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Design Ideas industry javascript launches Markup microformats Standards State of the Web The Essentials User Experience UX

Gowalla My Dreams

What if Gowalla and Foursquare could communicate seamlessly with Address Book? What if Google Maps contained the postal address, company names, and primary phone numbers of every pin on the map? All this information could be marked up in Microformats and standard HTML on optional detail pages you could visit with a click from your web browser or phone. Heck, while we’re at it, let’s add Bump, an iPhone app that lets two people share contact data the same way they share DNA—except that in this case they bump iPhones.

What if every time you used Gowalla to check into or found a spot, you had the option to add that spot’s street address, company name(s), and so on to your Address Book? Imagine meeting a potential client for the first time in an unfamiliar city or neighborhood. No longer simply a passive repository of spots you create, Gowalla or Foursquare could function as a guide, helping you locate the unfamiliar address to make your meeting on time.

As you check into your meeting in reality, you could notify not only Facebook and Twitter (as you can today) but also Basecamp, which would optionally check off a radio box, marking you as having arrived at your meeting.

Something like this (and much more than this) will surely happen soon, thanks to APIs and ubiquitous standard platforms. You just feel, when you’re around people developing the best new web software, that something new is happening, and that many strands are coming together.

We used to imagine a dystopian future in which Big Brother knew everything you did. Later it was the machines that knew. We’ve been talking about ubiquitous computing for years, and we’ve pictured it happening somehow without necessarily addressing the how—that is, some of the brightest and most inspiring futurists have concerned themselves more with the ethical and cultural transformative dimensions of ubiquitous computing than with the technical nuts and bolts of how it’s supposed to get done.

I’m thinking the nuts and bolts are here. To me it seems that it is already happening. The web is the platform. HTML, CSS, JavaScript/JQuery, Ruby, and PHP are the tools. I’m thinking an uplifting (non-dystopian) ubiquitous computing is going to get done with the stuff we already use every day. Am I dreaming?


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better-know-a-speaker Design events State of the Web SXSW

Hate and Love

Hate and love.

Left, Mike Monteiro. Right, yours sincerely. Captured at SXSW by Scott Beale.

(My SXSW photos. Scott’s SXSW photos.)

Categories
Browsers Microsoft Standards State of the Web type Web Design Web Design History Web Standards webkit

IE9 preview

Is it getting hot in here? Or is it just the flames?

In An Early Look At IE9 for Developers, Dean Hachamovitch, General Manager for Internet Explorer, reports on performance progress, web standards progress (border-radius, bits of CSS3, Acid 3 performance), and “bringing the power of PC hardware and Windows to web developers in the browser” (e.g. improved type rendering via Direct2D, a Windows sub-pixel rendering technology that replaces Cleartype).

The reported web standards improvements are encouraging, and better type rendering in IE is a consummation much to be desired. These positive notes notwithstanding, what is most interesting about the post is the political tightrope Microsoft team leaders are still forced to walk.

The world has moved to web standards, and Microsoft knows it must at least try to catch up. Its brilliant browser engineers have been working hard to do so. This web standards support is not optional: having just been spanked hard in Europe for anticompetitive practices, Microsoft knows it is no longer invincible, and cannot continue to use claims of innovation to stifle the overall market or drag its feet on advanced standards compliance.

At the same time, Microsoft’s marketing department wants the public to believe that IE and Windows are profoundly innovative. Thus efforts to catch up to the typographic legibility and beauty of Mac OS X and Webkit browsers are presented, in Dean Hachamovitch’s blog post, as leading-edge innovations. Don’t get me wrong: these improvements are desirable, and Direct2D may be great. I’m not challenging the quality of the hardware and software improvements; I’m pointing out the enforced bragging, which is mandated from on high, and which flies in the face of the humble stance other high-level divisions in Microsoft would like to enforce in the wake of the company’s European drubbing and the dents Apple and Google have made on its monopoly and invulnerability.

In short, the tone of these announcements has not changed, even though the times have.

Hachamovitch does an admirable job of sticking to the facts and pointing out genuine areas of interest. But he is stuck in a corporate box. A slightly more personal, down-to-earth tone would have come across as the beginnings of transparency—Web 1.1, if not Web 2.0—and a more transparent tone might have slightly reduced the percentage of flamebait in the post’s comments. (It could only have slightly reduced that percentage, because, on the internet, there is no such thing as a calm discussion of improvements to a Microsoft browser, but still.)

