Media queries have been the go-to tool in building responsive sites, allowing us to resize and recombine modules to suit multiple contexts, layouts, and viewports. But relying on fixed viewport sizes can quickly twist stylesheets into Gordian knots. We still need a future-friendly way to manage responsive CSS. Mat Marquis explores the problem and the progress toward the solution—and issues a rallying call.
Content projects need a sense of direction: something to help you and your team provide the right content to the right people at the right time. Enter the content compass—centered on your strategy and supported by your messaging—to keep your content efforts on track. In this excerpt from Chapter 11 of The Content Strategy Toolkit, Meghan Casey explains her methodology for developing a core strategy statement and messaging framework.
Deep Tweets № 613664902180413440
USABILITY TESTING doesn’t reveal problems in your product so much as it uncovers arrogance in your thinking. #
From NYPL to DC Comics: the lettering of Ira Schnapp
HE DESIGNED the lettering on The New York Public Library and the James Farley Post Office (“neither snow nor rain…”), created titles for silent movies, movie posters, and pulp magazines in the 1920s, and started working for DC Comics in 1938, where he designed the masthead for Action Comics, refined the Superman logo, and brought dozens of DC Comics texts and titles to life. A new exhibit at The Type Directors Club honors Ira Schnapp and sheds light on his decades of influential work.
A List Apart № 422: So Emotional
ISSUE № 422 of A List Apart for people who make websites is all about working with the human element:
Structured, automatic systems are great at managing content efficiently—but not so great at accommodating humans changes in that content. On the other hand, free-for-all WYSIWYGs lead to inconsistency and breakdowns. Stakeholders and content administrators need flexibility and control, especially where the all-important homepage is concerned. What’s a website to do? Johanna Bates suggests embracing a people-friendly homepage solution within our robot-driven architectures.
Validating emotions isn’t a glorified psychological process; part of our work is to hear our colleagues and clients out. Kelsey Lynn Lundberg shows us how we can identify the underlying needs—security, freedom, identity, worth—that drive emotional responses, and how to translate those needs into productive discussions to keep our teams moving forward.
Typelab interview with Jeffrey Zeldman | Typetester
The interview was conducted by Nick Sherman at TypeLab on June 13, 2015. The website is part of Typographics TypeLab and is a demonstration of what can be done with web typography within 24 hours.
No Good Can Come of Bad Code: Ask Dr Web in A List Apart
Remember: the future will come whether you design for it or not. If your company charges $300,000 for a website that won’t work on next week’s most popular device, your company won’t be able to stay competitive in this business. It might not even be able to stay in the business, period. After all, clients who pay for sites that break too soon will look elsewhere next time—leaving your company perpetually hunting for new clients in a downward spiral of narrowing margins and diminishing expectations.
Your company’s survival is tied to the ability of the products it makes to work in situations you haven’t imagined, and on devices that don’t yet exist. This has alwaysbeen the challenge of web design. It’s one A List Apart has taken seriously since we began publishing, and our archives are filled with advice and ideas you can boil down and present to your bosses.
Material Design: Why the Floating Action Button is bad UX design
I HIGHLIGHTED so many passages in this brief, well-focused design argument, it’s almost embarrassing. Read it (it takes about three minutes), and you’ll wear out your virtual highlighter, too:
Material Design is a design language introduced by Google a year ago, and represents the company’s bold attempt at creating a unified user experience across all devices and platforms. It’s marked with bold colours, a liberal but principled use of shadows to indicate UI layers, and smooth animations that provide a pretty pretty user experience on Android (and some Google apps on iOS).
One thing about Material Design, however, has bugged me ever since it was introduced last year: Floating Action Buttons.
FABs are circular buttons that float above the UI and are “used for a promoted action,” according to Google. They act as call to action buttons, meant to represent the single action users perform the most on that particular screen.
And because of the bold visual style of Material Design, FABs are strikingly hard to ignore and stand out — and herein lies the problem.
While FABs seem to provide good UX in ideal conditions, in actual practice, widespread adoption of FABs might be detrimental to the overall UX of the app. Here are some reasons why.
Forget Air Hockey, Zen Gardens, and sleep pods: a true “dream” company invests in its people—fostering a workplace that supports dialogue, collaboration, and professional development. From onboarding new hires to ongoing engagement, Justin Dauer shares starting points for a healthy office dynamic and confident, happy employees. ☛
Every product has a personality—is yours by design? Meg Dickey-Kurdziolek shows you how Weather Underground solved its personality problems by creating a design persona, and teaches you collaborative methods for starting a personality adjustment in your company. ☛
The Web is not Poor Man’s Native | in progress
TAKE A LOOK in dev tools; maybe you don’t need a couple of dozen trackers on every page.
Chris Wilson on why Web vs. Native is the wrong question, and what web developers can do to maximize the web’s strengths instead of undercutting them by over-relying on heavy frameworks designed to emulate native apps.