant revision to the foundational web standards text.

Packed with new ideas

After years of stasis, the world of standards-based design is exploding with new ideas and possibilities. Designing With Web Standards 3rd Edition captures this moment, makes sense of it, and keeps you smartly ahead of the pack.

From HTML 5 to web fonts, CSS3 to WCAG2, the latest technologies, claims and counter-claims get broken down in classic DWWS style into their easy-to-understand component ideas, helping you pick the course of action that works best for your projects. As always, the core ideas of standards-based design (which never change) get presented with clear insights and up-to-date examples. You’ll find strategies for persuading even the most stubborn boss or client to support accessibility or reconsider what “IE6 support” means—and for handling the other problems we face when trying to bring rational design and development to the unruly web.

Now with more “how”

While this 3rd Edition, like its predecessors, spends a great deal of time on “why,” it also features a lot more “how” than past editions. If you loved the ideas in DWWS, but wished the book was a bit more hands-on, this is the edition you’ve waited for.

Oh, and the color this time? It’s blue, like l’amour.

Pre-order and save

A few chapters remain to be written, but the goal is in sight, and the book will be out this Fall. To celebrate, you can now save 37% when you pre-order Designing With Web Standards 3rd Edition from Amazon.com.

There’s a new book mini-site as well, with more content and features to come. The sharp-eyed will notice that the mini-site is set in Franklin Gothic. A web-licensed version of ITC Franklin Pro Medium from Font Bureau has been embedded via standard CSS. It works everywhere, even in IE. (View Source if curious.)

ShortURL: zeldman.com/x/57

Categories
The Essentials writing

Write When Inspired

In writing four books and an unknown quantity of articles and blog posts, I’ve discovered the simple secret to maintaining quality. I share it with you here in mnemonic nursery rhyme fashion:

Write when inspired; rest when tired.

Whether the task is writing, design, or hanging a picture straight, it is obvious that we do our best work when healthy, rested, refreshed, alert, and eager to do the job for its own sake.

But anyone who has done professional work also knows that we must often work late into the night at the behest of deadlines. There are jobs that call for us to push ourselves, not merely creatively (which is exhilarating), but physically—even when our bodies need rest, our minds are dimmed, our concentration dented, and our inspiration nonexistent.

Therein lies our conflict, and one key to the difference between good and great.

Design is a hurting thing

Work is work, and we must do what we must do. But when quality matters most, the old saw about “good or fast—choose one,” holds true. Pushing through to the finish line when you have nothing left inside you is great for marathon runners, but not so hot for creative professionals. In particular, if you’re trying to write clearly and well, it’s better to let a deadline slide by a day than to “just finish up.”

I call out writing in particular because if you push out a design when you’re exhausted, the details and balance will suffer, and it won’t be as great as it can be—but the public has such a low expectation of aesthetics in web design that you might get away with it. Only you and a few of your designer friends will recognize the sloppy, ill-considered bits that make your work good when it could have been great. Of course, your designer friends will think less of you, and you’ll cringe every time you see the site, but if you don’t have a taste for masochism, you shouldn’t be in design, because the hurt will kill you.

Night of the living deadlines

There’s a reason they call them deadlines.

With design that could have been great but was ever so slightly bungled due to exhaustion in the face of ridiculous deadlines, it is only the designer and the rare armchair aesthetician who know.

But when writers push themselves to make a deadline, everyone knows, because the passages where they cheated are unclear, unpersuasive, ineffective. A reader needn’t follow the exact art and subtle science of kerning or vertical grid building to recognize when a sentence isn’t clear, or fails to make a convincing point, or doesn’t seem to entirely belong with its older and younger brother sentences.

When I let a publisher’s deadline push out a piece of writing before it is ready, it is like thrusting a helpless preemie into the cruel world. And it’s not just external deadlines that can wreck my work. Say I’m writing here, where there are no deadlines. I get nearly to the end of what I want to say, and then I’m called away by work or family. When I return to the blog post hours later to wrap things up and publish, I’m distracted, and the powerful emotion and single idea that initially led me me to write has flown over the garden wall. If I just bang out a finish, the whole piece will be weakened. I know because I’ve done it.

Will no one think of the readers?

