ON SUNDAY, while leading a discussion on the future of web design and publishing, I noticed a slightly confused look appearing on some faces in the audience. The discussion had been billed as “Jeffrey Zeldman’s Awesome Internet Design Panel,” and I thought perhaps there was a disconnect for some in the audience between “design” and such topics as where content comes from and who pays for it.

So I asked, “Who here is in publishing?”

A few hands were gently raised.

Uh-huh. “And how many of you work on the web?”

Every right hand in the room shot up.

“You are all in publishing,” I explained.

Now, I like a good rounded corner talk as much as the next designer. I’ve given my share of them. Also of line height and measure, color and contrast, how to design things that don’t work in old versions of Internet Explorer, and so on. In the practice of web and interaction design, there will always be a place for craft discussions—for craft is execution, and ideas without execution are songs without music, meaningless.

But right now (and always) there is a need for design to also be about the big strategic issues. And right now, as much as design is wrestling with open vs. proprietary formats and the old challenges of new devices, design is also very much in the service of applications and publishing. Who gets content, who pays for it, how it is distributed (and how evenly), the balance between broadcast and conversation, editor and user—these are the issues of this moment, and it is designers even more than editors who will answer these riddles.

I teach a class called “Selling Design” in the MFA Interaction Design program at School of Visual Arts in New York.

Although the class’s name focuses on persuasion, it’s really about learning where great ideas come from, recognizing and fostering our best ideas, choosing the right partners to collaborate on those ideas, and finding and growing an audience/market. Persuasion is a key part of all those phases, but we focus on the entire process.

Guest lecturers from various backgrounds contribute their experiences and insights each week.

My students are amazing. They’re about to become the first group to graduate (is that the word for it?) from SVA’s fledgling program created by Liz Danzico and Steve Heller. Hire them if you can. Watch them make their mark.

Teaching at School of Visual Arts is a small but growing set on Flickr documenting our class—and the nearly two years I spent waiting to teach it. (I’m the last faculty member in the two-year program to actually teach a class, as my class is the last in the sequence.)

OUR LIBRARY IS BURNING. Copyright extension has banished millions of books to the scrapheap. Digital permanence is a tragically laughable ideal to anyone who remembers the VHS format wars or tries to view Joshua Davis’s 1990s masterpieces on a modern computer. Digital archiving is only as permanent as the next budget cycle—as when libraries switched from microfilm to digital subscriptions and then were forced to cancel the subscriptions during the pre-recession recession. And of course, my digital work vanishes the moment I die or lose the ability to keep hosting it. If you really want to protect your family photos, take them off Flickr and your hard drive, get them on paper, and store them in an airtight box.

Though bits are forever, our medium is mortal, as all but the most naive among us know. And we accept that some of what we hold digitally dear will perish before our eyes. But it irks most especially when people or companies with more money than judgement purchase a thriving online community only to trash it when they can’t figure out how to squeeze a buck out of it. Corporate black thumb is not new to our medium: MGM watered down the Marx Bros; the Saatchis sucked the creative life and half the billings out of the ad agencies they acquired during the 1980s and beyond. But outside the digital world, some corporate purchases and marriages have worked out (think: Disney/Pixar). And with the possible exception of Flickr (better now than the day Yahoo bought it), I can’t think of any online community or publication that has improved as a result of being purchased. Whereas we can all instantly call to mind dozens of wonderful web properties that died or crawled up their own asses as a direct result of new corporate ownership.

My colleague Mandy Brown has written a moving call to arms which, knowingly or unknowingly, invokes the LOCKSS method (“Lots of Copies Keep Stuff Safe”) of preserving digital content by making copies of it; she encourages us all to become archivists. Even a disorganized ground-level effort such as Mandy proposes will be beneficial—indeed, the less organized, the better. And this is certainly part of the answer. (It’s also what drives my friend Tantek’s own your data efforts; my beef with T is mainly aesthetic.) So, yes, we the people can do our part to help undo the harm uncaring companies cause to our e-ecosystem.

But there is another piece of this which no one is discussing and which I now address specifically to my colleagues who create great digital content and communities:

Stop selling your stuff to corporate jerks. It never works. They always wreck what you’ve spent years making.

Don’t go for the quick payoff. You can make money maintaining your content and serving your community. It won’t be a fat fistful of cash, but that’s okay. You can keep living, keep growing your community, and, over the years, you will earn enough to be safe and comfortable. Besides, most people who get a big payoff blow the money within two years (because it’s not real to them, and because there are always professionals ready to help the rich squander their money). By contrast, if you retain ownership of your community and keep plugging away, you’ll have financial stability and manageable success, and you’ll be able to turn the content over to your juniors when the time comes to retire.

Our library is burning. We didn’t start the fire but we sure don’t have to help fan the flames. You can’t sell out if you don’t sell. Owning your content starts with you.

