A friend’s young son had just used the toilet and wiped himself for the first time.

She congratulated him on being a big boy.

To which he replied:

“Mother. Surely you don’t expect me to do this for the rest of my life.”

Filed under: Little People, family, glamorous, parenting, people

Ian Corey in the hundred-year-old elevator at Nuthouse Hardware. Via flickr.com. Posted via web from Does This Zeldman Make My Posterous Look Fat?

Filed under: NYC, New York City, people, photography

Designed by Happy Cog and launched today, The Amanda Project is a social media network, creative writing project, interactive game, and book series combined:

The Amanda Project is the story of Amanda Valentino, told through an interactive website and book series for readers aged 13 & up. On the website, readers are invited to become a part of the story as they help the main characters search for Amanda.

The writing-focused social media network is designed and written as if by characters from the Amanda novels, and encourages readers to enter the novel’s world by joining the search for Amanda, following clues and reading passages that exist only online, and ultimately helping to shape the course of the Amanda narrative across eight novels. (The first Amanda novel—Invisible I, written by Melissa Kantor—comes out 22 September.)

The site developed over a year of intense creative collaboration between Happy Cog and Fourth Story Media, a book publisher and new media company spearheaded by publishing whiz Lisa Holton. Prior to starting Fourth Story, Lisa was was President, Scholastic Trade Publishing and Book Fairs; managed the publication of Harry Potter and the Deathly Hallows; and oversaw development of The 39 Clues. Before that she spent nearly a decade developing numerous bestselling, franchise-launching series at Disney.

Happy Cog’s New York office developed this project. The team:

• Aaron Gustafson, front-end development (blog, articles, Twitter)
• Liz, Danzico, user experience (blog, MFA program, Twitter)
• Matthew Goldenberg, project management
• Whitney Hess, user experience (blog, Twitter)
• Erin Kissane, content strategy (articles, blog, Twitter)
• Kelly McCarthy, project manager
• Jason Santa Maria, design (website, Twitter)
• Jeffrey Zeldman, creative director

Equally vital to the project’s success were Fourth Story’s leaders and partners, including:

• Lorraine Shanley, Principal Advisor
• Ariel Aberg-Riger (website, Twitter), Creative Development & Marketing Manager
• JillEllyn Riley, Editorial Director
• Dale Robbins, Creative Director
• David Stack, Director, Digital Partnerships
• Melissa Kantor, Writer
• Peter Silsbee, Writer
• Polly Kanevsky, Art Director
• Sam Gerstenzang, Technology Consultant

Today’s launch is not the end of our relationship with Fourth Story Media. The Amanda Project will continue to evolve, and Happy Cog will remain an active partner in its direction and growth. We thank our brilliant collaborators and congratulate them on today’s milestone.

Read more

• Blissbat.net: The Amanda Project Wants You

Tags: amanda, amandaproject, theamandaproject, TAP, happycog, design, webdesign, contentstrategy, userexperience, publishing, books, aarongustafson, lizdanzico, erinkissane, whitneyhess, mattgoldenberg, kellymccarthy, jasonsantamaria, jeffreyzeldman, lisaholton, dalerobbins, davidstack, JillEllynRiley, ArielAberg-Riger

Filed under: Applications, Code, Community, Design, Happy Cog™, Publications, Publishing, Web Design, Websites, architecture, art direction, books, business, client services, content, creativity, development, editorial, launches, links, people, social networking, software

The great Douglas Bowman leaves Google:

Yes, it’s true that a team at Google couldn’t decide between two blues, so they’re testing 41 shades between each blue to see which one performs better. I had a recent debate over whether a border should be 3, 4 or 5 pixels wide, and was asked to prove my case. I can’t operate in an environment like that. I’ve grown tired of debating such miniscule design decisions. There are more exciting design problems in this world to tackle.

Tags: DouglasBowman, Google, design

Filed under: Design, business, development, experience, people

Two greatly gifted user experience professionals are contributing their time and talent to Happy Cog.

A veteran strategist and instructor, user experience director Kevin Hoffman creates compelling online experiences via patient research and sparkling creative insight. Prior to joining Happy Cog, he spent more than a decade building sites, developing strategies, and leading projects for colleges and universities in Baltimore. Kevin joins our Philadelphia office; we are thrilled to have him.