Currently I’m working on the third edition of Designing With Web Standards, and in addition to mentally approaching it as a new book in order to truly rethink and reinvigorate it, I’m also sticking like epoxy to the discipline of holding back chapters until they are ready. This sounds like what a writer would always do, but trade publishing is like a slave galley in a Roman galleon—if the sufferer beside you collapses under the whip, you need to row harder. You won’t get that placement at Borders if you don’t finish on time. Amazon won’t give you that special promotional push if you don’t turn it in six weeks earlier than your contract says you must, &c.

Never mind the bollocks. You are not writing for Amazon, or to fit a staff proofreader’s vacation schedule, as important and real as those considerations may be. You are writing for readers, a duty as sacred, in its way, as parenting. If you don’t believe the previous sentence, if you think writing is mainly about getting paid, I’m sorry you wasted your time reading this page, and I hope you find another way to earn a living soon. The world is already choking on half-considered, squeezed-out shit. There’s no need to add to the pile.

If you want to be great, or at least to be better, start by breathing, taking breaks, and working intensely when the mood is on.

[tags]writing, inspiration[/tags]

Categories
business content editorial Education ForHire Freelance Happy Cog™ Internship jobs work Working writing Zeldman

Editorial Intern Wanted

Update: The position is now closed. Thanks to all who applied.

We’re looking for one good intern. If you love web design, writing, and publishing, this is the gig for you. You’ll work with Aaron Gustafson, Erin Kissane, Ethan Marcotte, and Jeffrey Zeldman on the new edition of the industry-changing Designing With Web Standards, and possibly another great publishing project as well.

NYC area location is ideal, but not required—what matters most is your commitment and professionalism. Must be willing to work with Microsoft Word, have access to one of the latest versions of it, and be a Word styles ninja. We’re looking for 6–8 hours per week through September or mid-October. The right person will see this as an opportunity to experience the publication process from first draft through galleys and launch, and to learn from industry and community leaders who are funny, smart, and nice.

Apply by e-mail to internquest at happycog dot com. Send a short note selling us on you. All queries will be handled with discretion.

[tags]jobs, internerships, intern, wanted, webstandards, designingwithwebstandards, DWWS3e, 3rdEdition, HappyCog, ErinKissane, AaronGustafson, EthanMarcotte, zeldman, JeffreyZeldman, employment[/tags]

Categories
art direction books Community content creativity CSS Design downloads Free Happy Cog™ HTML Ideas industry Information architecture jobs Layout Publications Publishing reprints State of the Web The Essentials The Profession Tools Typography Usability User Experience UX W3C Web Design Web Standards Websites Working writing Zeldman

“Taking Your Talent to the Web” is now a free downloadable book

Taking Your Talent To The Web, a guide for the transitioning designer, by L. Jeffrey Zeldman. Hand model: Tim Brown.

RATED FIVE STARS at Amazon.com since the day it was published, Taking Your Talent to the Web (PDF) is now a free downloadable book from zeldman.com:

I wrote this book in 2001 for print designers whose clients want websites, print art directors who’d like to move into full–time web and interaction design, homepage creators who are ready to turn pro, and professionals who seek to deepen their web skills and understanding.

Here we are in 2009, and print designers and art directors are scrambling to move into web and interaction design.

The dot-com crash killed this book. Now it lives again. While browser references and modem speeds may reek of 2001, much of the advice about transitioning to the web still holds true.

It’s yours. Enjoy.

Oh, yes, here’s that ancient Amazon page.


Short Link

Update – now with bookmarks

Attention, K-Mart shoppers. The PDF now includes proper Acrobat bookmarks, courtesy of Robert Black. Thanks, Robert!

Categories
Design DWWS Standards Web Design Web Standards work writing

DWWS 3e

Sorry I haven’t written much here, lately, but I’ve been working on the third edition of a book you may know.

Questions?

[tags]dwws, designingwithwebstandards, 3rdedition, 3e, DWWS3e, newriders, peachpit, zeldman[/tags]

Categories
business Career Web Design work Working writing Zeldman

Recession tips for web designers

Now in the coveted 23 December spot at 24 ways: Recession Tips for Web Designers:

Jeffrey Zeldman rounds off our 2008 season with some hard-earned advice for web designers and developers to take into 2009. As the economic climate gets tougher and budgets get cut, our skills need to extend to staying in work, not just completing work won.