Andy is a journalist/programmer living in L.A. He works at Expert Labs, helped create Kickstarter and Upcoming, and has made an album, among other things.

A List Apart and .net magazine have long admired each other. So when .net editor Dan Oliver did me the great honor of asking if I wished to guest edit an issue, I saluted smartly. The result is now arriving in subscriber post boxes and will soon flood Her Majesty’s newsstands.

In .net magazine Issue No. 206, on sale 17th August in UK (and next month in the US, where it goes by the name “Practical Web Design”), we examine how new standards like CSS3 and HTML5, new devices like iPhone and Droid, and maturing UX disciplines like content strategy are converging to create new opportunities for web designers and the web users we serve:

• Exult as Luke Wroblewski shows how the explosive growth of mobile lets us stop bowing to committees and refocus on features customers need.
• Marvel as Ethan Marcotte explains how fluid grids, flexible images, and CSS3 media queries help us create precise yet context-sensitive layouts that change to fit the device and screen on which they’re viewed.
• Delight as Kristina Halvorson tells how to achieve better design through coherent content wrangling.
• Thrill as Andy Hume shows how to sell wary clients on cutting-edge design methods never before possible.
• Geek out as Tim Van Damme shows how progressive enhancement and CSS3 make for sexy experiences in today’s most capable browsers—and damned fine experiences in those that are less web-standards-savvy.

You can also read my article, which asks the musical question:

Cheap, complex devices such as the iPhone and the Droid have come along at precisely the moment when HTML5, CSS3 and web fonts are ready for action; when standards-based web development is no longer relegated to the fringe; and when web designers, no longer content to merely decorate screens, are crafting provocative, multi-platform experiences. Is this the dawn of a newer, more mature, more ubiquitous web?

Today’s web is about interacting with your users wherever they are, whenever they have a minute to spare. New code and new ideas for a new time are what the new issue of .net magazine captures. There has never been a better time to create websites. Enjoy!

Photo by Daniel Byrne for .net magazine. All rights reserved.

The show’s over but the photos linger on. An Event Apart Minneapolis was two days of nonstop brilliance and inspiration. In an environment more than one attendee likened to a “TED of web design,” a dozen of the most exciting speakers and visionaries in our industry explained why this moment in web design is like no other.

If you were there, relive the memories; if you couldn’t attend, steal a glance at some of what you missed: An Event Apart Minneapolis: the photo pool at Flickr.

Next up: An Event Apart DC and San Diego. These shows will not be streamed, simulcast, or repackaged in DVD format. To experience them, you must attend. Tickets are first-come, first-served, and every show this year has sold out. Forewarned is forearmed; we’d love to turn you on.

Photo: Jared Mehle.

Editor Michael Nolan walks writer Aarron Walter through the fine points. Photo: Ari Stiles.

All our Big Web Show interviews are personal to me and feature people who make a difference in our community, but this week’s guest is especially special. Michael J. Nolan (@mikaln) is the acquisitions editor who “discovered” me, and who has brought to light (or should I say brought to print) more web leaders with distinctive voices and visions than just about anyone out there.

Michael works as a senior editor for Pearson’s New Riders and Peachpit imprints, focusing on web design and development. His first book in the genre, David Siegel’s Creating Killer Websites, was a mega success and jump-started discussion on how to design the web. It was followed by a long list of books from a Who’s Who of digerati, including Jeffrey Veen, Clement Mok, Richard Saul Wurman, Derek Powazek, Jesse James Garrett, Christina Wodtke, Dan Cederholm, Garr Reynolds, Joshua Porter, Dan Brown, Kristina Halvorson, Marty Neumeier, and Jeffrey Zeldman (that’s me!).

Michael is proud of the positive impact books these Voices That Matter have had on the medium, which he sees as humankind’s best last chance to survive and prosper. I’m proud to know Michael and to be his friend.

As always, Big Web Show co-host Dan Benjamin will join me for this special hour of insights into how publishing really works, where it’s going, and how it will survive—plus, I hope, plenty of stories about your favorite authors and designers, and tips on how to identify talent for those who are hiring, and how present yourself as a talented and desirable catch for those who are trying to boost their visibility and career prospects.

Please join us this Thursday, July 22, at 1:00 PM Eastern for the live taping of Episode 13.

The Big Web Show (“Everything Web That Matters”) is taped live in front of an internet audience every Thursday at 1:00 PM ET on live.5by5.tv. Edited episodes can be watched afterwards (often within hours of taping) via iTunes (audio feed | video feed) and the web.

Morning finds me bound by train for Boston, capital of Massachusetts, land of Puritans, patriots, and host of the original Tea Party. Center of high technology and higher education. Where the John Hancock Tower signs its name in the clouds, and the sky-scraping Prudential Tower adds a whole new meaning to the term, “high finance.” Beantown. Cradle of liberty, Athens of America, the walking city, and five-time host to An Event Apart, which may be America’s leading web design conference. (You see what I did there?)

