Categories
Accessibility Design development industry Standards Tools

An angry fix

Some of the best minds working in web standards have been quietly or loudly abandoning the W3C. Björn Hörmann is the latest. His reasons for leaving the W3C QA Group make compelling reading (hat tip: Terje Bless). I believe in W3C standards, particularly the ones you and I use every day, but I worry about the direction in which the W3C is headed.

Beholden to its corporate paymasters who alone can afford membership, the W3C seems increasingly detached from ordinary designers and developers. Truth be told, we and our practical concerns never drove the organization. But after ordinary designers and developers spent nearly a decade selling web standards to browser makers and developing best practices around accessibility and semantics, one hoped the W3C might realize that there was value in occasionally consulting its user base.

Alas, the organization appears unconcerned with our needs and uninterested in tapping our experience and insights. It remains a closed, a one-way system. Like old-fashioned pre-cable TV advertising. Not like the web.

To be fair, the W3C solicits community feedback before finalizing its recommendations. But asking people to comment on something that is nearly finished is not the same as finding out what they need and soliciting their collaboration from the start.

We require coherent specifications based on our and our users’ actual needs. Upcoming accessibility and markup specifications fail on both counts. We require validation tools that work and are kept up to date. Instead, tools are still broken years after problems are reported.

Two things could happen. Either the W3C will make a course correction, or the standards-based design community will look elsewhere.

[tags]web standards, w3c, wcag, xhtml, web design, microformats[/tags]

Categories
An Event Apart Design events industry work

And boy are my arms tired

6:40 AM, laptops and collateral parked at the curb, waiting for Scandinavia House to open.

An Event Apart NYC is over. It lasted twice as long as previous events. Featured three times as many speakers. Took at least four times as much effort to prepare. And was ten tons of fun.

We couldn’t have done it without you

Thanks first and foremost to all who attended. You made the show.

Our speakers were some of the best thinkers, designers, and coders this side of Antarctica. Thanks, Ze Frank, Khoi Vinh, Tantek Çelik, and Aaron Gustafson.

Jason Santa Maria, in addition to speaking eloquently, designed the identity system for the conference, right down to the lanyards.

Day One: Jason Santa Maria onstage an hour before the show starts.

Eric Meyer is a genius. You could put a mic in front of him anywhere and a crowd of CSS-hungry devotees would soon gather. You could even put him on after Ze Frank.

Baltimore filmmaker Ian Corey videotaped the event, supplied and maintained additional equipment, and ran the sound system.

Daniel Mall and Jon Aldinger, web designers and event assistants extraordinaire, lugged heavy boxes of collateral from Happy Cog to Scandinavia House. They also (with brilliant Rob Weychert) manned the doors, cleaned the auditorium after attendees filed out each day, and assisted Ian with the sound.

A space this elegant and food this good are hard to come by in the world of conferences. Perfectly tuned service is equally rare. Victoria and Bo of Scandinavia House and Peter and Angellique of Restaurant Aquavit, along with their discreet yet ever-present staff, provided almost unheard-of levels of service. We thank them, and I recommend them to anyone hosting an intimate or mid-sized design conference in New York City. (The theater seats 168 but we cut off registration at 120 to maintain intimacy.)

Thank you for your constant and astonishing support: Adobe, AIGA, Media Temple, and New Riders.

Happy Cog paid for the drinks.

Linky-poos

Rekindle the memories or start new ones:

[tags]aneventapart, an event apart, eric meyer, khoi vinh, jason santa maria, ze frank, tantek, aaron gustafson, media temple, adobe, AIGA, new riders, happycog, happy cog, nyc, zeldman[/tags]

Categories
A List Apart Design development Publishing Standards work

ALA 219: Automatic layouts and goodbye to <embed>

Two swell authors we’ve never had the pleasure of publishing before bring creative solutions to the 219th issue of A List Apart:

Automatic Magazine Layout

by Harvey Kane

Even if you (or your client) has talented designers on staff, they’ll rarely have time to resize and reposition the images that bring life to a web layout. You need photos laid out automatically, but you’d rather your page not look like it was designed by orangutans. Harvey Kane’s clever script will make your life easier (and your site more attractive).