Co-inventor of a patented search tool for American Express, user experience consultant Whitney Hess has a bachelor’s in writing, a master’s in Human-Computer Interaction from Carnegie Mellon, and ten years’ experience making complex sites work beautifully. Her work for the New York office of Happy Cog will soon bear public fruit; we are delighted to have her on our team.

Welcome, Kevin and Whitney.

Tags: Whitney Hess, Kevin Hoffman, UX, userexperience, happycog, talent

Filed under: Happy Cog™, Information architecture, New York City, Philadelphia, UX, User Experience, Working, experience, people, work

Tags: apple, ichat, firewall, hivelogic, danbenjamin, zeldman

Filed under: Accessibility, Apple, Applications, Design, bugs, people

Comments off.

Join Knowbility in urging the University of Texas to reconsider its decision to close the Accessibility Institute, founded and led with distinction by the late Dr. John Slatin. Keep John’s work alive. Sign the petition.

Tags: accessibility, johnslatin, accessibility institute

Filed under: Accessibility, John Slatin, people

My first book didn’t sell very well but it had an effect on people’s hearts. Web designers around the world circulated a single copy of Taking Your Talent to the Web, adding their autographs, drawings, photos, and other verbal and visual messages to every page—even the covers and spine.

While unpacking from the office move, I found this special world-traveled copy of the book and snapped a few pages at random. Some people who signed this book went on to do amazing things on the web. Others lowered their profiles but continued to do work of quality and significance. Still others simply disappeared. (At least they disappeared from the worldwide web design community.) I love every one of them. Thank you all again.

A photo spread on Flickr Around the Word with Web Talent.

Tags: webdesign, community, talent, takingyourtalenttotheweb, newriders, publishing, book, books, zeldman, writing, dreamless

Filed under: Blogroll, Community, Design, Ideas, Web Design, Zeldman, art, art direction, books, content, creativity, experience, industry, people, work, writing

It’s been a month for milestones.

On May 31, my site turned 13 years old.

On June 7, making the previous milestone and all others possible, I had 15 years without a drink or drug.

On Saturday June 28, Carrie and I celebrated five years of marriage by hiring a babysitter, eating a meal, and bumming around the east village.

Between these landmarks came a flight to Pittsburgh and back-to-back train trips from New York to Washington DC, and Boston.

In the last-named burg we put on a two-day design conference for people who make websites.

At home during this same period, our daughter outgrew last month’s clothes, began swimming, got a big-girl bed, attended and graduated summer camp, stopped being even slightly afraid of school, hung out with her grandma, and advanced so much intellectually and emotionally that it would qualify as science fiction if it weren’t the lived experience of ’most everyone who has kids.

Between all that came the usual tumult of client meetings, client projects, and potential new business, giddily intermingled with the publication of two A List Apart issues. Make that three issues as of tomorrow.

Been busy.

If I had to pick an image to symbolize the month, it would be me on a rerouted slow Amtrak train from Boston to New York, using an iPhone and one finger to peck out a strategic response to an 80 page RFP.

That would have been the image, but now there’s a new one. For now there’s today.

On the calendar it is Happy Cog New York’s moving day. Today I pack up what for 18 years was either my apartment or Happy Cog’s New York City headquarters (and was most often both).

I hit bottom in this place. Ended a short-lived, tragically wrong first marriage. Rebuilt my life one cell at a time. Found self. Found love. Became a web designer. Found the love of my life. Married well, had a magical child. Wrote two books. Made money and lost it a couple of times over. Founded a magazine. Co-founded a movement. Worked for others. Freelanced. Founded an agency. Grew it.

It all happened here.

This gently declining space that has been nothing but an office since December and will soon be nothing at all to me, this place I will empty and vacate in the next few hours, has seen everything from drug withdrawal to the first stirrings of childbirth. Happiness, anguish, farting and honeymoons. Everything. Everything but death.

Even after our family moved, the place was never empty. The heiress to an American fine art legacy came here, to this dump, to talk about a potential project. Two gentlemen who make an extraordinary food product came here many times to discuss how their website redesign was going.

When I wasn’t meeting someone for lunch, I went downstairs to this wonderful little place to take away a small soup and a sandwich, which I ate at my desk while reading nytimes.com. Helming the take-away lunch place are three Indian women who are just the sweetest, nicest people ever. The new studio is just far enough away that I will rarely see these ladies any more. I will miss them.