Over 500 advanced web design professionals will join co-host Eric Meyer and me in Boston’s beautiful Back Bay for two jam-packed days of learning and inspiration with Dan Cederholm, Andy Clarke, Kristina Halvorson, Jeremy Keith, Ethan Marcotte, Jared Spool, Nicole Sullivan, Jeff Veen, Aarron Walter, and Luke Wroblewski.

If you can’t attend the sold-out show, which begins Monday, May 24, you can follow the live Tweetage via the souped-up, socially-enriched, aesthetically tricked out new version of A Feed Apart, whose lights go on this Sunday, May 23. Our thanks to developers Nick Sergeant, Pete Karl II, and their expanded creative team including Steve Losh and Ali M. Ali. We and they will have more to say about the project soon. For now, you can always read our 2009 interview with Nick and Pete or sneak a peek on Dribbble.

There’s also a Flickr photo group and an interstitial playlist, so you can ogle and hum along from your favorite cubicle or armchair.

See you around The Hub or right here on the world wide internets.

It’s the return of Cog’aoke.

Video: Ian Corey.

In 2010, you are whatever the Net says you are. Deal with it. Let’s assume that you want to deal with it; that is, you care about the picture the Net paints of you. I think that most of us should care, and I can think of three approaches to influencing the Net’s view: Branding, Offending, and Spelling. The first probably won’t work and the second stinks, so that leaves Spelling; more precisely, spell-checking and what it stands for.

Read the entire (short) Tim Bray Essay: After Branding.

Today only, join Ethan Marcotte and yours truly at 3:00 PM EST for a live Q&A on standards-based design and Designing With Web Standards. Hurry, this free event is limited to the first 250 registered participants.

Short URL: zeldman.com/?p=3272

Bonne journée du chapeau bleu! Now you know how to say “Happy Blue Beanie Day” in French.

Monday 30 November is International Blue Beanie Day in support of web standards. Get your toque on, post a photo, and pop a beanie on your Twitter, Flickr, and Facebook avatars to help spread the word. Let’s take this viral, kids!

Short URL: zeldman.com/?p=3142

For those who couldn’t be there, and for those who were there and seek to savor the memories, here is An Event Apart Chicago, all wrapped up in a pretty bow:

AEA Chicago – official photo set

By John Morrison, subism studios llc. See also (and contribute to) An Event Apart Chicago 2009 Pool, a user group on Flickr.

A Feed Apart Chicago

Live tweeting from the show, captured forever and still being updated. Includes complete blow-by-blow from Whitney Hess.

Luke W’s Notes on the Show

Smart note-taking by Luke Wroblewski, design lead for Yahoo!, frequent AEA speaker, and author of Web Form Design: Filling in the Blanks (Rosenfeld Media, 2008):

1. Jeffrey Zeldman: A Site Redesign
2. Jason Santa Maria: Thinking Small
3. Kristina Halvorson: Content First
4. Dan Brown: Concept Models -A Tool for Planning Websites
5. Whitney Hess: DIY UX -Give Your Users an Upgrade
6. Andy Clarke: Walls Come Tumbling Down
7. Eric Meyer: JavaScript Will Save Us All (not captured)
8. Aaron Gustafson: Using CSS3 Today with eCSStender (not captured)
9. Simon Willison: Building Things Fast
10. Luke Wroblewski: Web Form Design in Action (download slides)
11. Dan Rubin: Designing Virtual Realism
12. Dan Cederholm: Progressive Enrichment With CSS3 (not captured)
13. Three years of An Event Apart Presentations

Note: Comment posting here is a bit wonky at the moment. We are investigating the cause. Normal commenting has been restored. Thank you, Noel Jackson.

Short URL: zeldman.com/?p=2695

By some tragic error of judgement, they will interview me today.

When the resulting video appears on the site, you’ll be the second to know.

[tags]bigthink, interviews, zeldman[/tags]

Started in 1990 by four members of ACT UP, Housing Works helps people who are homeless and have HIV or AIDS. Housing Works not only saves lives, it restores dignity, purpose, and hope to those whom society has cast aside. Happy Cog is honored and humbled to have worked with this amazing organization and to announce the relaunch of the Housing Works website, redesigned by Happy Cog.

Our thanks to Housing Works’s Christopher Sealey and his team—we bow endlessly in your direction, sir. And my thanks and commendation to the amazing people at Happy Cog who did the work:

• Robert Jolly: Client Relations
• Dave DeRuchie: Project Manager
• Liz Danzico: Information Architect
• Elizabeth Hare: Information Architect
• Dan Mall: Art Director/Designer
• Heather Shaw: Designer
• Jason Santa Maria: Designer
• Brian Warren: Front-end Developer
• Mark Huot: Back-end Developer

[tags]Housing Works, AIDS, HIV, homeless, homelessness, advocacy, hope, happycog, work[/tags]