Bye Bye Embed

by Elizabeth Castro

In the age of Google Video and YouTube, can you embed QuickTime video reliably across browsers without using the invalid EMBED element? Building on the pioneering work of Drew McLellan, Ian Hickson, and Lachlan Hunt, best-selling author Elizabeth Castro sets out to embed without EMBED.

About these authors

Mr Kane is a prolific writer and developer. Ms Castro is a superb author whose HTML, XHTML, and CSS: Visual QuickStart Guide has sold more than a million copies. The Sixth Edition(!) comes out next month.

[tags]a list apart, alistapart, web design, webdesign[/tags]

Categories
An Event Apart cities Design events Ideas people war, peace, and justice writing

We hold most of these truths

A copy of the Declaration of Independence in Thomas Jefferson’s own hand is on public view at The New York Public Library. Accompanying it are several of the very first printed versions known to have survived.

Standing in the presence of these yellowing pages is like glimpsing the face of God, for they are the foundation of American democracy, and their core idea underlies all human rights struggles, liberation movements, and emergent democracies around the world.

The version in Thomas Jefferson’s own hand is fascinating not only because it’s in Thomas Jefferson’s own hand, but also because it contains passages that would have ended slavery at the birth of the American nation. But those passages had to be deleted before the Declaration could be signed by representatives of states where slavery was practiced.

Put another way, the client bought a document intended to liberate all humanity, but demanded changes that kept part of humanity in chains. It would take another 100 years and hundreds of thousands of deaths before slavery ended, and the tragic legacy of African enslavement plagues the U.S. to this day. (At The New York Times: a slide show of Freedom Rider portraits, a work in progress by my friend Eric Etheridge.)

So the next time a client requests changes that make your work less beautiful, less usable, or less smart, remember that greater people than you have lost bigger battles over far more important matters.

The Declaration of Independence is on view at 42nd Street and Fifth Avenue now through 5 August and admission to the Library is of course free. If you’re in New York City this summer, the exhibit is worth a look. (Plug: And if you’re in town next week for An Event Apart, the Library is just a few blocks away from the Scandinavia House venue.)

Categories
Design industry writing Zeldman

The Power of Positive Whining

I recently had a bad experience on a good website and wrote about it here. Writing about experiences is not the same as writing about facts. A company might spend $40,000 to ensure that its navigation labels can be clearly understood by all users. That they spent the money and conducted the tests is the fact. Yet some users might not understand the labels anyway. That would be the experience of those users. Fact versus experience: not the same thing.

Most professionals who create websites want to know when a user has a bad experience. Most professionals who create websites worry about bad experiences. Most professionals who understand the craft of user experience design spend much of their time thinking about the user. That’s why they call it user experience design.

Thinking about the user means listening and trying and testing and changing. When you are lucky you get it right for a lot of your users. But there will always be some people you fail. When you are lucky, you hear about the failures.

The user is never wrong

If web design were not an art, then we would always get every part right. But it is an art, and, like all arts, it deals with the subjective. The subjective is something you can never get 100% right.

As a web professional, I value user feedback even when it’s exactly what I was afraid of hearing. As a web professional, I value user feedback even when the user is “wrong.” Like, when the user misses the giant red headline and the big fat subhead and the clearly stated error message and the grotesquely large exclamation point icon in the unpleasantly intrusive “warning” triangle.

A user can miss everything you put in his path, and call you on it, and the user is never wrong, even if there is nothing more you could have done to help him understand. The user is never wrong because experience is experience, not fact.

Paths and walls

As a designer I am always collecting data on what went wrong for one user or another. It helps me do better on the next round.

As a designer who interacts with websites, airport and subway signage, nasty little cell phone interfaces, and other variously successful communication attempts by designers and engineers (in short, as a user), I not infrequently write about my user experience—especially when my experience is not what the designers and engineers intended.

I do this not as complaint, which is of no use to anyone, but as critique and information-sharing. It is critique when, by examining a specific case, it illuminates a point of interest or failure in many designs. When it’s less broad in implication it still has value as data about a particular path that hit a particular wall.

If the designers and engineers see what I’ve written, they may think about their product in a different way that is helpful to them and to some of their other users. If other designers and engineers see it, they may think differently about their own designs, especially if their designs are informed by the site or product I’m writing about. Write about a usability error at Amazon, and 100 sites that copy Amazon will improve.

