2001 IS CALLING, and while it may not look fresh, its message still resonates:
We believe that the web is a remarkable medium for new forms of art, personal storytelling, and all manner of information and services whose rewards are not necessarily financial.
The independent content scene is alive and well, but is largely unknown by the general web-using public.
We seek to support each other as a community, and to increase, if possible, the general public’s awareness not only of existing independent sites, but of the fact that they can create their own.
INDEPENDENTS DAY is a wholly non-owned, non-commercial, non-subsidiary of nothing.
Independent content on the web: a declaration of principles from 2001, still relevant today, from Independents Day.
A Beautiful Life
LIZZIE VELASQUEZ, age 25, weighs 64 pounds. Born with a rare syndrome that prevents her from gaining weight, she was not expected to survive. Her parents took her home, raised her normally, and, when she turned five, sent her to kindergarten, where she discovered, through bullying, that she was different.
The bullying peaked when an adult male posted a photo of thirteen-year-old Lizzie labeled “World’s Ugliest Woman” on YouTube. The video got four million views. The uniformly unkind comments included sentiments like, “Do the world a favor. Put a gun to your head, and kill yourself.”
Rather than take the advice of anonymous cowards, Lizzie determined not to let their cruelty define her. Instead, as she reveals in this inspiring video captured at TEDxAustinWomen, Lizzie channeled the experience into a beautiful and fulfilling life.
This Week In The Death of Publishing & The Web
FAST COMPANY writes:
Apple, like Facebook, has entered into a standoff with the publishing industry and the open, if for-profit, web. And it’s being done under the aegis of design: choose a better reading experience on our curated platform, they offer, or let us clean up that pesky advertising on the open web.
Media queries have been the go-to tool in building responsive sites, allowing us to resize and recombine modules to suit multiple contexts, layouts, and viewports. But relying on fixed viewport sizes can quickly twist stylesheets into Gordian knots. We still need a future-friendly way to manage responsive CSS. Mat Marquis explores the problem and the progress toward the solution—and issues a rallying call.
Content projects need a sense of direction: something to help you and your team provide the right content to the right people at the right time. Enter the content compass—centered on your strategy and supported by your messaging—to keep your content efforts on track. In this excerpt from Chapter 11 of The Content Strategy Toolkit, Meghan Casey explains her methodology for developing a core strategy statement and messaging framework.
From ATMs to Siri to the button text in an application user interface, we “talk” to our tech—and our tech talks back. Often this exchange is purely transactional, but newer technologies have renegotiated this relationship. Joscelin Cooper reflects on how we can design successful human-machine conversations that are neither cloying nor overly mechanical. ⇛
The web operates in ways that can conflict with our traditional view of what a “story” is. Content is chunked, mixed, and spread across channels, devices, and formats. How do we understand story lines, characters, interactions, and the role of the audience, given this information sprawl? Cue nonlinear narratives—Senongo Akpem guides us past basic “scrolly-telling” to immersive, sometimes surprising experiences. ⇛
The joy of content creation (and the hazards of building in someone else’s sandbox)
AN INSPIRING STORY of content creation, which is also, although this particular tale ends happily, a warning about the hazards of building in someone else’s sandbox.
Stampylongnose makes wonderful videos about Minecraft (among other things) and is the first independent content creator in my young daughter’s world. She follows him like you followed your first favorite blogger.
In “1 Million Subscribers Special – From Then To Now,” he shares how he became an independent video producer on the web—how he lost everything when Google arbitrarily pulled the plug—and how the community that loved him, and one great Google admin, fought to restore his work.
“The independent content producer refuses to die.”
McGrane: Kill Your CMS
THE ERA of “desktop publishing” is over. Same goes for the era where we privilege the desktop web interface above all others. The tools we create to manage our content are vestiges of the desktop publishing revolution, where we tried to enable as much direct manipulation of content as possible. In a world where we have infinite possible outputs for our content, it’s time to move beyond tools that rely on visual styling to convey semantic meaning. If we want true separation of content from form, it has to start in the CMS.–Karen McGrane,WYSIWTF ∙ An A List Apart Column.
Creative Commons turns 10
HARD TO BELIEVE, but it was ten years ago that I first heard Lawrence Lessig give a talk at SXSWi about an idea he had to save content from death by copyright law.
At the time, copyright law and digital creativity were at odds, and tens of thousands of cultural artifacts were disappearing from the commons because of the Mickey Mouse Protection Act, a copyright extension pushed through congress by the late Sonny Bono at the behest of the Disney corporation. Corey Doctorow, one of Lessig’s partners on the SXSW panel, memorably likened the destruction to the slow motion burning of the Library of Alexandria.
But Lessig had a plan. And, remarkably, it worked: “For a decade now, Creative Commons has made legal sharing and remixing easier for everyone. After ten years, it has become the default third way.”
It’s great that some of the brightest minds in our industry continue making the point that copy matters, and that “one of the most overlooked designers in any field is the copywriter.” But it’s sad that, whenever we make that point, the only examples we seem to come up with are 37signals and Apple. (Flickr used to be in there, too, but these days, sadly, nobody wants to talk about Flickr—even when they’re a canonical example of doing x right.)
IN EPISODE No. 78 of The Big Web Show (“everything web that matters”), I interview Margot Bloomstein, author of Content Strategy at Work: Real-World Stories to Strengthen Every Interactive Engagement (Morgan Kaufmann, 2012), about her professional transition from design to content strategy; the vagaries of the consulting life; how mentoring and non-traditional academic backgrounds can fit into a web career; how to write a content strategy book for people who are not content strategists; and the beauties of Pittsburgh.