I will miss Josef, the super here, with his big black brush mustache and gruff, gently-East-European-accented voice. He will miss me, too. He just told me so, while we were arranging for the freight elevator. We were kind to him after his heart attack and he has been kind to us since he arrived—the last in a long series of supers caught between an aging building and a rental agent that prefers not to invest in keeping the place up. The doormen and porters, here, too, some of whom I’ve known for nearly twenty years, my God. Can’t think about that.

I will miss being able to hit the gym whenever I feel like it and shower right in my workplace.

And that is all.

This is the death of something but it is the birth of something more. We take everything with us, all our experiences (until age robs us of them one by one, and even then, they are somewhere—during the worst of my mother’s Alzheimer’s, she reacted, however subtly, to Sinatra). We take everything with us. The stink and glory of this place will stay on me even when we are set up in our slick new space. It will be with me long after the landlord’s collection letters have stopped. This place, what happened here, will live until my head cracks like a coconut, and then some.

And now I pre-pack. Adieu, adieu.

Tags: happycog, moves, moving, newyork, NYC, design, webdesign, alistapart, wedding, anniversary, zeldman, zeldman.com, 5years, 13years, 15years

Filed under: 13 years, A List Apart, An Event Apart, Boston, Career, Design, Happy Cog™, Philadelphia, Publications, Publishing, Web Design, Zeldman, business, cities, conferences, dreams, eric meyer, events, experience, family, glamorous, parenting, people, zeldman.com

On Tuesday morning, while Malarkey was furiously getting himself uninvited to Håkon Lie’s Christmas parties, and oneself was busy publishing the latest issue of A List Apart, and the jungle drums spoke of nothing but Firefox 3, Jason Santa Maria quietly slipped a torpedo into the harbor.

Jason didn’t just redesign his website, he issued a call to arms. And what he called for was real art direction on the web.

Now, over the years, plenty of others have called for art direction on the web, and some have achieved it. Quite famously, starting in September 1996, Derek Powazek achieved it with the original {fray}, an independent, non-commercial, personal storytelling site featuring the finest writers and illustrators on the web, not a few of whom {fray} discovered and launched. Stories like Lance Arthur’s A Little Black Death, Molly Steenson’s Pulling a Geographic (now sadly stuck in a loop), and Rebecca Eisenberg’s Mugged weren’t just compellingly written; they were compellingly written and art directed. The drama of viewing and wondering what the next page held was part of the reading experience, as it is in visually leading print magazines like Seed and Wired.

{fray} was a magnificent achievement and still is, and if design officialdom didn’t recognize it at the time, and hasn’t recognized it since, the fault lies with officialdom.

But {fray} was not only a labor of love, it was also a labor of labor—each page lovingly hand crafted in the browser-centric HTML of the time. And today we are modern and streamlined, not only in our markup, but in our means of production. We’re all about blogs and zines, templates and CMS platforms. Nobody but weird Unibomber-like hermits and Tantek hand-codes individual pages anymore.

And it is to that environment—to our environment—that Jason’s redesign speaks, calling for real art direction in the context of template-and-CMS-based publications.

Well, here is my experiment: a very simple setup for fast design and art direction around content. I’m approaching this is much the same way one would approach the design of a magazine: a system for the way content gets handled, but every layout and story can take on a look of their own within that system.

It’s just a blog, like any blog, although better looking than most. Housed on what is essentially a beefed-up open source blogging platform. Beefed up just enough to allow the writer/designer to change colors, typefaces, and the position and shape of copy blocks on a per-post basis as needed.

Speaking of beef, where is it? Where are all these posts with unique layouts within an overarching and unifying system of design? They have yet to be written and produced. But I’ve seen the comps and know some of what is coming, and it is going to be a lovely, drawn-out feast.

And even if it were not half as lovely as it will be—if Jason, instead of being one of our leading web designers, were a visual illiterate—the idea would still matter, and this proof of concept would still merit our gratitude.

Tags: artdirection, webdesign, jasonsantamaria, derekpowazek, {fray}

Filed under: Design, Jason Santa Maria, Layout, Web Design, art direction, people, work