Sunday morning, while dreaming, I began receiving messages from the other world. They covered matters of etiquette when interacting with the dead, and even offered glimpses of what the spirit life is like:
- Do not accept food from a ghost.
- Do not make love to a ghost, even if she is your wife.
- Don’t ask ghosts questions about time. They don’t understand them.
- Fill your eyes with tears. That is how a ghost sees.
These messages were conveyed clearly, and with authority. Although I knew their origin, I was not afraid. So matter-of-fact was my acceptance that I began framing what I was learning within a normal workday context. Specifically, I realized that these messages made the perfect Tweets.
For while Twitter may reduce the immense possibilities of communication to single-line banalities of 140 characters or less, it is paradoxically the perfect vehicle for distilling and broadcasting profound, irrational truths, such as those the dead share with us while we dream.
This dream also involved Robert Benchley and so many cartoonish implausibilities that it is possible that the messages I received came only from my own mind. But is that not equally infinite?
(The dream’s plot involved a luxury cruiser, torpedoed in World War II. Benchley, urbane in middle age, piloted a series of unlikely rescue vehicles, including a school bus that somehow managed to navigate the ocean and deftly avoid smacking into large chunks of wreckage. It was night, and raining, and black and white. A young Michael Keaton, who was sometimes a young Jack Nicholson, also played a role in the endless and pungently fraught narrative.)
[tags]ghosts, afterlife, twitter, webapps, robertbenchley, michaelkeaton, jacknicholson, dreams, death[/tags]