Why we fight

I am a walking edge case. If an operating system upgrade goes smoothly for everyone I know, some part of it will go wrong for me. The written directions from Manhattan to Rye may convey you safely and serenely between those locations, but the way I read the same words, I will end up on the dodgy side of Yankee Stadium. I suffer so you don’t have to.

Writing critiques is a thing I sometimes do on my site. I’ve been sometimes doing it on my site for eleven years and will keep at it. Some of these posts can be characterized as pointless, misinformed grousing, while others contain spelling errors. A few have had mildly beneficial effects in the wider world, and that’s good enough for me.

Categories
Design industry Tools

My friend Flickr

My Flickr Pro account has returned, along with the vanished photos and sets. Welcome back, photos! I’ve also learned a few things:

  • Flickr emails users before their accounts expire. They therefore emailed me, although the message didn’t reach me. (Using Flickr mail in addition to traditional email would help avoid heartache.)
  • As a Pro account nears its expiration date, Flickr posts warnings on your home page, advising you of the coming purge and suggesting you top off the account before it ends. I didn’t see these warnings because I never log into my home page; I go straight to my photo page. You never know what a user will do.
  • Discreet warnings were also placed on the photo page, I’m told. I didn’t notice them, possibly because their posting coincided with big changes to the Flickr interface. The designer who formatted the warnings may also have erred on the side of understatement. Designing error and warning messages is tough. Make them too big and users gripe; too small, and nobody sees them.

It will be interesting to see if Flickr changes the way it reacts to a lapsed Pro account in the future. Here’s hoping.

Most sites I use (and a few I’ve had a hand in creating) cause frustration because of poorly considered usability and design decisions. A very few sites, products, and applications delight us precisely because their design and usability are so good. Flickr is one of these rare delights. Like Apple, it is a company whose occasional lapses (or seeming ones) bug us, even as we forgive (or barely notice) the screwups and mediocrity of other companies. We hold these companies to a higher standard. But, hey, they’re the ones who set it.

Categories
An Event Apart Design Ideas industry

A Fine Day to Quit Sniffing Glue

Last night, some weird instinct made me post a duplicate Event Apart NYC schedule here, and it’s a good thing I did. For this morning, An Event Apart dot com was gone. In its place was a smiling “coming soon” placeholder, courtesy of domain registrar GoDaddy. I was not notified that the domain was about to elapse. I was not notified that it had elapsed.

Now, GoDaddy is run by smart people, and notifying customers by email that their account is about to expire is undoubtedly something they do. I’m sure they tried to contact me. There at least a dozen ways one or more email messages intended to reach me could have gone astray. Not their fault. And, although I cringed with shame at this technological depantsing, not really my fault, either. Only someone with an obsessive-compulsive disorder would log in to a registrar every few days just to be sure one of their domains wasn’t about to expire. The problem isn’t people, it’s email.

A suggestion to GoDaddy and similar businesses: given that email has become extraordinarily unreliable, especially for people who receive vast quantities of it; and given too that many customers change email accounts from time to time, and in so doing, may become unreachable; wouldn’t it make sense (and be kind of cool) to offer your customers RSS feeds in addition to email notification? An RSS feed might send a notice when a customer registers, another when the account is set to expire in 60 days, still another when the expiration date is 30 days away, and so on.

Most people who do what I do don’t see half their mail, but they always check their RSS reader. Is my freely shared thought.

So, back to my briefly elapsed domain (which, thank goodness and American Express, is once again online). Did I mention that I am a walking usability test? I’m sure I’ve told you that, but maybe just not lately. What works fine for the average user almost never works for me. By the way, the average user was recently spotted in Northville, Michigan, purchasing 10 lbs. of potting soil and a garden hose.

Anyway, An Event Apart is back.

Categories
Accessibility An Event Apart cities Design development events Standards Zeldman

An Event Apart NYC Schedule

A detailed schedule of An Event Apart NYC has been posted at aneventapart.com and reproduced below for your convenience. Join Tantek Çelik, Ze Frank, Aaron Gustafson, Jason Santa Maria, Khoi Vinh, Eric Meyer, and Jeffrey Zeldman for two days of design and code in the heart of New York City:

9am – 5pm, Monday 10 July & Tuesday 11 July
Scandinavia House
Victor Borge Hall — Level A
58 Park Avenue, New York City, NY 10016
Map | Hotel info

Victor Borge Hall is located on Level A, one floor below ground. Enter at the front door on Park Avenue and take the elevator located at the rear of the entrance hall, across from the ground-floor Gift Shop. Wheelchair-friendly restrooms are located on Level B, accessible via the elevator.