Although I disagree with the tone of many of the comments—rudeness to engineers is not admirable, kind, or helpful—I agree with the leading thoughts they express, which are:

  • Getting IE fully up to speed on web standards is much more important than introducing any proprietary innovations. (Naturally I agree with this, as it is, in a nutshell, what The Web Standards Project told browser companies back in 1998—and it is still true.)
  • Switching to Webkit might be a better use of engineering resources than patching IE.

On the other hand, Microsoft’s refusal to switch to Webkit gives Apple and Google a competitive advantage, and that is good because a web in which one browser has a monopoly stifles standards and innovation alike. By torturing the IE rendering engine every couple of years instead of putting it out of its misery, Microsoft contributes to the withering away of its own monopoly. That might not be good for the shareholders, but it is great for everyone else.

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Appearances conferences DWWS speaking State of the Web SXSW Travel

My SXSW

It’s that time again. Spring and pheromones are in the air, and 11,000 web geeks are about to descend on beauteous Austin, TX for our industry’s version of the TED Conference plus Spring Break, SXSW Interactive.

Along with nearly all of Happy Cog, I’ll be there. Join us, won’t you?

  • Friday, March 12, at 3:30 PM, come to Battledecks 2010 in Room 18ABCD, where I’ll compete against the likes of Avery Edison, Ted Rheingold, Mike Monteiro, and SeoulBrother Number 1 Albert McMurry to see who can create the best impromptu presentation in response to random slides.
  • Saturday, March 13, at 5:00 PM, open your mind to New Publishing and Web Content, where I’ll explore the creative, strategic, and marketing challenges of print and web (and hybrid) book and magazine publishing with the brilliant Erin Kissane, Lisa Holton, Mandy Brown, and Paul Ford.
  • Also on Saturday, March 13, beginning around 10:00 PM, join the fine folks of Happy Cog and 700 screaming karaoke fans for the best official party of SXSW, Ok! Happy Cog’aoke 2, brought to you by Happy Cog and sponsored by these good folks.
  • Don’t miss the book signing on Sunday, March 14! Swing by the South by Bookstore with your copy of Designing With Web Standards; Ethan Marcotte and I will be glad to scribble on it for you.

The rest of the time, depending on what else is going on, I will probably be findable via my personal SXSW schedule. (Create your own with Sched by MailChimp.) You can also find me on SitBy.Us, a scheduling web app for iPhone or any good web-enabled phone, designed by Weightshift—and bless them and HTML, CSS, and JavaScript for it. Sitby.us members, my schedule is posted at http://sitby.us/zeldman/.

If you can’t be with us at SXSW, please watch this space and my Twitter feed for photos, links, etc.

And if you aren’t attending and couldn’t care less about SXSW, you might want to unplug for the next six days, because the internets, they will be filthy with SXSW tweetage, bloggage, Flickrage, retweets, retumbling &c.

Categories
A List Apart Design E-Books Flash Formats HTML HTML5 ipad Standards State of the Web XHTML

E-books, Flash, and Standards

In Issue No. 302 of A List Apart for people who make websites, Joe Clark explains what E-book designers can learn from 10 years of standards-based web design, and Daniel Mall tells designers what they can do besides bicker over formats.

Web Standards for E-books

by Joe Clark

E-books aren’t going to replace books. E-books are books, merely with a different form. More and more often, that form is ePub, a format powered by standard XHTML. As such, ePub can benefit from our nearly ten years’ experience building standards-compliant websites. That’s great news for publishers and standards-aware web designers. Great news for readers, too. Our favorite genius, Joe Clark, explains the simple why and how.

Flash and Standards: The Cold War of the Web

by Daniel Mall

You’ve probably heard that Apple recently released the iPad. The absence of Flash Player on the device seems to have awakened the HTML5 vs. Flash debate. Apparently, it’s the final nail in the coffin for Flash. Either that, or the HTML5 community is overhyping its still nascent markup language update. The arguments run wide, strong, and legitimate on both sides. Yet both sides might also be wrong. Designer/developer Dan Mall is equally adept at web standards and Flash; what matters, he says, isn’t technology, but people.

Illustration by Kevin Cornell for A List Apart.

Categories
books content Design E-Books Formats ipad Publications Publishing Standards State of the Web User Experience

Digital books: the medium changes the message

Content with form can change meaning when reformatted.

Content with form—Definite Content—is almost totally the opposite of Formless Content. Most texts composed with images, charts, graphs or poetry fall under this umbrella. It may be reflowable, but depending on how it’s reflowed, inherent meaning and quality of the text may shift.”

