A Helvetica For Readers

A Helvetica for readers–introducing Acumin.

ACUMIN by Robert Slimbach is a new type family from Adobe that does for book (and ebook) designers what Helvetica has always done for graphic designers. Namely, it provides a robust yet water-neutral sans-serif, in a full suite of weights and widths. And unlike the classic pressing of Helvetica that comes on everyone’s computers—but like Helvetica Neue—Acumin contains real italics for every weight and width.

Reading about the design challenges Slimbach set himself (and met) helps you appreciate this new type system, whose virtues are initially all too easy to overlook, because Acumin so successfully avoids bringing a personality to the table. Enjoying Acumin is like developing a taste for exceptionally good water.

Nick Sherman designed the website for Adobe, and its subtly brilliant features are as easy to miss at first look as Acumin’s. For starters, the style grid on the intro page dynamically chooses words to fit the column based on the viewport size. Resize your browser and you’ll see how the words change to fill the space.

Heaps of behind-the-scenes calculation allow the page to load all 90 (!) fonts without breaking your pipes or the internet. Developer Bram Stein is the wizard behind the page’s performance.

Nick uses progressively enhanced CSS3 Columns to create his responsive multi-column layout, incorporating subtle tricks like switching to a condensed font when the multi-column layout shrinks below a certain size. (This is something A List Apart used to do as well; we stopped because of performance concerns.) In browsers like IE9 and earlier, which do not support CSS3 Multiple Column specification, the layout defaults to a quite readable single column. Nick adds:

It’s the first time I’ve used responsive CSS columns for a real-world project. This was both frustrating and fun because the CSS properties for controlling widows and orphans are very far behind what’s possible in InDesign, etc. It also required more thinking about vertical media queries to prevent a situation where the user would have to scroll up and down to get from the bottom of one column to the top of the next. If the viewport is too short to allow for easy reading across columns, it stays as a single column.

He describes the challenges of creating the site’s preview tool thusly:

We had to do some behind the scenes trickery in order to get the sliders to work for changing widths and weights. It’s a good way to allow people to type their own text and get a feeling for how the family can be used as a system for body text and headlines (unlike Helvetica, which is more limited to the middle range of sizes). Chris Lewis helped out a lot with getting this to work. It even works on a phone!

Book designers have long had access to great serif fonts dripping with character that were ideal for setting long passages of text. Now they have a well-made sans serif that’s as sturdy yet self-effacing as a waiter at a great restaurant. Congratulations to Robert Slimbach, Adobe, and the designers and developers mentioned or interviewed here. I look forward to seeing if Acumin makes it into new website designs (perhaps sharing some of Proxima Nova‘s lunch), especially among mature designers focused on creating readable experiences. And I pray Acumin makes its way into the next generation of ebook readers.

(Just me? In both iBooks and Kindle, I’m continually changing typefaces after reading any book for any period of time. All the current faces just call too much attention to themselves, making me aware that I am scanning text—which is rather like making filmgoers aware that they are watching projected images just when they should be losing themselves in the story.)

@font-face and Web Performance

Some time in 2009, Firefox and Opera began shipping @font-face support with the former behavior: text would render with fallback fonts until downloadable font resources became available. But this choice frustrated many users (see the Firefox bug report) and was quickly dubbed FOUT, the Flash of Unstyled Text . Articles were written about fighting the @font-face FOUT. It wasn’t long before most browsers were hiding text while fonts downloaded. Unfortunately, the main issue with @font-face now is what many wanted to avoid years ago: the FOIT, or Flash of Invisible Text.

Source: The @font-face dilemma | Viget

Big Web Show № 132: Modern Layouts with Jen Simmons

Jen Simmons

THE BIG WEB SHOW is back from its break. My guest this week is Jen Simmons (@jensimmons) of The Web Ahead. We discuss moving beyond cookie-cutter layouts on the web; the ins and outs of podcasting; tradeoffs when designing a website; learning from your users; Jen’s journey from theater to technology; and more. Sponsored by Dreamhost. Enjoy The Big Web Show № 132.


http://thewebahead.net/81 (great links in the show notes!)

Next Generation CSS Layout With Rachel Andrew

SINCE the early days of the web, designers have been trying to lay out web pages using grid systems. Likewise, almost every CSS framework attempts to implement some kind of grid system, using floats and often leaning on preprocessors.

The CSS Grid Layout module brings us a native CSS Grid system for the first time—a grid system that does not rely on document source order, and can create complex layouts which are easily redefined with media queries.

In Rachel Andrews’s “CSS Grid Layout” session at An Event Apart Boston 2015, by following along with practical examples, you’ll learn how Grid works, and how it can be used to implement modern layouts and responsive designs.

More at An Event Apart.

Big Web Show № 110: CSS and JavaScript: Can’t We All Just Get Along?

Nicole Sullivan

IN BIG WEB SHOW № 110, Nicole Sullivan and I discuss CSS Conf, building scalable systems that won’t break, designing for speed and performance, learning Ruby, Object Oriented CSS, a CSS Style Guide, Type-o-matic, practical takeaways from stunt CSS, pairing as a work method, sexism and racism tests, and setting aside biases when selecting conference sessions. Enjoy!

Sponsored by Typekit.

Animate This: Val Head on CSS, Pittsburgh, and The Big Web Show

Val Head

DESIGNER/DEVELOPER Val Head and I discuss her new book A Pocket Guide to CSS Animations (Five Simple Steps, 2013); the Web Design Day conference; working as a hired gun; JavaScript and CSS animation; the great city of Pittsburgh; what it takes to run a workshop; and more. Enjoy Episode № 104 of The Big Web Show on Mule Radio.

There’s Always More

Big Web Show № 102: Sass for Web Designers with Dribbble’s Dan Cederholm

Dan Cederholm

DESIGNER, developer, banjoist, Dribbble co-founder, and all-around nice guy Dan Cederholm and I discuss fear of CSS pre-processors; the craft of code; growing the Dribbble design community; transitioning from a two-person part-time start-up to a full-time company with employees; and Dan’s new book Sass For Web Designers in Episode № 102 of The Big Web Show on Mule Radio.

Tell Your Friends!

Big Web Show 79: Eric Meyer

Eric Meyer

IN EPISODE No. 79 of The Big Web Show (“everything web that matters”), I interview CSS guru, Microformats co-founder, O’Reilly and New Riders author, and An Event Apart co-founder Eric A. Meyer (@meyerweb) about upcoming CSS modules including grid layout, flexbox, and regions; his career trajectory from college graduate webmaster to world-renowned author, consultant, and lecturer; founding and running a virtual community (CSS-Discuss); becoming an O’Reilly writer; the early days of the Mosaic Browser and The Web Standards Project’s CSS Samurai; “The Web Behind” variation of The Web Ahead podcast, and more.

Listen to the episode.

About Eric

Eric A. Meyer has been working with the web since late 1993 and is an internationally recognized expert on the subjects of HTML and CSS. He is the principal consultant for Complex Spiral Consulting and lives in Cleveland, Ohio, which is a much nicer city than you’ve been led to believe. Author of “Eric Meyer on CSS” (New Riders), “Cascading Style Sheets: The Definitive Guide” (O’Reilly & Associates), “CSS2.0 Programmer’s Reference” (Osborne/McGraw-Hill), and the CSS Browser Compatibility Charts, Eric co-founded and co-directs An Event Apart, the design conference “for people who make websites,” and speaks at a variety of conferences on the subject of standards, CSS use, and web design.


Photo: Chris Jennings