Seating is lecture-style, in a comfortable and exquisitely designed theater space, and doors open at 8:00 am. There is no Wi-Fi at this venue, but we will provide downloadable files the night before the show for those who wish to follow along on their laptops.

Schedule

An Event Apart NYC runs from 9:00 am – 5:00 pm. We have a lot to cover, so the event will start promptly. Arrive early to get a good seat! Doors open at 8:00 am; for best results, plan to show up between 8:00 am and 8:30 am. Here is what you can expect over the two days of this conference:

DAY I – DESIGN DAY

9:00 am Welcome and Housekeeping [Zeldman]
9:05 am Textism (Writing User Experience) [Zeldman]
Better design and better usability through word choice. Editing for designers.
10:05 am BREAK!
10:15 am Solving (Re)Design Problems [Jason Santa Maria]
Visually repositioning a beloved brand (namely, A List Apart). Design as problem solving. Knowing which problems to solve.
11:00 am Bringing A List Apart Together [Eric Meyer]
How someone like Eric Meyer takes a design and turns it into a living, breathing web page.
12:00 pm Lunch
1:00 pm Sponsor Giveaways
Adobe, Media Temple, New Riders and AIGA Press will hand out valuable software, services, and books for free.
1:15 pm A Day in the Life of a Design Director [Khoi Vinh]
From sun-up until the stroke of midnight, Khoi Vinh will take us through a typical day inside the NYTimes.com design group.
2:15 pm What’s the Story? [Zeldman]
Finding brand narratives that set your site apart from others like it. Seizing inspiration from limited budgets.
2:50 pm BREAK!
3:00 pm Web 0.2 [Ze Frank]
A personal, down-in-the-trenches view of how the technology revolution impacts the way we communicate with a mass audience.
4:00 pm DESIGN CRITIQUES [Jason Santa Maria, Khoi Vinh, Ze Frank, Zeldman]
A rip-snortin’ romp through the design and architecture of sites created by some of the smartest people in the world (namely, the attendees of An Event Apart NYC).

DAY II – CODE DAY

9:00 am Welcome and Housekeeping [Eric Meyer]
9:10 am Hard-Core CSS [Eric Meyer]
An in-depth exploration of what makes CSS work, how it works the way it does, and how you can make it work harder for you.
10:10 am BREAK!
(You’ll need it)
10:30 am Microformats [Tantek Çelik]
What are microformats, and how can they transform the web? Tantek Çelik, co-founder of the microformats movement, tells us what’s already happening and what comes next.
11:30 am “One True Layout” overview [Eric Meyer]
Incredible stroke of genius or gross hack to be shunned? Eric analyzes this new CSS layout technique and examines the pros and cons, both immediately and into the future.
12:30 pm Lunch
1:30 pm Sponsor Giveaways
1:45 pm So you want to be a DOM Star [Aaron Gustafson]
What does it take to be a great front-end developer in today’s marketplace? Aaron Gustafson lays it all on the line.
2:40 pm BREAK!
3:00 pm Web Standards Second Edition [Zeldman]
What a long, strange trip it’s been.
4:00 pm Code critiques [Eric Meyer, Aaron Gustafson, Tantek Çelik]
A fast-paced, rough-and-tumble review of markup, style, and scripting on a select group of sites created and submitted by attendees.

Food

Catering is by Restaurant Aquavit, the country’s premier Scandinavian restaurant, and includes vegetarian choices.

Lunch

  • July 10: Gravlax Club, Grilled Scandinavian Shrimp, and Roasted Mushroom sandwiches. Salad and potato salad.
  • July 11: Smoked Salmon, Spice Roasted Pork Loin, and Roasted Mushroom sandwiches. Salad and pasta salad.

All Day Long

Freshly Brewed Coffee, Decaffeinated Coffee, Selection of Teas, Assorted Soft Drinks and Sparkling Water.

