The new Kindle has a lot going for it. It’s inexpensive compared to a full-featured tablet computer like the iPad; you can slip it in your back pocket, where it’s more comfortable than an old-style paperback; and it includes a Webkit browser. This last point is where folks like us start to give a hoot, whether we’re fans of epub reading or not.
The flavor of Kindle’s browser concerns us because it affords us the ability to optimize the mobile viewing experience with a single line of markup. You can see this in action in the photo at the head of this article (published and discussed on Flickr).
I made no tweaks for Kindle per se; the Kindle is simply responding to a line of markup I’ve been putting into my web pages since 2007—namely, the viewport meta element, which controls the width of the viewport, thus enabling mobile devices with a limited number of pixels to focus all available pixels on your site’s core content (instead of, for instance, wasting part of the small screen on a background color, image, or gradient). The technique is as simple as web design gets:
meta name="viewport" content="width=770"
(Obviously, the value of “width” should be adjusted to match your site’s layout.)
I learned this little trick from Craig Hockenberry’s Put Your Content in My Pocket (A List Apart, August 28, 2007), which I naturally recommend to any designer who hasn’t seen it.
Episode 18: Roger Black on web type and templates
Legendary art director Roger Black guests on tomorrow’s episode of The Big Web Show, co-hosted by Dan Benjamin and taped in front of a live internet audience.
“He pioneered the use of computers in design, cut the best deals, and made himself synonymous with the modern magazine,” wrote Michael Wolff in a New York Magazine profile of Roger back in the 1990s, when Roger was the best-known magazine art director in the world. (Among many others, he designed Rolling Stone, The New York Times Magazine, Newsweek, The New Republic, Fast Company, Advertising Age, and Esquire.)
He also co-founded Interactive Bureau, one of the biggest and most successful web design agencies of the dot-com era.
Roger Black is an astoundingly prolific creative force; we hope you can join us for this Episode of the show.
The Big Web Show (“Everything Web That Matters”) is taped live in front of an internet audience every Thursday at 1:00 PM ET on live.5by5.tv. Edited episodes can be watched afterwards, often within hours of taping, via iTunes (audio feed | video feed) and the web.
Photo of Roger Black at Happy Cog by Jeffrey Zeldman.
iPad Fonts Petition
Dear Apple: It is a triumph of engineering and marketing and general cause for joy that Apple provides highly functional iPad versions of Keynote, Pages, and Numbers for a mere $9.99 apiece. Alas, the iPad versions’ inability to import or transfer fonts diminishes the apps’ value and utility.
You, Apple, have done much to foster today’s design culture, so it is no surprise to you that we designers are particular about the fonts we use. One font is not the same as another. Helvetica is not the same as Franklin or Gotham. You know this as well as we do. Which means you also know that, in transferring Keynote presentations and Pages layouts between the Macs and iPads you sell us, our joy gets dented when the iPad replaces our fonts with “a close match” or Helvetica.
And it’s not just a matter of joy. I sometimes spend weeks on a Keynote presentation, and so do my colleagues. We’d love to be able to work on them whether we have a Mac or an iPad at hand—that, after all, is the promise of the devices we buy from you; frankly, it is the promise of all computers. But when the iPad loses my fonts, it loses me. A Keynote presentation with substitute fonts is of no use to me, except perhaps as a rehearsal tool—and I can just as easily rehearse with a PDF.
Please either add the ability to retain fonts (and all their settings) when importing Keynote, Pages, and Numbers documents from computer to iPad, or else please create a simple font management tool for the iPad that allows us to import a reasonable subset of our fonts to the device.
I guest-edit .net magazine
A List Apart and .net magazine have long admired each other. So when .net editor Dan Oliver did me the great honor of asking if I wished to guest edit an issue, I saluted smartly. The result is now arriving in subscriber post boxes and will soon flood Her Majesty’s newsstands.
In .net magazine Issue No. 206, on sale 17th August in UK (and next month in the US, where it goes by the name “Practical Web Design”), we examine how new standards like CSS3 and HTML5, new devices like iPhone and Droid, and maturing UX disciplines like content strategy are converging to create new opportunities for web designers and the web users we serve:
Exult as Luke Wroblewski shows how the explosive growth of mobile lets us stop bowing to committees and refocus on features customers need.
Marvel as Ethan Marcotte explains how fluid grids, flexible images, and CSS3 media queries help us create precise yet context-sensitive layouts that change to fit the device and screen on which they’re viewed.
Delight as Kristina Halvorson tells how to achieve better design through coherent content wrangling.
Thrill as Andy Hume shows how to sell wary clients on cutting-edge design methods never before possible.
Geek out as Tim Van Damme shows how progressive enhancement and CSS3 make for sexy experiences in today’s most capable browsers—and damned fine experiences in those that are less web-standards-savvy.
You can also read my article, which asks the musical question:
Cheap, complex devices such as the iPhone and the Droid have come along at precisely the moment when HTML5, CSS3 and web fonts are ready for action; when standards-based web development is no longer relegated to the fringe; and when web designers, no longer content to merely decorate screens, are crafting provocative, multi-platform experiences. Is this the dawn of a newer, more mature, more ubiquitous web?
Today’s web is about interacting with your users wherever they are, whenever they have a minute to spare. New code and new ideas for a new time are what the new issue of .net magazine captures. There has never been a better time to create websites. Enjoy!