—Craigmod, Books in the Age of the iPad


Categories
Code content content strategy creativity CSS Design Fonts Standards State of the Web style type User Experience webfonts webtype

Model Site

Blissfully Aware site redesign.

Web designer Joshua Lane, currently best know for doing fancy web stuff at Virb.com, has overhauled his personal site in ways that are aesthetically pleasing and visually instructive.

Like all good site redesigns, this one starts with the content. Whereas the recent zeldman.com redesign emphasizes blog posts (because I write a lot and that’s what people come here for), Lane’s redesign appropriately takes exactly the opposite approach:

There is a much smaller focus on blog posts (since I don’t write often), and a much larger focus on the things I do elsewhere (Twitter, Flickr, Last.fm etc). Individually, I don’t contribute a great deal to each of those services. But collectively, I feel like it’s a good amount of content to showcase (as seen on the home page). And something that feels like a really good representation of “me.”

Not one to ignore the power of web fonts, Lane makes judicious use of Goudy Bookletter 1911 from The League of Movable Type, an open-source type site founded by Caroline and Micah, featuring only “well-made, free & open-source, @font-face ready fonts.” (Read their Manifesto here.)

The great Barry Schwartz based his Goudy Bookletter 1911 on Frederic Goudy’s Kennerley Oldstyle, a font Schwartz admires because it “fits together tightly and evenly with almost no kerning.” Lane inserts Schwartz’s open-source gem via simple, standards-compliant CSS @font-face. Because of its size, it avoids the secret shame of web fonts, looking great in Mac and Windows.

But considered type is far from the redesigned site’s only nicety. Among its additional pleasures are elegant visual balance, judicious use of an underlying horizontal grid, and controlled tension between predictability and variation, ornament and minimalism. Restraint of color palette makes photos, portfolio pieces, and other featured elements pop. And smart CSS3 coding allows the designer to play with color variations whenever he wishes: “the entire color scheme can be changed by replacing a single background color thanks to transparent pngs and rgba text and borders.”

In short, what Lane has wrought is the very model of a modern personal site: solid design that supports content, backed by strategic use of web standards.


Categories
Accessibility Advocacy Blogs and Blogging business Community content strategy data Formats glamorous HTML Ideas industry Publications Publishing Respect State of the Web The Essentials The Profession W3C work writing

Posthumous Hosting and Digital Culture

THE DEATHS of Leslie Harpold and Brad Graham, in addition to being tragic and horrible and sad, have highlighted the questionable long-term viability of blogs, personal sites, and web magazines as legitimate artistic and literary expressions. (Read this, by Rogers Cadenhead.)

Cool URIs don’t change, they just fade away. When you die, nobody pays your hosting company, and your work disappears. Like that.

Now, not every blog post or “Top 10 Ways to Make Money on the Internet” piece deserves to live forever. But there’s gold among the dross, and there are web publications that we would do well to preserve for historical purposes. We are not clairvoyants, so we cannot say which fledgling, presently little-read web publications will matter to future historians. Thus logic and the cultural imperative urge us to preserve them all. But how?

The death of the good in the jaws of time is not limited to internet publications, of course. Film decays, books (even really good ones) constantly go out of print, digital formats perish. Recorded music that does not immediately find an audience disappears from the earth.

Digital subscriptions were supposed to replace microfilm, but American libraries, which knew we were racing toward recession years before the actual global crisis came, stopped being able to pay for digital newspaper and magazine descriptions nearly a decade ago. Many also (even fancy, famous ones) can no longer collect—or can only collect in a limited fashion. Historians and scholars have access to every issue of every newspaper and journal written during the civil rights struggle of the 1960s, but can access only a comparative handful of papers covering the election of Barack Obama.

Thanks to budget shortfalls and format wars, our traditional media, literature, and arts are perishing faster than ever before. Nothing conceived by the human mind, except Heaven and nuclear winter, is eternal.

Still, when it comes to instant disposability, web stuff is in a category all its own.

Unlike with other digital expressions, format is not the problem: HTML, CSS, and backward-compatible web browsers will be with us forever. The problem is, authors pay for their own hosting.

(There are other problems: the total creative output of someone I follow is likely distributed across multiple social networks as well as a personal site and Twitter feed. How to connect those dots when the person has passed on? But let’s leave that to the side for the moment.)