Afternoon Pick-Me Up

  • July 10: Assorted Cookies
  • July 11: Basket of Fruit

Details

It’s a non-smoking event. Sorry, smokers! Still photography is permitted, but audio and video recording are forbidden, except by our official videographer, Mister Ian Corey. Sorry, recordists and videographers! As always, please be considerate when taking pictures. And speaking of pictures…

Flickr Group

We’ve established a Flickr group for those of you who want to share your photos with the world: flickr.com/groups/aeanyc2006.

Disclaimer

This schedule is subject to change. We’ll do our best to make the experience live up to what we’ve mentioned here, but cannot guarantee a perfect 1:1 correspondence. We thank you in advance for understanding any changes we may be forced to make due to events, people, and other stuff beyond our control.

New York 2006 news

An Event Apart RSS feed

Subscribe and keep track of all the comings and goings of An Event Apart.

[tags]an event apart, aneventapart, design, code, conference, web design, webdesign[/tags]

Categories
A List Apart Accessibility Design development Publishing Standards

ALA 218: Beauty, behavior, and power

In a triple issue of A List Apart, for people who make websites:

Prettier Accessible Forms

by Nick Rigby

Forms are a pain. Either you can make them pretty, make them accessible, or go a little crazy trying to achieve both. Nick Rigby offers a happy solution.

Behavioral Separation

by Jeremy Keith

Breaking up is hard to do. But in web design, separation can be a good thing. As Jeremy Keith explains, structure, presentation, and behavior all deserve their own space.

How to Plan Manpower on a Web Team

by Shane Diffily

Just how many people does it take to properly manage a website? It depends on the website. Author Shane Diffilly offers some suggestions on determining your site’s manpower needs.

[tags]a list apart, alistapart, web design, webdesign[/tags]

Categories
Design Publishing Standards work writing Zeldman

DWWS 2e Cover Preview

Today, with a couple of minor corrections not shown in the following sneak preview, we approved front and back cover art (PDF, 161 KB) for Designing With Web Standards, 2nd edition. And with that, the last bit o’ the book flew off to the press. Somewhere a bell bonged and an angel got his wings.

You may notice that the second edition’s cover is green, and may recall that the cover of the first edition was orange. Boy, was it ever orange. Boy, is the second edition ever green. Peachpit, editor Erin and I discussed all kinds of possible cover art makeovers, but in the end I decided to change only the color.

Actually in the beginning I decided to change only the color. Then I pretended to keep an open mind while alternatives were discussed—my favorite being the Dorian Gray notion that my photo would age while the rest of the cover stayed the same.

Writing this second edition showed me that when it comes to web standards, some things have changed and others haven’t.

Things change, things stay the same

Since I wrote the first edition, the community of standards-aware designers has mushroomed. Better best practices have emerged, replacing the second-best practices with which we launched the revolution. More designers, developers, and content people preach and practice accessibility, and more clients request it. You find semantic markup, unobtrusive scripting, and CSS layout where you never expected to find them, and increasingly you find them coupled with good design, good usability, and even (eek!) good writing.

Without much hoopla and with even less press, web standards are powering findability and the “Web 2.0” applications that have made the web hot again for investors and shallow journalists.

All this is new and most of it is good, yet too many sites are still inaccessible, and too many clients and bosses (not to mention too many designers), if they know about standards and accessibility at all, still have it dead wrong. It is for them, even more than for you, that I wrote this book.

Today someone asked how she could persuade a colleague to include accessibility and standards compliance in the requirements for a major site redesign. I can’t meet with every hostile boss and nay-sayer on the planet, gently persuading each of them to see the light. But I can talk to them through the quiet pages of DWWS 2e, if you would like me to.

The pitch

Save 37% off the cover price when you pre-order Designing With Web Standards, 2nd edition at Amazon. Please note that Amazon’s listing currently shows the wrong cover art, the wrong table of contents, and the wrong excerpts. Not to worry. It’s the right book (and Amazon will correct the error soon).