Photo by Daniel Byrne for .net magazine. All rights reserved.
Design Apps for Fun and Profit
Update! Episode 14 is now available for your listening and viewing pleasure at 5by5.tv.
Josh Williams, founder of Gowalla, is our guest at 1:00 PM ET today, July 29, in Episode 14 of The Big Web Show. Whether you’re a social media user/creator, an entrepreneur, an application developer, an iconist or illustrator, a freelancer with big dreams, an API wizard, a devotee of marketing 2.0, a web designer, a Gowalla fan, or what, you won’t want to miss this episode.
The Big Web Show is taped in front of a live internet audience, and you can be part of it. Join co-host Dan Benjamin and me at 1:00 PM ET today to participate in the live taping of Episode 14.
If you miss the live taping, you can watch the show on our website or via iTunes later tonight.
The Big Web Show (“Everything Web That Matters”) is taped live in front of an internet audience every Thursday at 1:00 PM ET on live.5by5.tv. Edited episodes can be watched afterwards (often within hours of taping) via iTunes (audio feed | video feed) and the web.
Photo: Keegan Jones.
SlideShowPro adds HTML5
Most of us web folk are hybrids of one sort or another, but Todd Dominey was one of the first web designers to combine exceptional graphic design talent with serious mastery of code.
Being so good at both design and development that you could easily earn a fine living doing just one of them is still rare, although it looks like the future of our profession. One of the first serious designers to embrace web standards, Todd was also one of the few who did so while continuing to achieve recognition for his work in Flash. (Daniel Mall, who came later, is another.)
Finally, Todd was one of the first—along with 37signals and Coudal Partners—to abandon an enviably successful client services career in favor of full-time product development, inspiring a generation to do likewise, and helping bring us to our current world of web apps and startups.
A personal project that became an empire
In Todd’s case, the product was SlideShowPro, a project he designed for himself, which has grown to become the web’s most popular photo and video slideshow and gallery viewer. When you visit a photographer’s portfolio website, there’s an excellent chance that SlideShowPro powers its dynamic photo viewing experience. The same is true for the photo and video gallery features of many major newspaper and magazine sites, quite possibly including your favorites.
But deliberate lack of Flash support in the iPad and iPhone, while lauded here on February 1, 2010 as a win for accessible, standards-based design (“Not because Flash is bad, but because the increasing popularity of devices that don’t support Flash is going to force recalcitrant web developers to build the semantic HTML layer first”), presented a serious problem for developers who use SlideShowPro and readers who enjoy browsing dynamic photo and video galleries.
SlideShowPro Mobile is an entirely new media player built using HTML5 that doesn’t require the Flash Player plugin and can serve as a fallback for users accessing your web sites using these devices. But it’s not just any fallback — it’s specially designed for touch interfaces and smaller screen sizes. So it looks nothing like the SlideShowPro player and more like a native application that’s intuitive, easy to use, and just feels right.
The best part though is that because SlideShowPro Director (which will be required) publishes the mobile content, you’ll be able to provide the mobile alternative by simply updating the Flash Player embed code in your HTML documents. And just like when using the SlideShowPro player, because Director is behind the scenes, all your photos will be published for the target dimensions of these devices — which gives your users top quality, first generation images. The mobile player will automatically load whatever content is assigned to the Flash version, so the same content will be accessible to any browser accessing your web site.
A public beta will be released in the next weeks. Meanwhile, there is a video demo. There’s also an excellent Question and Answer page that answers questions you may have, whether you’re a SlideShow Pro customer or not. For instance:
Why mobile? Why not desktop?
We believe that (on the desktop) Flash is still the best delivery method for photo/video galleries and slideshows for it provides the most consistent user experience across all browsers and the broadest range of playback and customization options. As HTML5 support matures across all desktop browsers, we’ll continue to look into alternate presentation options.
And so do my iPhone and your iPad. All it took was a bit o’ the old Richard Fink syntax and a quick drive through the Font Squirrel @Font-Face Kit Generator (featuring Base 64 encoding and SVG generation) to bring the joy and wonder of fast, optimized, semi-bulletproof web fonts to Safari, Firefox, Opera, Chrome, iPhone, and Apple’s latest religious device.
Haven’t checked IE7, IE8, IE9, or iPad yet; photos welcome. (Post on Flickr and link here.)
What I learned:
☛ Even if manufacturer supplies “web font” versions with web license purchase, it’s better to roll your own web font files as long as this doesn’t violate the license.
George Lois Tee
TypographyShop presents the first design in its new series, the Ten Commandments of George Lois, created with the approval and cooperation of the hall of fame art director himself.
The new shirt reads: “Great ideas can’t be tested. Only mediocre ideas can be tested.” Sport it at your next client meeting. Wear it, live it.
Younger readers may ask, “Who is George Lois?” Typography Shop supplies a mini-bio:
From his groundbreaking work at Doyle Dane Bernbach to his controversial Esquire covers to “I want my MTV,” George Lois has carved a career sans equal in the advertising industry. … George chose this design from among our treatments. Set in Franklin Gothic No. 2, designed by Morris Fuller Benton in 1902 and News Gothic, a related 1908 Benton creation.
Look for more George Lois shirts coming soon from Typography Shop.
Full disclosure: there will be Zeldman shirts coming as well.