A suggestion for a business. Sooner or later, some hosting company is going to figure out that it can provide a service and make a killing (as it were) by offering ten-, twenty-, and hundred-year packets of posthumous hosting.

A hundred years is not eternity, but you are not Shakespeare, and it’s a start.


Categories
business Google Standards State of the Web work

Information Wants To Be Second-Rate

Thousands of … filmmakers and writers around the country are operating with the same loose standards, racing to produce the 4,000 videos and articles that Demand Media publishes every day. The company’s ambitions are so enormous as to be almost surreal: to predict any question anyone might ask and generate an answer that will show up at the top of Google’s search results. To get there, Demand is using an army of [impoverished filmmakers and writers] to feverishly crank out articles and videos. They shoot slapdash instructional videos with titles like “How To Draw a Greek Helmet” and “Dog Whistle Training Techniques.” They write guides about lunch meat safety and nonprofit administration. They pump out an endless stream of bulleted lists and tutorials about the most esoteric of subjects.

via The Answer Factory: Demand Media and the Fast, Disposable, and Profitable as Hell Media Model

Categories
Design Standards State of the Web

Design Decade

The Decade in Design

Not everything that happened in the 2000s sucked. Los Angeles writer and design gadfly Alissa Walker looks back at a decade in which the design field redesigned itself, “transforming from an industry that created better objects to one that created better experiences.”

Categories
spec Standards State of the Web Tools Web Design Web Design History Web Standards webfonts webtype writing Zeldman

Real Fonts and Rendering: The New Elephant in the Room

My friend, the content strategist Kristina Halvorson, likes to call content “the elephant in the room” of web design. She means it’s the huge problem that no one on the web development team or client side is willing to acknowledge, face squarely, and plan for….

Without discounting the primacy of the content problem, we web design folk have now birthed ourselves a second lumbering mammoth, thanks to our interest in “real fonts on the web“ (the unfortunate name we’ve chosen for the recent practice of serving web-licensed fonts via CSS’s decade-old @font-face declaration—as if Georgia, Verdana, and Times were somehow unreal).…

Put simply, even fonts optimized for web use (which is a whole thing: ask a type designer) will not look good in every browser and OS.

Zeldman

Jeffrey Zeldman, Real Fonts and Rendering: The New Elephant in the Room
22 December, 2009
24 ways: The Advent Calendar for Web Developers


Short URL: zeldman.com/?p=3319

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Design State of the Web Survey The Profession Web Design Web Standards

Take our survey. Please.

The 2009 survey for people who make websites.

Each year since 2007, we’ve asked you, the members of the web design community, a few dozen questions about your professional life, and compared your answers to those of your colleagues. The data you provide and we analyze is the only significant information about our profession as a profession to be published anywhere, by anyone. So please take the survey for people who make websites. The job you save could be your own.

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An Event Apart Community conferences CSS Design Happy Cog™ industry San Francisco Standards State of the Web The Profession User Experience UX Web Design Web Standards

A Feed Apart

Live from San Francisco, it’s An Event Apart, for people who make websites. If you can’t join us here today and tomorrow, enjoy the live feed, designed and coded by Nick Sergeant and Pete Karl.

Also:


Composed at The Palace Hotel. Short URL: zeldman.com/?p=3208.

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better-know-a-speaker creativity CSS Design Fonts industry Press Real type on the web Standards State of the Web Web Design Web Design History Web Standards Web Type Day webfonts webtype

Web Type: Lupton on Zeldman

Designing With Web Standards

Today in Print, Ellen Lupton interviews Jeffrey Zeldman (that’s me) on web typography, web standards, and more. Part one of a two-part interview.

Ellen Lupton is curator of contemporary design at Cooper-Hewitt, National Design Museum in New York City and director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) in Baltimore. She is the author of numerous books and articles on design, a frequent lecturer, and an AIGA Gold Medalist.

This has been a nutritious part of Web Type Day.

Short URL: zeldman.com/?p=2932

Categories
A List Apart Design Fonts Formats industry Jason Santa Maria Real type on the web Standards State of the Web Tools Web Type Day webfonts webtype

Get Real With Real Fonts

A List Apart, for people who make websites.

Web fonts are here. Now what? In Issue No. 296 of A List Apart for people who make websites, Nice Web Type’s Tim Brown debuts Web Font Specimen, a handy, free resource to see how real fonts really look on the web; and Jason Santa Maria discourses on web type, showing how to avoid using fonts that don’t work on the web, and achieve graceful pairings of fonts that do.