[tags]zeldman, dwws2e, webstandards, web standards, newriders, peachpit, designing with web standards[/tags]

Categories
Design people Publishing

Friends in Need

Joe Kral Needs Help
Type designer and Test Pilot Collective founder Joe Kral recently survived emergency surgery. Now his medical bills are killing him. (Like millions of Americans, Joe is uninsured.) Visit Joe Kral Needs Help to contribute, if you can — or buy one of Joe’s fonts from Veer.com. (Veer will send all revenue to Joe.)
Digital Web needs an editor
When I’m not reading A List Apart, I read Digital Web Magazine. It’s a wonderful and deep resource of information about web design and user experience. In the past few years it’s grown particularly wonderful, in large part thanks to Editor-in-Chief Krista Stevens‘s ability to recruit great thinkers and writers. Alas for Digital Web, Krista will step down at the end of 2006. If you have what it takes to replace her, Digital Web needs you.
Categories
An Event Apart cities Design events industry Standards

An Event Apart Seattle

It’s de-lightful, it’s de-lovely, it’s the city on Puget Sound. Join Eric Meyer, Jason Santa Maria, and Jeffrey Zeldman on Monday 18 September 2006 at Bell Harbor International Conference Center for An Event Apart Seattle, a concentrated, creative learning session that could change the way you approach web design. Save $50 when you register by August 18th, 2006.

Categories
A List Apart Design Publishing work

A List Apart intern

Thanks to all who applied for the A List Apart internship. We now have more qualified candidates than we can hire, so we’ve stopped accepting letters and resumes. The chosen one will hear from us soon. If you are not chosen, don’t feel bad. Everyone who wrote in was great. Deciding between you is like choosing a favorite star.

A List Apart Magazine, “for people who make websites,” is looking for one good intern.

You will help Erin and Jeffrey cope with incoming, potential articles. You will be a gatekeeper, honest and true. You will see concepts weeks before the public sees them. You will know where the bodies are buried. You will work hard for no wages. You will love it. Your name will appear in the illustrious A List Apart credits. You will dine out on your new fame.

All this and more (hard work) awaits the chosen one. Will she or he be you? Please write and tell us a little about yourself and why you’d like to be an ALA intern. Include a resume (informal is fine) and a brief discussion of an ALA article you enjoyed, along with the reasons you enjoyed it and anything you’d change about it. Please also include your views on the hyphen and the serial comma.

Categories
An Event Apart Design events people work

zefrank or zebeans

A man who needs no introduction is joining a line-up that has no equal. New media satirist/superstar zefrank, creator of the show, is coming to An Event Apart NYC. (zefrank replaces Adam Greenfield, author of Everyware.)

Join Tantek Çelik, zefrank, Aaron Gustafson, Jason Santa Maria, Khoi Vinh, Eric Meyer, and Jeffrey Zeldman for two days of design and code in the heart of New York City. Hurry! Early Bird Savings end Friday. Register today.

Categories
Accessibility An Event Apart cities Design development events industry Redesigns Standards Tools work writing Zeldman

Wrapping Chicago

An Event Apart Chicago has wrapped. It felt like the best one yet. Everything clicked.

There were as many designers as coders in attendance, as many Chicagoans as out-of-towners, as many agency people and freelancers as in-house folks, and nearly as many women as men. They engaged at “good morning” and stayed involved all day, asking shrewdly penetrating questions and sharing their own insights and experiences. Energy flowed not only between the floor and the seats but also from one seat to another. It felt like community.

This was the third time out for Eric, Jason, and me. Our talks were sharper and shorter — looser and more relaxed, yet also more focused than before. The rhythm was better. The balance between technical and aesthetic subjects, how much time was alloted to each, the way one theme flowed into another — the music of the day — felt tighter and truer than at events past.

Thanks to our sponsors at Adobe, AIGA, New Riders, and Media Temple, we were able to give away thousands of dollars worth of software, books, and services. (We’ll be doing the same at An Event Apart NYC next month.)

Guest speaker Jim Coudal‘s leisurely stories were like little grenades of inspiration. He tossed them out casually; moments later, they detonated.

The day formally ended with lively critiques of sites submitted by attendees. We tried this once before, at An Event Apart Philadelphia, with mixed results. This time it felt like it really worked. The day informally ended at Timothy O’Toole’s pub, with a mixer sponsored by Jewelboxing.

Time, and the blog posts of those who attended, will tell if the event was as good for you as it was for us. Sincere thanks to all who attended. Thanks also to Dawson, John Gruber, Amy Redell, Michael Nolan, and Orrin Fink.

And a reminder: the Early Bird Rate for An Event Apart NYC ends June 9th. That’s a week from today! On June 10th, the price will increase by $100. So if you’re thinking of attending An Event Apart NYC — two days of design and code — please register soon.