[tags]recession, webdesign, business, survival[/tags]

Categories
A List Apart business client services content User Experience UX Websites work Working writing

ALA 274: The emerging content strategist

In Issue No. 274 of A List Apart, for people who make websites: a website without a content strategy is like a speeding vehicle without a driver. Learn why content matters and how to do it right.

Content-tious Strategy

by JEFFREY MACINTYRE

Every website faces two key questions: 1. What content do we have at hand? 2. What content should we produce? Answering those questions is the domain of the content strategist. Alas, real content strategy gets as little respect today as information architecture did in 1995. MacIntyre defines the roles, tools, and value of this emerging user experience specialist.

The Discipline of Content Strategy

by KRISTINA HALVORSON

It’s time to stop pretending content is somebody else’s problem. If content strategy is all that stands between us and the next fix-it-later copy draft or beautifully polished but meaningless site launch, it’s time to take up the torch—time to make content matter. Halvorson tells how to understand, learn, practice, and plan for content strategy.

And, in EDITOR’S CHOICE, from July 31, 2007:

Better Writing Through Design

by BRONWYN JONES

How is it that the very foundation of the web, written text, has taken a strategic back seat to design? Bronwyn Jones argues that great web design is not possible without the design of words.

[tags]contentstrategy, content, strategy, content strategy, web, webcontent, webdesign, userexperience, writing, editorial, Kristina Halvorson, Jeffrey Macintyre, Bronwyn Jones, alistapart[/tags]

Categories
books writing

Get The Pains

Almost everyone I know who is serious about the internet and has spent more than a few years working on web stuff has read John R. Sundman’s novel, Acts of the Apostles, your everyday story of bioengineering, Gulf War Syndrome, Trojan Horses, and millennium cultists. (If you haven’t yet read this classic underground thriller cum paranoid fantasy, do yourself a favor; it’s pretty great.)

Now Sundman has come out with a new book, The Pains, with illustrations by Cheeseburger Brown. Sundman’s third novel owes its genesis to a single sentence written in his online diary: “I woke up this morning with a pain in my body that felt like it might be a soul gone bad.” Through a process that makes sense to writers, that sentence turned into this book:

The Pains is a story of faith in a world that appears to be falling apart. It tells the story of Norman Lux, a 24-year-old novitiate in a religious order, who becomes afflicted with something akin to stigmata.

The complete text and illustrations are on wetmachine.com, freely available for download under a creative commons license. Sundman is now taking orders for the soon-to-be-printed book. You can order by PayPal/credit card or by check.

[tags]sundman, johnsundman, thepains, actsoftheapostles, cheapcomplexdevices, publishing, writing[/tags]

Categories
A List Apart development Web Design writing

ALA 271: words and scripts that work

The fundamental things apply in Issue no. 271 of A List Apart, for people who make websites. Erin Kissane tells how non-writers (i.e. the people who write most of the stuff on the web) can make every word count in “Writing Content that Works for a Living.” And Aaron Gustafson wraps our introductory series on progressive enhancement with a look at the thinking behind (and best practices for executing) “Progressive Enhancement with JavaScript.”

[tags]alistapart, progressiveenhancement, writing, fortheweb[/tags]

Categories
Advocacy Blogs and Blogging Design writing

Um, don’t blog, or something

In Twitter, Flickr, Facebook Make Blogs Look So 2004, Wired, which ceased to be relevant in 1999, says you shouldn’t write a blog because, um, Calacanis and Scoble.

Uh, wait, the problem is that some comments are not thoughtful. And I guess you can’t turn off comments in blogging software (except in all the blogging platforms that are already out there in the marketplace). But all those many long-established blogging platforms aside, I guess, like maybe in some new as-yet unreleased blogging tool, you might not be able to turn comments off. And then you’d have to, like, endure that some comments might not be thoughtful. So clearly you should just use Twitter and not write a blog because people can’t respond to you on Twitter. (What? They can?)

Well maybe the reason you’re not supposed to blog is that you won’t get rich blogging, because Calacanis did, so I guess he used up all the rich. Sorry, no more rich to go around. I mean, what’s the point of expressing yourself if there is no immediate rich to be had?

In conclusion, Twitter, Flickr, Calacanis and Scoble. Which proves you can’t have a blog and also use Twitter. Or maybe you can have a blog and use Twitter but you shouldn’t because comments, Scoble, rich.

Paul Boutin is usually a good writer. I’m not sure what happened here. Paul, when do we stop talking about web content exclusively in terms of narrow platforms and shallow, self-interested goals? When do we stop saying x makes y irrelevant? When do we stop reducing the web to a vulgar and trivial competition between head boys, and start appreciating it as a maturing medium for real thought and expression?

Obviously, not today in Wired.

[tags]journalism, opinion, idiocy, wired, blogs, blogging[/tags]

Categories
A List Apart Accessibility art direction Design development industry maturity Standards Survey Usability User Experience Web Design Websites wisdom work writing

A List Apart is changing

A List Apart, for people who make websites, is slowly changing course.

For most of its decade of publication, ALA has been the leading journal of standards-based web design. Initially a lonely voice in the desert, we taught CSS layout before browsers correctly supported it, and helped The WaSP persuade browser makers to do the right thing. Once browsers’ standards support was up to snuff, we educated and excited designers and developers about standards-based design, preaching accessibility, teaching semantic markup, and helping you strategize how to sell this new way of designing websites to your clients, coworkers, and boss.

Most famously, over the years, writers for ALA have presented the design community with one amazing and powerfully useful new CSS technique after another. Initially radically new techniques that are now part of the vocabulary of all web designers include Paul Sowden’s “Alternative Styles,” Mark Newhouse’s list-based navigation, Eric Meyer’s intro to print styles, Douglas Bowman’s “Sliding Doors,” Dave Shea’s “CSS Sprites,” Dan Cederholm’s “Faux Columns,” Patrick Griffiths and Dan Webb’s “Suckerfish Dropdowns,” Drew McLellan’s “Flash Satay,” and so on and so on. There are literally too many great ones to name here. (Newcomers to standards-based design, check Erin Lynch’s “The ALA Primer Part Two: Resources For Beginners“.)

Web standards are in our DNA and will always be a core part of our editorial focus. Standards fans, never fear. We will not abandon our post. But since late 2005, we have consciously begun steering ALA back to its earliest roots as a magazine for all people who make websites—writers, architects, strategists, researchers, and yes, even marketers and clients as well as designers and developers. This means that, along with issues that focus on new methods and subtleties of markup and layout, we will also publish issues that discuss practical and sometimes theoretical aspects of user experience design, from the implications of ubiquitous computing to keeping communities civil.

The trick is to bring our huge group of highly passionate readers along for the ride. My wife likens it to piloting the Queen Mary. (Q. How do you make the Queen Mary turn left? A. Very, very slowly.)

The slow, deliberate, gradual introduction of articles on business and theory has not pleased all of ALA’s readers, some of whom may unrealistically wish that every issue would present them with the equivalent of a new “Sliding Doors.” It is possible, of course, to publish one CSS (or JavaScript or Jquery) article after another, and to do so on an almost daily basis. We could do that. Certainly we get enough submissions. The trouble is that most articles of this kind are either edge cases of limited utility, or derivatives that do not break significant new ground. (Either that, or they are flawed in our estimation, e.g. relying on dozens of non-semantic divs to create a moderately pleasing, minor visual effect.)

We review hundreds of articles and publish dozens. Some web magazines seem to have those proportions reversed, and some readers don’t seem to mind, and that’s fine. But any content you see in ALA has been vetted and deeply massaged by the toughest editorial team in the business. And when you see a new “design tech” article in our pages, you can be sure it has passed muster with our hard-ass technical editors.

Moreover, the fields of meaningful new CSS tricks have mostly yielded their fuels. We’ve done that. We’ve done it together with you. While a few new lodes of value undoubtedly remain to be tapped, we as a community, and as individuals who wish to grow as designers, need to absorb new knowledge. ALA will continue to be a place where you can do that.

When we began focusing on web standards in 1998, we were told we were wasting readers’ time on impractical crap of little value to working designers and developers. But we kept on anyway, and the things we learned and taught are now mainstream and workaday. While we apologize to readers who are again being made irritable by our insistence on occasionally presenting material that does not fall directly within their comfort zone, we hope that this experiment will prove to be of value in the end.

[tags]alistapart, webdesign, magazine, editorial, content, focus, change, publishing, standards, webstandards, css, design, layout, userexperience[/tags]